A series of disjointed mythical tales set in first-century Rome.A series of disjointed mythical tales set in first-century Rome.A series of disjointed mythical tales set in first-century Rome.
- Nominated for 1 Oscar
- 5 wins & 8 nominations total
Mario Romagnoli
- Trimalcione
- (as Il Moro)
Danika La Loggia
- Scintilla
- (as Danica la Loggia)
Lucia Bosè
- La matrona
- (as Lucia Bosé)
Joseph Wheeler
- Il suicida
- (as Joseph Weelher)
George Eastman
- Minotauro
- (as Luigi Montefiori)
Storyline
Did you know
- TriviaGian Luigi Polidoro registered the title Satyricon (1969) for his movie first. Federico Fellini fought to use the title for his movie but lost the case. Subsequently the title was changed to Fellini Satyricon.
- GoofsIn one version, Joseph Wheeler is credited as 'Joseph Weelher'.
- Quotes
Trifena: Lichas, take your groom's hand. Remember you must be faithful to him forever. And you, groom, know that you must forget your past taste for young boys. A husband takes no liberties. You must dedicate your entire self to your bride forever. May complete harmony and great happiness be yours. Venus favors marriages held at sea.
- ConnectionsEdited into Fellini: I'm a Born Liar (2002)
- SoundtracksThe Drums for the Niegpadouda Dance
From Anthology of Music of Black Africa
Recorded by Everest Records
Arranged by Bernard C. Salomon
Published by Arvon Music
Featured review
I've voted 8 out of 10 for Fellini Satyricon, but I can imagine that a few people may find that to be an overly indulgent grade. Actually, I know that a few people will feel that way -- I've shown it to several friends, and they all agree it looks beautiful and manages to amuse on numerous occasions. But they don't get much more out of it. That's too bad for them. Aaaw yeah.
As Vincent Canby said in his review, from 1970 in the New York Times, 'Fellini Satyricon is its own justification'. This movie exists purely to engage on an aesthetic level. The surrealism, the carnival-of-life atmosphere, the monumental pageantry, the visual juxtaposition of beauty and ugliness, and the black humour are all the film possesses and are all it requires. I believe that Fellini's intention with this film was simply to entertain. And he was a master entertainer, no doubt.
Don't expect much in the way of characterisation, of complex plot developments, or of nifty moral expression. This is a film that looks and sounds beautiful, and it manages to hold your interest (or mine anyway, I can't speak for everyone) for two brief hours by doing just that. Fellini = Godlike genius.
As Vincent Canby said in his review, from 1970 in the New York Times, 'Fellini Satyricon is its own justification'. This movie exists purely to engage on an aesthetic level. The surrealism, the carnival-of-life atmosphere, the monumental pageantry, the visual juxtaposition of beauty and ugliness, and the black humour are all the film possesses and are all it requires. I believe that Fellini's intention with this film was simply to entertain. And he was a master entertainer, no doubt.
Don't expect much in the way of characterisation, of complex plot developments, or of nifty moral expression. This is a film that looks and sounds beautiful, and it manages to hold your interest (or mine anyway, I can't speak for everyone) for two brief hours by doing just that. Fellini = Godlike genius.
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Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $1,135,943
- Gross worldwide
- $1,138,108
- Runtime2 hours 9 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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