User reviews

Ivana, a chemist, is hired by Baron Janos Dolmer to work in his secret laboratory in his big castle. The castle is located outside a small village, in which a series of brutal murders of young women has been committed. The townspeople all suspect Janos and his big doberman dogs (or is it rotweilers?). Ivana moves into the castle and pretty soon strange things starts to happen. Nobody of Janos' staff seems to want her around, her drink gets spiked and she has nightmares of a torture chamber in the cellar. Or is it really a dream? Janos himself is a bit suspicious, and the experiment he wants Ivana to participate in is far from normal.

It's quiet a good plot, and the characters are interesting. There are some logical gaps and the `scientific' discussions held between Ivana and Janos are laughable. The castle is beautiful and the atmosphere in the movie is very gothic. The flick features some nudity and sex.

I'd give this one a 6 out of 10. I'd recommend `La plus longue nuit du diable' by Jean Brismée instead if you're looking for an excellent 70's gothic horror movie.

A scary and creepy coproduction concerning a young woman , Ivanna : Erna Schurer , a scientist who has a busy day at a remote real state . As she comes to an eerie mansion located at an isolated place, there she works for a reclusive Baron : Charles Quiney as a mad doctor . She fantasizes about him, and both of whom fall in love, later on , to be aware the aristocrat is not what he seems . Along the way a rash of rather cruel killings happens in the area . Meanwhile , a police inspector: Mariano Vidal Molina attempts to track down a killer who is committing the grisly murders . And eventually Ivanna discovers a strange individual roaming in the cellar , corridor and rooms .

A horrifying Spanish Gothic with suspense, thrillls , tense , ghastly scenes and brief nudism in charge of two beauty Euro-starlettes : ans Agostina Belli and Erna Schurer . It was a limited success at the boxoffice , and being nowadays better considered than in the past . Stars Erna Schurer under pseudonym Jennifer Halley and Charles Quiney as Jeffrey Chase . Charles Quiney , was a mediocre Spanish actor , who played a few films , as he took a chance and jumped from warfare films : When heroes die , Hell Commandos to play adventure movies as Tiger of Kyber , Robin Hood and three Zorros : Zorro's Last adventure , Zorro rider of vengeance and Zorro of Monterrey . As he showed up almost exclusively in pictures directed by Jose Luis Merino , in fact Quiney was his fetish actor , and he was even known as the Spanish Errol Flynn. His career failed and eventually became a beggar and busker in the Madrid streets . In the film there various familiar faces of the Eurotrash of the 60s and 70s as Spanish people : Charles Quiney , Mariano Vidal Molina , Antonio Giménez Escribano and Italian actresses as Erna Schurer , Cristiano Galloni and Agustín Belli , the latter to be continued a successful career playing even with Kirk Douglas in Holocaust 2000.

It contains a granulated and washed-out cinematography by Emanuele Di Cola , being really necessary a perfect remastering . Shot on location in Spain and Italy : Grazzano Visconti , Emilia Romagna , Castello Di Montechiarugolo .This horrific motion picture was middlingly directed by Jose Luis Merino who recently passed away . This was a nice Spanish artisan who had a long career , shooting and writing all kind of genres , such as : Spaghetti Western : More Dollars for the MacGregor , Requiem for a Gringo , Gatlin Gun , Seven ride to Death , Frontier South . Thrillers : Colpo Sensazionale Al Servicio Del Sifar , USA violation or revenge, Superagents in Majorca , Shouts of Anxiety . Musical : Europa Sings , Aquellos Tiempos Cuple . Adventures : Robin Hood , three Zorros , Tiger of Kyber , Rebellion of the Bucaneers , Tarzan and King Salomon's mines . And horror : The Hanging woman and this Scream of the demon lover.

"Il Castello Dalle Porte Di Fuoco" (*) aka. "Altar of Blood"/"Blood Castle"/"Scream of the Demon Lover" (1970) is a below par Italian Gothic Horror film. This is not to say that it isn't a good film, however, as this combination of country and sub-genre has brought forth so many masterpieces and cult-gems, that even a highly entertaining, atmospheric and neat-looking flick like this one is below par (to be precise, this is an Italian Spanish Co-Production, the director José Luis Merino being Spanish).

