A rock group move to Hollywood to get discovered and fall into a whirlpool of wickedness.A rock group move to Hollywood to get discovered and fall into a whirlpool of wickedness.A rock group move to Hollywood to get discovered and fall into a whirlpool of wickedness.
John Lazar
- Ronnie (Z-Man) Barzell
- (as John La Zar/John LaZar)
Duncan McLeod
- Porter Hall
- (as Duncan Mc Leod/Duncan McLeod)
James Iglehart
- Randy Black
- (as Jim Iglehart)
Storyline
Did you know
- TriviaAccording to Roger Ebert's audio commentary on the DVD, Russ Meyer was unaware that this film would get an "X" rating. Fox executives had intended for the film to be a hard "R," and Meyer omitted significant amounts of nudity and sex from the final edit. Ebert says that Meyer wanted to add much of the excised footage back into the edit following the MPAA's "X" rating, but there wasn't enough time to do so.
- GoofsRonnie picks up an extension phone when Casey is in the middle of dialing her friends for help. The phones used are 500 series Western Electric business phones. Because of the way rotary dial phones work, picking up an extension would prevent any phone on the same circuit from being able to dial.
- Quotes
Ronnie (Z-Man) Barzell: This is my happening and it freaks me out!
- Crazy creditsOpening credits prologue: Disclaimer: THE FILM YOU ARE ABOUT TO SEE IS NOT A SEQUEL TO "VALLEY OF THE DOLLS." IT IS WHOLLY ORIGINAL AND BEARS NO RELATIONSHIP TO REAL PERSONS, LIVING OR DEAD. IT DOES, LIKE "VALLEY OF THE DOLLS" DEAL WITH THE OFT-TIMES NIGHTMARE WORLD OF SHOW BUSINESS BUT IN A DIFFERENT TIME AND CONTEXT.
- Alternate versionsThe British Board of Film Classification have cut the UK video release by 53 seconds. New opening credits were required for this release, as the BBFC would not allow a montage shot of a gun being pushed into the mouth of a sleeping woman, a scene that also reappears in full at the end of the movie (and was also cut). Ironically, the film has been broadcast uncut several times on UK network TV, by Channel 4.
- ConnectionsFeatured in Willie & Phil (1980)
- SoundtracksIn The Long Run
by Bob Stone and Stu Phillips
Featured review
I liked this movie but I was prepared, having read about it extensively before seeing it. From the soundtrack to the camera and editing tricks to the performances, I liked it all. My only problem was the middle part of the movie which concentrated on the personal troubles of the band, sort of dragged. Only when John Lazar came back did the movie pick up and I guess I'm in the minority because I liked the ending. Mainly, because it took the outrageous flavor from the beginning and went even farther. The casting was especially noteworthy. Normally, people who can't act really bother me but watching all of the Playboy playmates trying to act serious while spouting out hilariously clichéd dialogue (I can only hope that Roger Ebert and Russ Meyer weren't trying to write authentic dialogue) was very funny. Special note must be given to the drummer trying to pretend that she could really play. Only Lazar came off as a real actor and he tackled his role with gusto. It is a shame to see that he has never really done anything worthy of his talents after this. Having seen this film only once I don't know how it would hold up after repeated viewings but I can say it is worth seeing at least once.
Details
- Release date
- Country of origin
- Language
- Also known as
- Más allá del valle de las muñecas
- Filming locations
- Century City, Los Angeles, California, USA(Bridge, and surrounding buildings, used in LA montage)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $900,000 (estimated)
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 2.35 : 1
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