Rowdy biker women get more than they bargained for after joining a commune.Rowdy biker women get more than they bargained for after joining a commune.Rowdy biker women get more than they bargained for after joining a commune.
Jill Woelfel
- Donna
- (as Jill Woefel)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSam Sherman recalls in a 1991 Filmfax interview that the film was originally titled Screaming Angels. 'It was an attempt to do a biker film with motorcyclists who were good and a Manson-type cult that was bad. Easy Rider (1969) had come, and after that point there was a trend away from showing the motorcycle gang as the bad group. In Easy Rider, you got the idea that these people, who were outcasts from society, were actually good and were misunderstood.'
- GoofsDuring the big brawl near the end of the film various close-ups and alternating camera angles show that the white GMC pickup truck switches several times between having the tailgate facing the buildings and the front of the truck facing the buildings. One camera shot even shows that a horse-drawn wagon is seen in front of the buildings when it was not previously located there.
- Quotes
Rapist #2: You folks been gettin' mighty uppity since them un-civil rights.
Rapist #1: Yeah. And we just wanna see how civil you can be.
Orphan Girl: Not TOO motherfuckin' civil!
- ConnectionsEdited into Blazing Stewardesses (1975)
Featured review
ANGELS' WILD WOMEN is about the ferocious females of the title, led by the maniacal Margo (Regina Carol), who is kitted out with a halter top, hot pants, and a whip. She later adds gargantuan sunglasses and a floppy hat to her ensemble!
Director / muck maestro Al Adamson is behind yet another clunky, non-epic.
Watch! As bikers battle each other for supremacy, mostly amounting to hooting and riding around aimlessly!
See! Margo and her eeevil grrrl gang on their mission to attack and sexually assault unwary men!
Pointless, directionless, and incomprehensible, Adamson even takes us back to the old Spahn's Movie Ranch, where some new weirdo in a groovy robe seems to have taken Manson's place.
Simultaneously, the bikers are out in the nearby desert, drinking beer and refusing to grow up.
In typical Adamson fashion, nothing really happens, while we wait for an actual movie to take place. It's apparent that he had the skeleton of an idea, and decided that a story would only impede the film from mindlessly elapsing.
Not even the appearance of a Joe Walsh lookalike offers any relief! Of course, who needs a plot when you've got fighting, nudity, and a 7' tall John Bloom running around as a biker named Bigfoot?
Any hope of continuity dissolves as the dire dialogue unfolds, sounding as though street people had been promised donuts if they could learn their lines in 10 seconds or less!
Adamson understood his drive-in audience, knowing that they'd either be romancing in the back seat, or so loaded as to render anything onscreen, irrelevant. Still, even by his standards, this one's a slog! Watching it is akin to walking uphill backwards, in anvil shoes! You might reach the top, but you'll be in agony, wondering why you bothered!...
Director / muck maestro Al Adamson is behind yet another clunky, non-epic.
Watch! As bikers battle each other for supremacy, mostly amounting to hooting and riding around aimlessly!
See! Margo and her eeevil grrrl gang on their mission to attack and sexually assault unwary men!
Pointless, directionless, and incomprehensible, Adamson even takes us back to the old Spahn's Movie Ranch, where some new weirdo in a groovy robe seems to have taken Manson's place.
Simultaneously, the bikers are out in the nearby desert, drinking beer and refusing to grow up.
In typical Adamson fashion, nothing really happens, while we wait for an actual movie to take place. It's apparent that he had the skeleton of an idea, and decided that a story would only impede the film from mindlessly elapsing.
Not even the appearance of a Joe Walsh lookalike offers any relief! Of course, who needs a plot when you've got fighting, nudity, and a 7' tall John Bloom running around as a biker named Bigfoot?
Any hope of continuity dissolves as the dire dialogue unfolds, sounding as though street people had been promised donuts if they could learn their lines in 10 seconds or less!
Adamson understood his drive-in audience, knowing that they'd either be romancing in the back seat, or so loaded as to render anything onscreen, irrelevant. Still, even by his standards, this one's a slog! Watching it is akin to walking uphill backwards, in anvil shoes! You might reach the top, but you'll be in agony, wondering why you bothered!...
- azathothpwiggins
- Jul 25, 2021
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