IMDb RATING
6.4/10
4.4K
YOUR RATING
A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.
Storyline
Did you know
- TriviaAccording to the 1974 biography "Barbra Streisand: The First Decade", this was originally envisioned as a three-hour "road show" extravaganza, and included many sequences of Daisy's other lives (photos of which were printed in some pre-release promotions), but director Vincente Minnelli and the studio felt it would be too long, especially since musicals had already begun to fail at the box office. In addition to all but the briefest of Jack Nicholson's scenes being cut, a musical number sung by him and Streisand, "Who Is There Among Us Who Knows?," was also cut, as well as "Wait Till We're Sixty-Five," a duet between Larry Blyden and Barbra Streisand. Producer Howard W. Koch conducted a search for the deleted footage in 1994, particularly Nicholson's song, which he wanted to showcase during the AFI tribute to the actor. Nothing turned up at Paramount. Koch asked Streisand and Minnelli's widow if they had remnants of the cut footage, but neither did. Koch determined that if the film still exists, it's probably in a mislabelled canister.
- GoofsThe telephone ring in Chabot's office is not a typical Bell company ring, even though the story is supposedly set in New York.
- Quotes
Dr. Marc Chabot: I used to be in love with answers, but since I've known you I'm just as astounded by questions. Answers make you wise, questions make you human.
- ConnectionsFeatured in Paramount Presents (1974)
Featured review
This is one of those musicals that rarely gets talked about. Even the original stage version is not as well known as say, "Oklahoma!" or "West Side Story", but it should be. It has some wonderful music and an intriguing story.
However, comparing the stage version of this show with the film would be pointless, because all filmed musicals of Broadway shows usually change in more then a few ways. As for this film, it is a charming watch, and an enjoyable way to spend a couple of hours. You don't need to be fans of either of the lead actors, but it does help if you are a musical fan and are somewhat interested in the science of ESP.
The songs in this film are all great, not one of them are what I would consider "filler". A few of the original songs from the stage show have been replaced here with different pieces, but they are good ones nontheless. My only complaint in them is Yves Montand's singing. It's difficult enough to understand his spoken word, but it's even worst when he sings. John Cullum's singing in the original Broadway version is so clear and strong, and Montand is just not at par with that. Still, the quality of the songs themselves, make up for this. The Technicolor is stupendous, lusch and vivid. It's a shame that the film was cut so badly before it was released. Not having seen that version, it's difficult for me to say whether or not it would have been an improvement over the finished product, but I doubt it. As it is, this is a decent, pleasant musical film, and worth watching if you are a fan of the genre.
However, comparing the stage version of this show with the film would be pointless, because all filmed musicals of Broadway shows usually change in more then a few ways. As for this film, it is a charming watch, and an enjoyable way to spend a couple of hours. You don't need to be fans of either of the lead actors, but it does help if you are a musical fan and are somewhat interested in the science of ESP.
The songs in this film are all great, not one of them are what I would consider "filler". A few of the original songs from the stage show have been replaced here with different pieces, but they are good ones nontheless. My only complaint in them is Yves Montand's singing. It's difficult enough to understand his spoken word, but it's even worst when he sings. John Cullum's singing in the original Broadway version is so clear and strong, and Montand is just not at par with that. Still, the quality of the songs themselves, make up for this. The Technicolor is stupendous, lusch and vivid. It's a shame that the film was cut so badly before it was released. Not having seen that version, it's difficult for me to say whether or not it would have been an improvement over the finished product, but I doubt it. As it is, this is a decent, pleasant musical film, and worth watching if you are a fan of the genre.
- How long is On a Clear Day You Can See Forever?Powered by Alexa
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $14,000,000
- Gross worldwide
- $14,000,000
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Top Gap
By what name was On a Clear Day You Can See Forever (1970) officially released in India in English?
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