José Luis Merino's film may lack logic, and seems to be terribly predictable and cheap in the beginning. However, it soon gets better, and furthermore turns out not to be quite as predictable as one might think. In the 19th century, the female chemist Ivanna (Erna Schürer) accepts a job in the castle of Baron Janos Delmar (Carlos Qunay). In spite of rumors that the Baron is a madman who rapes girls and has them mangled by his dogs, the un-superstitious Ivanna decides to stay. However, she soon has to realize that there are indeed strange things going on in the castle...

The foxy leading actress Erna Schürer might be recognized by Italian Horror lovers, as she had a role in Andrea Bianchi's sleazy Giallo "Nude Per L'Assassino" ("Strip Nude For the Killer", 1975); the role suits her quite well. Leading man Carlos Quinay appeared alongside the Spanish Horror legend Paul Naschy in "La Orgia De Los Muertos" (aka. "The Hanging Woman"/"Terror of the Living Dead", 1973). The cast member of this film that is doubtlessly (and rightly) best known, however, is the drop-dead gorgeous young Agostina Belli, a stunning beauty who appeared in a bunch of Italian genre films. She plays the supporting role of a young maid here. Marino Vidal Molina, who plays a police inspector, appeared in several films alongside Paul Naschy.

The film has a nice atmosphere, even though it is not quite as moody and eerie as it is the case with many other Italian Gothic Horror films. In some parts I was reminded of Antonio Margheriti's "La Vergine Di Norimberga" ("Horror Castle", 1963), which, of course, is a lot better. The plot has huge holes, but these holes are often entertaining, as are the spontaneous moments of comparatively rather tame sleaze. The camp-factor is definitely a good thing in this case. The characters' actions and emotions make little sense at times, but the film is entertaining anyway. It probably isn't going to scare anybody's pants off, but it is warmly recommendable to my fellow enthusiastic fans of Italian Gothic Horror. People not so familiar with the genre should doubtlessly stick with the many Italian Gothic Horror masterpieces, such as anything by Mario Bava, Antoni Margheriti, Riccardo Freda, etc. My rating of "Il Castello Dalle Porte Di Fuoco": 6/10

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(*) This actually does not concern this film in particular, but all non-English language films listed on IMDb: Am I the only one who laments IMDb's decision to change from using original titles to using American a.k.a. titles? The titles used are often not even the most common English titles. And the name-change concerns only about half of the non-English films. Furthermore, the films appear under the English aka-title but are still alphabetically listed under the beginning letter of the original title. E.g.: "What Have You Done To Solange" is listed under "C" ("Cosa Avete Fatto A Solange"); this film appears as "Scream of the Demon Lover" but is listed under "I" ("Il Castello..."). This makes it quite confusing and annoying to browse one's own Reviews. Well, no sense in nagging, I guess.

A female scientist goes to work for a reclusive baron in an old castle. The previous baron of the castle has apparently been blown up in an experiment and the new baron, his younger brother, is continuing his work on "matter regeneration". Despite the dire warnings from the townspeople that the new baron has a voracious appetite for women and that several of his previous conquests have been found naked and apparently ripped apart by dogs, the protagonist finds the one man in town who will take her to the castle (and who, of course, tries to rape her in route). When she arrives the baron at first refuses to employ her because she's a woman, but he eventually relents. And if she doesn't have enough reason to leave yet, the first night there she is drugged and wakes up tied to a bed naked and being pawed by some kind of hideous monster! Of course, the baron convinces her that it was all a dream and that she should stay, so she does and naturally she falls in love.

Obviously, this is a pretty dumb movie and not too suspenseful as there really are only two possible solutions: the new baron is a Dr. Jeckyl.Mr. Hyde type, or his supposedly dead and grossly disfigured brother is still alive. Still this is an enjoyable if completely demented adult fairy tale (with a lot of gratuitous nudity from the lead Erna Schrurer and from Augustina Belli as a very sexual precocious and unbelievably naive maid). You definitely need to leave logic (and good taste) at the door--and if you're a scientist your head will probably explode when you hear some of ridiculous pseudo-scientific mumbo jumbo the characters speak with a straight face. Still as ridiculous as this movie is. it's a lot of fun. And if you like this, check out the director's other well-known movie, "The Hanging Woman" with Paul Naschy as a necrophilic gravedigger.

