After the death of a common friend, three married men leave their lives together, seeking pleasure and freedom and ultimately leaving for London.After the death of a common friend, three married men leave their lives together, seeking pleasure and freedom and ultimately leaving for London.After the death of a common friend, three married men leave their lives together, seeking pleasure and freedom and ultimately leaving for London.
- Awards
- 1 nomination
- Annie
- (as Meta Shaw)
- 'Normandy' Singer
- (as Eleanor Gould)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaScreenwriter John Cassavetes wrote the film's dialogue after doing improvisations with actors Ben Gazzara and Peter Falk. Reportedly, Cassavetes built the film's three main central characterizations around the real-life personalities of the film's three main actors one of whom included himself.
- Quotes
Archie Black: [Arriving at the funeral] I suppose this is proper, all these big cars and chauffeurs. Black shiny cars. Seems dopey for a guy like that. Well, I guess that's what they do. People get symbolic over death. They get very formal, and it's really ridiculous. Because it's probably the most humiliating thing in the world. But I feel very relaxed. People die of tensions. That's all they die of, Gus. That's the truth. Did you know that? I know it, and it's something I'm never gonna forget.
Gus Demetri: Don't believe truth. Just don't believe truth. Archie, I'm telling you, don't believe truth.
Archie Black: That is the truth now. You see, the truth will never kill you. Lies will. Not cigarettes, not alcohol. Lies, Gus. Lies and tensions. That'll kill you. That'll kill you before cancer in the heart. Did you know that?
- Crazy creditsThere are no closing credits and no "THE END" title card. The screen just goes black. In the opening credits, everyone involved in the film (even the "little people") are credited on two "tell all" title cards, right on down from the actors to the grips, a total of 82 credits.
- Alternate versionsThe original theatrical release ran 154 minutes. The out-of-print VHS release from Columbia/Tristar runs 132 minutes.
- ConnectionsFeatured in Siskel & Ebert: Cousins/The Mighty Quinn/True Believer/Tap (1989)
- SoundtracksShow Me the Way to Go Home
(1925) (uncredited)
Written by Irving King
Sung a cappella by Ben Gazzara, Peter Falk and John Cassavetes
This was the first Cassavettes movie I've ever seen. I liked it, which was surprising because this is not the sort of movie I'm generally interested in. There's almost no plot to speak of, most of the movie feels improvised (although improvised along certain set themes -- one does feel the heavy hand of the director here and there). It's a slice of life movie that still feels pretty rough and daring; I imagine in 1970, when this came out, people couldn't make hide nor hare of it.
Like most movies of this type, the big flaw is structure. The movie takes forever to get going, and doesn't really seem to know when to quit: the last reel, in particular, felt a little long to me. Plus, as I said, there is here and there a sense of a structure being imposed from without: the guys don't just do anything, they do certain set things for "character revelation" sake.
The acting, which is the crucial thing in a movie like this, of course, doesn't disappoint. All three men are very believable: they delineate their macho world quite well, with it's romanticism, bathos, insecurities and obnoxiousness. They're similar types of guys, which bothered me a lot at first but upon reflection made a lot of sense, since in real life we tend to be friends with people like us. Still, there are gradations and variations: Falk is inarticulate and sensitive, Gazzara despairing, Cassavettes is fumbling toward some kind of self-recognition.
The cinematography is absolutely stunning -- I might have seen a particularly nice print but this took me by surprise. Most of the movie is shot in warm, earthy, romantic tones, which sets the mood of nostalgia and dreams well, I think. Every now and then, though, we get a cold, full-on daytime shot where everyone looks naked and blinking under a frigid sun; it's a good counterpoint.
This is an important film by an important director. He'll never be a favorite of mine, but I'll definitely check out other work of his. You'll be doing yourself a favor if you do the same.
- dj_bassett
- Nov 20, 2004
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Husbands: A Comedy About Life, Death and Freedom
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross worldwide
- $2,735