A Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.A Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.A Texas town's council fires the town's old-fashioned marshal who refuses to resign, thus leading to violence from both sides.
- Luke Mills
- (as James Lydon)
Storyline
Did you know
- TriviaStar Richard Widmark and original director Robert Totten had "artistic differences," and Totten was replaced by Don Siegel. When the film was completed, Siegel, saying that Totten directed more of the film than he did, refused to take screen credit for it, but Widmark didn't want Totten's name on it. A compromise was reached whereby the film was credited to the fictitious "Alan Smithee" (originally to be called Al Smith, but the DGA said there had already been a director by that name), thereby setting a precedent for directors who, for one reason or another, did not want their name on a film they made.
- GoofsNear the end of the film you can see the electrical wires running (presumably buried for most of their length under the differently-coloured soil) to a man's body as he is 'shot'; the last yard or so of wire -which is presumably for the gunshot SFX- is clearly visible running towards the man's ankles.
- Quotes
Wil Oxley: Why did my father kill himself?
Marshal Frank Patch: I don't know, son.
Wil Oxley: Tell me! Tell me!
Marshal Frank Patch: A long time ago, a man was killed... shot in the back.
Wil Oxley: My father did it?
Marshal Frank Patch: Nobody knew for sure who did it.
Wil Oxley: You knew. Why didn't he hang?
Marshal Frank Patch: There was nothing to be gained by hanging. The dead man had a child - a son. Your father agreed to raise him as his own.
- ConnectionsFeatured in Who Is Alan Smithee? (2002)
Usually they don't want the credit because it's a stinkeroo. But here this is a good western about an aging town marshal whose time as come and gone and won't see it.
Richard Widmark is that marshal and the local bordello madam, Lena Horne is his girlfriend or one of them. The film opens with an irate husband looking to gun him down played by Jimmy Lydon. Of course he's no match for the lawman and this spurs the town council to look for a way to finally be rid of him. The town elders are such veterans as Larry Gates, Morgan Woodward, David Opatoshu, Dub Taylor, and Kent Smith.
It becomes pretty obvious that Widmark won't take the hint and they start running out of options. For one of them it ends in tragedy.
Carroll O'Connor plays the most interesting role here, a far cry from Archie Bunker. He owns one of the saloons and his reasons are more typical, law and order has been taking away business for too long. O'Connor is a slime ball who first tries to use others to do his dirty work.
The others are the ones who brought Widmark to town in the first place, but now Widmark is a law unto himself. He has his own way of interpreting what needs to be done and the skill with a weapon to enforce it.
As you can imagine it's a pretty bloody picture, but a great lesson to be learned when you allow a man on horseback to run things.
I'm imagining though, millions of years from now; Aliens excavating our planet and through the efforts of folks like the American Film Institute come across the collected works of Allen Smithee. In their textbooks it's going to read that Smithee was a mediocre talent of whom little is known, but this one film is a great one amongst a lot of mediocrity.
- bkoganbing
- Dec 31, 2005
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Details
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1