Blood Castle (aka Scream of the Demon Lover, Altar of Blood, Ivanna--the best, but least exploitation cinema-sounding title, and so on) is a very traditional Gothic Romance film. That means that it has big, creepy castles, a headstrong young woman, a mysterious older man, hints of horror and the supernatural, and romance elements in the contemporary sense of that genre term. It also means that it is very deliberately paced, and that the film will work best for horror mavens who are big fans of understatement. If you love films like Robert Wise's The Haunting (1963), but you also have a taste for late 1960s/early 1970s Spanish and Italian horror, you may love Blood Castle, as well.

Baron Janos Dalmar (Carlos Quiney) lives in a large castle on the outskirts of a traditional, unspecified European village. The locals fear him because legend has it that whenever he beds a woman, she soon after ends up dead--the consensus is that he sets his ferocious dogs on them. This is quite a problem because the Baron has a very healthy appetite for women. At the beginning of the film, yet another woman has turned up dead and mutilated.

Meanwhile, Dr. Ivanna Rakowsky (Erna Schürer) has appeared in the center of the village, asking to be taken to Baron Dalmar's castle. She's an out-of-towner who has been hired by the Baron for her expertise in chemistry. Of course, no one wants to go near the castle. Finally, Ivanna finds a shady individual (who becomes even shadier) to take her. Once there, an odd woman who lives in the castle, Olga (Cristiana Galloni), rejects Ivanna and says that she shouldn't be there since she's a woman. Baron Dalmar vacillates over whether she should stay. She ends up staying, but somewhat reluctantly. The Baron has hired her to try to reverse the effects of severe burns, which the Baron's brother, Igor, is suffering from.

Unfortunately, the Baron's brother appears to be just a lump of decomposing flesh in a vat of bizarre, blackish liquid. And furthermore, Ivanna is having bizarre, hallucinatory dreams. Just what is going on at the castle? Is the Baron responsible for the crimes? Is he insane?

I wanted to like Blood Castle more than I did. As I mentioned, the film is very deliberate in its pacing, and most of it is very understated. I can go either way on material like that. I don't care for The Haunting (yes, I'm in a very small minority there), but I'm a big fan of 1960s and 1970s European horror. One of my favorite directors is Mario Bava. I also love Dario Argento's work from that period. But occasionally, Blood Castle moved a bit too slow for me at times. There are large chunks that amount to scenes of not very exciting talking alternated with scenes of Ivanna slowly walking the corridors of the castle.

But the atmosphere of the film is decent. Director José Luis Merino managed more than passable sets and locations, and they're shot fairly well by Emanuele Di Cola. However, Blood Castle feels relatively low budget, and this is a Roger Corman-produced film, after all (which usually means a low-budget, though often surprisingly high quality "quickie"). So while there is a hint of the lushness of Bava's colors and complex set decoration, everything is much more minimalist. Of course, it doesn't help that the Retromedia print I watched looks like a 30-year old photograph that's been left out in the sun too long. It appears "washed out", with compromised contrast.

Still, Merino and Di Cola occasionally set up fantastic visuals. For example, a scene of Ivanna walking in a darkened hallway that's shot from an exaggerated angle, and where an important plot element is revealed through shadows on a wall only. There are also a couple Ingmar Bergmanesque shots, where actors are exquisitely blocked to imply complex relationships, besides just being visually attractive and pulling your eye deep into the frame.

The performances are fairly good, and the women--especially Schürer--are very attractive. Merino exploits this fact by incorporating a decent amount of nudity. Schürer went on to do a number of films that were as much soft corn porn as they were other genres, with English titles such as Sex Life in a Woman's Prison (1974), Naked and Lustful (1974), Strip Nude for Your Killer (1975) and Erotic Exploits of a Sexy Seducer (1977). Blood Castle is much tamer, but in addition to the nudity, there are still mild scenes suggesting rape and bondage, and of course the scenes mixing sex and death.

