During the Cold War a Naval Intelligence officer endowed with a powerful photographic memory is transferred to the CIA to participate in a covert operation in Moscow.During the Cold War a Naval Intelligence officer endowed with a powerful photographic memory is transferred to the CIA to participate in a covert operation in Moscow.During the Cold War a Naval Intelligence officer endowed with a powerful photographic memory is transferred to the CIA to participate in a covert operation in Moscow.
- Lt. Grodin
- (as Sandor Eles)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaUtilizes an innovative technique: scenes spoken in Russian begin in Russian and after a couple of interchanges segue to being spoken in English, avoiding either usual extreme of subtitling or dubbing into English. Was first used in movie Judgment at Nuremberg in 1961.
- GoofsWhen Ward and the Whore talk in the bathroom at the end, the movie crew is reflected in the tiles.
- Quotes
Colonel Kosnov: [During drinks after a dinner party, with the wives present] It was a long time ago. I'm not sure of the details any longer.
Bresnavitch: The Colonel is too modest. Imagine. All he actually knew was that three of Sturdevant's men were in a small Polish village. Correct?
Colonel Kosnov: I think so.
Bresnavitch: He had to determine which of the 2,300 people in the village were the three he wanted, so he rounded up the entire population. He began to interrogate and execute each of them one by one. Then it seems that when your husband started killing the children one of Sturdevant's men tried to make a run for it. He was caught of course and your husband was able to make him talk, as only he can.
- ConnectionsReferenced in John Huston: The Man, the Movies, the Maverick (1988)
- SoundtracksLove Is a Many-Splendored Thing
(uncredited)
Music by Sammy Fain
Played on piano at the San Francisco gay bar
The story line is simple and I won't repeat it here. I will say that from the Highwayman's exit (near the beginning) to the final revelation, the film is non-stop. George Sanders is a bonus. Not absolutely necessary to the story but certainly an amplification of the stakes involved.
Ward is the key to the story (no pun intended). Rone is drawn in for his memory. The Whore, jaded and disinterested in anything other than his immediate existence agrees to participate for money... or perhaps something else.
Remember the opening scene in Mission Impossible (Tom Cruise version)? Phelps' wife is drugged and the race is on to get the information so she can be given the antidote. Contrast this 'we're in it together' attitude with the 'I'm in it for myself' attitude of the Kremlin Letter; lots of lies and deception, but completely self-serving. Not a platitude in sight. A refreshing 'honesty' for the new millennium... from a film nearly thirty years old.
Having seen several versions including the original theatrical release, television cut and the second theatrical release I can understand the misconceptions surrounding this film.
This film is extremely violent. The violence is not the '90's variety. You aren't shown it but you feel it. Bresnavitch's fear... Rone's 'matter of fact' attitude... Ward's 'direction'... The Highwayman's' resignation...
Oh, the method for Russian/English/Russian translation must be experienced. It might not be a first but I haven't seen it in any film since.
Finally I must add that there is not one likeable character in this movie... they are all far too human.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Der Brief an den Kreml
- Filming locations
- Helsinki, Finland(Opening sequence)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $6,095,000 (estimated)
- Runtime2 hours
- Color
- Aspect ratio
- 2.35 : 1