A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Storyline
Did you know
- TriviaIn an interview in TV Guide in the 1970's, Ken Howard related that he was rehearsing some of his lines from the play aloud while traveling on an airplane. The inflammatory revolutionary rhetoric caused the plane's crew to summon the police and he was questioned by the authorities when the plane landed.
- GoofsSouth Carolina was not resistant to the notion of independence, far from it. In fact, South Carolina had rewritten its constitution in 1774, removing all references to Royal Authority.
It is stated quite clearly in the film that South Carolina would welcome independence, not just from England but from the other states as well.
- Quotes
John Adams: I have come to the conclusion that one useless man is called a disgrace; that two are called a law firm, and that three or more become a Congress! And by God, I have had this Congress! For ten years, King George and his Parliament have gulled, cullied, and diddled these colonies with their illegal taxes! Stamp Acts, Townshend Acts, Sugar Acts, Tea Acts! And when we dared stand up like men, they have stopped our trade, seized our ships, blockaded our ports, burned our towns, and spilled our BLOOD! And still, this Congress refuses to grant ANY of my proposals on independence, even so much as the courtesty of open debate! Good God, what in hell are you waiting for?
- Crazy creditsThe theatrical version has no credits at the beginning other than "Columbia Pictures presents" and the film's title. The Director's Cut and the extended laserdisc edition includes a main title sequence at the opening.
- Alternate versionsThe studio cut the film heavily prior to its release. Released theatrically at 141 minutes; laserdisc reissue is 180 minutes and features deleted footage, alternate takes for certain scenes, and an additional musical number titled "Cool Considerate Men." This version also includes an overture and intermission. According to the laserdisc jacket, the original film elements of the extended version were destroyed; thus the deleted scenes were taken from whatever Columbia could find, mostly old, misused prints (which leads to a decrease in picture and sound quality whenever the film transitions from the theatrical version to the deleted footage). One deleted scene was taken from a black-and-white print and was presented as such.
- ConnectionsFeatured in Playing Columbine (2008)
The writing is superb, and the direction is perfection itself. The music and lyrics add a bold exclamation point, for they range from funny to serious, simple to complex, in the richness of sound and appropriateness of placement.
Leading the charge is the cantankerous character of John Adams (William Daniels). It is nothing less than a remarkable and brilliant portrayal, probably one of the most difficult, and yet one of the best ever played. Daniels walks a very fine line, depicting the essence of a man who grates on his friends and foes, yet quickly pulls the audience to his side. You can't help but feel the desperation, frustration and passion of Adams, as he tries to persuade and pull reluctant and loyalist colonial representatives to his cause.
Frank Da Silva's Ben Franklin is equal to the challenge of the quality performance given by Daniels. Franklin is certainly the more popular figure among the characters, but nevertheless has many complexities, expertly brought out by the quality writing and Da Silva's fine skill as an actor of high caliber.
It is hard to write a review of such a fine film, without mentioning all the magnificent performances by a remarkably talented cast. It is far easier, and much more pleasurable, to simply view the film. Pay attention to the lighting and choreography. Watch the meeting room transform from a rather plain space, to one of intensity, as the room goes from static and flat, to lively and dramatic. It follows the mood of the film, as the issue of independence is moved from a side issue, to weave its way to the forefront. The oversized calendar reminds one of the ticking of a clock, as the days move inevitably to July 4th. And while we know the outcome of the events, it is too easy to be drawn into the process, and become captured by the suspense of those last six weeks leading to the formation of a new nation. The tally board, which records the votes of the colonies, also looms large on the wall. The movement from left to right, for and against independence, also adds to the suspense and drama of the film.
There are lighthearted moments, and witty banter, among the characters, as one would expect. But there are surprises too. And the viewer gets to see an amazing transformation of the irritable Adams to a much softer person, when he corresponds with Abigail. Please add 1776, with confidence, to your list of must-see movies. I think it is as fresh today as it was 30-years ago. It is time for a film re-release, or at least a revival on Broadway, but since such things rarely happen, do yourself a favor and rent or buy the movie. Personally, I think it was the finest of its kind. Can one rate it higher than a ten? Would that I could, for it deserves it. Kudos to the writer, director, and amazing cast. It was, for many, their very best performances, both behind the scenes and in front of the camera.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- 1776 - Rebellion und Liebe
- Filming locations
- Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, California, USA(Benjamin Franklin sitting for painting)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Runtime2 hours 21 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1