The primary attraction here, though, is probably the story, which is much a slow-burning romance as anything else. The horror elements, the mystery elements, and a somewhat unexpected twist near the end are bonuses, but in the end, Blood Castle is a love story, about a couple overcoming various difficulties and antagonisms (often with physical threats or harms) to be together.

Gothic Horror rises from the grave with this tepid tale with a plot you've perhaps watched several times before, maybe. I don't know you.

It plays out like many a gothic horror - a recently graduated scientist (and woman - progress!) passes through a village looking for a lift to the nearby mysterious and creepy castle. Strangely, no one wants to give her a lift and everyone's too busy mourning over the coffin of 'another victim' to help her. Only one kind man gives her a lift, only to tell her she'll be killed in the castle before trying to rape her.

She gets away, however, but doesn't get an nice welcome at the castle. The Count there is carrying on research his brother was doing before the brother turned himself into a kebab and died. The new Count isn't happy that his new assistant is a woman, but she convinces him that her credentials are as legit as any man's, so he reluctantly lets her stay. The lady he lives with isn't so happy, however.

This film was really boring so let's get it over with - Girls are going missing and turning up dead and everyone's blaming the Count, the scientist lady falls in love with him and we spend too much time with the police getting hassled by the citizens of the town to do something about the killings. There's also a twist so obvious that you'll receive and email about it a week before you watch the film and very little happens until about an hour of the film has passed.

If you want to watch a film with a similar plot, but also completely mental, watch the 1974 film Mania.

The handsome Baron Janos Dalmar is believed to be a homicidal maniac who rapes the girls he lures to his castle before feeding the bodies to his monstrous dogs. Still, these are just rumors nobody can prove. Dalmar then recruits the beautiful and intelligent female chemist Ivanna and, through her dreams, she discovers that there are much deeper secrets hidden behind the castle's walls. "Blood Castle" is mediocre Gothic horror with a lot of routine plotting and only one or two really ingenious moments. The castle setting is terrific, though, and the make up effects on the actual murderer are quite eerie and convincing. The lead actress drivels way too much and she doesn't only seem to bore her male counterpart but also us; viewers. All the clichés are there, with the beast in the cellar, the ominous servants and the superstitious villagers who only just survived a plague-epidemic. This film is watchable enough, but there are many other Gothic horror classics available, so you don't really need to waste your time on this average installment. The better choices include "The Virgin of Nuremberg", "The Whip and the Body", "Nightmare Castle", "Baron Blood" and "Danse Macabre".

(aka: BLOOD CASTLE or SCREAM OF THE DEMON)

*spoiler*

This was a drive-in feature, co-billed with THE VELVET VAMPIRE. A Spanish-Italian co-production where a series of women in a village are being murdered around the same time a local count named Yanos Dalmar is seen on horseback, riding off with his 'man-eating' dog behind him.

The townsfolk already suspect he is the one behind it all and want his castle burned down. The murders first began around the time Count Yanos' older brother, Count Igor Dalmar was horribly burned and killed in a lab accident.

Then a woman Ivanna (Erna Schuer) that Igor hired before his death to assist him in his experiments shows up. Yanos agrees to hire her in place of his brother and together they seek the formulae for the regeneration of dead cells. Yanos wants to bring Igor's charred corpse back to life.

But of course Igor is still alive (although horribly burned) and stalking and killing the women in the village. We see his char-broiled face appear at various points in the film, so we know he's still alive, making the whole thing seem a little bit too obvious.

Igor meets another fiery end when he gets into a fight with Yanos over Ivanna, with the burning candles falling on to the same bed that Igor stumbles on to, meeting yet another, final char-broiled end.

The Retromedia DVD is taken from a VHS source and looks quite grainy and bad. Other than an even scratchier trailer, no other extras are included. Although it has a nice, creepy Spanish castle and good atmospherics, I found it to be fairly boring and predictable, with no excitement or mystery, whatsoever.

3 out of 10.

