IMDb RATING
6.5/10
2.1K
YOUR RATING
Tired of cow-punching for a living, two Montana cowboys rob a bank and flee but their employer's sons chase after them.Tired of cow-punching for a living, two Montana cowboys rob a bank and flee but their employer's sons chase after them.Tired of cow-punching for a living, two Montana cowboys rob a bank and flee but their employer's sons chase after them.
Charles H. Gray
- Savage
- (as Charles Gray)
William Bryant
- Hereford
- (as Bill Bryant)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOne of the rare instances where Blake Edwards collaborated with another composer instead of his regular musical associate, Henry Mancini, who was working on another movie. In this case he used Jerry Goldsmith.
- GoofsWhen Post shoots Ben's tin cup, the "bullet hole" has metal shards curling out toward Post. But if Post had indeed fired a bullet at the tin cup, a bullet would have pushed the metal shards towards the inside of the cup. But with the metal shards curling outwards it clearly demonstrates that the so-called bullet hole was created by a small charge placed in the inside of the cup creating the outward curling shards.
- Quotes
Ross Bodine: You show me an old cowboy, a young cowboy or an in between cowboy with more than a few dollars in his poke and I'll show a cowboy that stopped being a cowboy and robbed banks.
Frank Post: Well, let's rob us a bank.
Ross Bodine: It'll be safer than getting married.
- Alternate versionsSPOILER: Originally released theatrically at 106 minutes; the extended "Director's Cut" runs 136 minutes. MGM cut 24 minutes of the film, including the scenes in which "Ross Bodine" gives some of the stolen money back to the "Billingses" and a slow-motion sequence in which "Walter Buckman" dies. The studio also added to the end of the film, after "Frank Post's" death, a recurrence of the sequence in which Post dances in the snow while Ross breaks the bronco.
- ConnectionsFeatured in The Moviemakers (1971)
Featured review
I saw WILD ROVERS when it first came out - in the early 70s. It had been butchered by the powers that be at MGM. Still there was a lot to recommend the western: William Holden at his post-WILD BUNCH grizzled best, Jerry Goldsmith's classic, Copelandesque score that somehow manages to be lyrical, evocative but not a bit cloying (learn something, James Horner and Hans Zimmer), and the stunning cinematography. I saw it again in the late 80s restored to its original length (on a double bill with the restored PAT GARRETT AND BILLY THE KID, also butchered by MGM in the early 70s). I found more to like about the movie: the unexpected spurts of humor, the observations of the connectedness between cowboy and animal life, and Blake Edward's staging of the scenes of violence - he never does the same thing twice, and the barroom shootout is an object lesson in blocking and editing. (If there is any complaint one can level against Clint Eastwood's UNFORGIVEN was how uninterestingly the action scenes were staged.) Anyway, I just caught WILD ROVERS again on HD.Net Movies during 4th of July weekend, and its virtues have actually grown with age. And it looks gorgeous on a 16:9 Hi-Def screen. Give it a few more years and it might attain classic status.
- How long is Wild Rovers?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Dos hombres contra el Oeste
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $277,092
- Runtime2 hours 16 minutes
- Aspect ratio
- 2.39 : 1
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