This is the second José Luis Merino film I've seen this week and comparing the two, SCREAM OF THE DEMON LOVER is much more sexual in nature than TERROR OF THE LIVING DEAD due, no doubt, to the Italians being involved. DEMON LOVER is also set in the nineteenth century and stars Erna Schürer as a kittenish chemist who's come to Baron Dalmar's medieval estate to assist him in trying to bring his dead brother back to life. The villagers warn her that the Baron is killing women and ripping them to shreds after consensual sex but she stays on anyway, even after being drugged nightly and put on a rack in the dungeon (?!).

Although it's nowhere near as atmospheric or entertaining, the movie owes something of a debt to Mario Bava's THE WHIP AND THE BODY and it's fascination with sadomasochistic mise-en-scène. The Baron and his hounds cut a dashing figure atop the grand staircase and sexy Schürer shows her globes a lot but she's outshone by the exquisite Agostina Belli, who also bares her boobs in the secondary role of a castle servant.

Erna Schürer was born Emma Costantino in Naples, Italy and modeled for "Vogue" and "Harper's Bazaar"before appearing in the popular "fumetti" foto-comic "Satanik" in the mid-60s. Placed under contract by movie producer Alberto Grimaldi, Erna spent most of the '70s cranking out "classics" like EROTIC CONFESSIONS FROM A WOMEN'S PRISON, YOUR HANDS ON MY BODY, STRIP NUDE FOR YOUR KILLER, MY PLEASURE IS YOUR PLEASURE, and DEPORTED WOMEN OF THE SS SPECIAL SECTION before more-or-less disappearing from the cinema scene. There's no birth or death dates given for Erna on IMDb and there's precious little about her on the worldwide web, either, for that matter. Today, Schürer's sure as sh!t a GILF somewhere (unless she's split the scene, if you know what I mean).

"Il castello dalle porte di fuoco", also known as "Scream of the Demon Lover", is a tedious horror flick with a plot that would have better suited a half-hour length blown up to an endless hour-and-a-half.

The story is about an allegedly young and beautiful woman who goes to stay with a mad scientist in Victorian times. While there she is repeatedly menaced by a flaky hand while trying to sleep and apparently dreams or hallucinates herself stretched out topless on a rack.

We end up getting the idea that this is a Jekyll-and-Hyde type story. Or is it? Who cares? I didn't. You probably won't either.

For fans of sleazy Euro-horror, the nudity in the film is fairly negligible, either glimpsed from a distance or shot with something in the way so you don't get a good look. There is also really no violence.

"Il castello dalle porte di fuoco," also known as "Scream of the Demon Lover," is a curious blend of Gothic horror and low-budget filmmaking. Directed by José Luis Merino, this multinational chiller attempts to straddle the line between giallo and horror, but ultimately falls short.

"Scream of the Demon Lover" suffers from its shoestring budget. The film features out-of-focus shots, obvious anachronisms, and lackluster set design. While the genuine castle and village locations add some authenticity, the rest of the production falls short. Perhaps the multinational collaboration led to creative challenges, resulting in a mishmash of styles and inconsistencies1.

José Luis Merino, a Spaniard, directed this film, co-written by fellow Spaniards Enrico Colombo and María del Carmen Martínez Román. Shot in Italy with an Italian crew and a mixed-nationality cast, "Scream of the Demon Lover" defies easy categorization. It anticipates later works that blend horror with rational elements, such as Emilio P. Miraglia's films. Despite its flaws, the film remains intriguing for fans of obscure Euro horror2.

A Forgotten Oddity Worth Exploring "Blood Castle" (another title for the film) won't win any awards, but its oddities make it fascinating. If you appreciate unconventional horror and can overlook its shortcomings, give this multinational misfire a chance. Just don't expect a coherent narrative or polished visuals. Sometimes, the most intriguing treasures lie in the shadows of obscurity.

'Scream of the Demon Lover' stradles the time period when sex and gore were slowly becoming more explicit and extreme in European genre movies. Made in 1970, the cast is a hodgepodge of nationalities and names, leading one to wonder if anyone could understand each other during shooting...the dialog ie obviously dubbed, so it's possible that the wooden acting is really the result of too many languages being spoken at once. Similar in some ways to Bava's far superior "Whip and Body", this film presents the story of a young female chemist who comes to live in a town's gothic castle helping the young baron find a way to bring his dead brother back to life. Most of the plot twists come from Italian gothic horror films of the 60's , and there is really very little original or striking about the locations or performances. In short, 'Scream of the Demon Lover' is a well-paced but cliche-laden movie that probably will entertain completists only.

One can't help but immediately note the terrific filming locations, luscious sets, gorgeous costume design, fetching hair and makeup, a beautiful leading lady (with more in the supporting cast), the tall, dark, and handsome baron, and suggestions of budding amorous feelings. With all these aspects firmly in mind it would have taken very little for this picture to have been realized purely as a gothic romantic drama, like 'La belle et la bête' except with more terse and complicated dynamics between all the characters involved. It nearly is, really, since the totality of the horror element doesn't fully come into play until late in the last act, and before that we get only passing scenes and imagery of more insidious goings-on. All the while 'Scream of the demon lover' is splendidly well made, with all the aesthetics we'd assume of contemporary period genre fare out of Italy, capable performances, and strong work from all those operating behind the scenes. And the story that this has to offer is earnestly engaging and compelling.

It's just that if one is looking for a robust thrill ride, or a horror flick that inspires visceral reactions, this isn't the title to provide it. When all is said and done this is enjoyable and satisfying - only, I think one can readily imagine other angles it might have adopted that would have been more wicked, more fun, and more satisfying in turn. For that matter, even if José Luis Merino had only realized the concept with more energy, and a greater sense of dynamics, the end result would have surely benefited. I'm glad I took the time to watch, but I admit I'm a little let down that the movie retains such a measured, restrained tone; it would have required little alteration to have shone more brightly. I think 'Scream of the demon lover' is well worth checking out if one has the opportunity, and above all if one is a fan of contemporary horror generally, and specifically like features coming out of Italy. One should perhaps just be aware that despite even the names this was given in its various releases, ultimately the viewing experience is more slow, steady, and thematic for the vast majority of its length than it is vibrant, violent, and hearty, as it is at the very end.

Do you know that customary story that someone arriving in a village trying reach in a curse castle where every charioteer refuses to go, well it happened in this unoriginal storyline about a young lady graduated in bio-chemical Ivanna Rakowsky (Erna Schurer) hired by the mighty Baron Janos Dalmar (Carlos Quiney) aiming for developing a kind of chemical formula to get backing to life a burned corpse of his old brother Igor died some years before whereof maintained on a bathtub immersed in a special chemical in order to keep the death tissues, for a possibility reanimation, seems preposterous at first glance.

Turns out that some young girls were found dead upon consent sexual intercourse followed by brutal bludgeoning in such place, raising suspicious over Baron Janos as possible murder, meanwhile an Inspector arrives there to investigate such killings with the local authorities, actually they are afraid that Ivanna is in immediate jeopardy living that cursed old castle, the beautiful Ivanna is a sort of high strung girl, such behavior somehow pleased the bleak Baron strangely every single night Ivanna is doped by some kind of sleeping gas and taken to a torture chamber which is tied however not hurt whatsoever, just fondled, she figures out that Baron has some kind of metamorphosis into a monster.

The eye candy actress Erna Schurer usually worked on those sexploitation productions, therefore in this movie she didn't fled to the rule due her undeniable sex appeal, actually Erna was so bountiful in several nude scenes, enchanting and letting the audience slobbering mostly of time, aside a weak feature it is an enjoyable movie to watch without any regret.

Thanks for reading.

Resume:

First watch: 2024 / How many: 1 / Source: DVD / Rating: 6.5.

Scientist Ivanna Rakowsky (Erna Schurer) travels to the remote castle of the mysterious Baron Janos Dalmar (Carlos Quiney). She's there to assist him in his bizarre experiments with regenerating dead tissue.

Uh oh!

Things aren't so simple, since there happens to be a maniacal murderer on the loose, preying on the local women.

SCREAM OF THE DEMON LOVER is a rather slow, gothic horror film. It's far more sedate than it's title might imply, though it does have its moments. The final revelation, while not a big surprise, is well done and makes up for some of the preceding tedium...