IMDb RATING
7.0/10
9.8K
YOUR RATING
A young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.A young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.A young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.
José Torres
- Pedro
- (as Jose Torres)
Nazzareno Natale
- Pedro Henchman
- (as Natale Nazareno)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe original title of the film was "Duel in the Wind." Lee Van Cleef came up with the Italian title while discussing the movie with John Phillip Law, who saw the film as a "man to man" story. Van Cleef remarked, "Why don't they call it 'From Man to Man'?" The Italian producers liked how it sounded in Italian ("Da Uomo a Uomo") so much they used it. Then the film was subsequently retitled "Death Rides a Horse" in English-speaking markets, which Law said he never liked.
- GoofsAt about 38 minutes the barman is thrown out of window and when he re-enters the saloon he is shot, after which he falls into the street. He is then seen being thrown out of the bar a second time almost immediately afterwards.
- Alternate versionsSome versions, including the Japanese DVD release from SPO, are missing a single shot of a person being stabbed (in the opening sequence), cut by the censors on the film's first English language release in the 1960s. Subsequent DVD releases from MGM in Europe contain the uncut version, with the shot of the stabbing included in the film.
- ConnectionsFeatured in The Swinging Lust World of John Phillip Law (2007)
- SoundtracksDeath Rides A Horse
Composed by Maurizio Graf (as Attansio) and Ennio Morricone
Performed by Cantori Moderni Di Alessandroni
Featured review
Can you beat a title like that? 'Death Rides a Horse...' Only the Italians could come up with something like that.
Western vengeance tale with John Phillip Law going after those who murdered his family, 15 years after the fact. Van Cleef has a connection to these murders which will become apparent towards the end of the film. I won't give away the spoiler, here.
What must have been shocking and brutal for 1967 was the fact that white men were shown to gun down women and children, something a Hollywood western would never touch unless they were depicting the Indians doing it. That was OK since they were bloodthirsty, heathen savages who had no morals and could be portrayed as such.
But for 'civilized' white men to do so, that was a no-no. No wonder John Wayne hated these kinds of westerns. They threw the 'code of the west' right out the window.
Putting aside Van Cleef's appearance in Leone's westerns, I would rate this one as high as 'The Big Gundown' (1967) and 'Sabata' (1970) as my all-time favorites.
And yes, the Morricone score goes well with the film. Especially the scenes where Ryan (Van Cleef) has just walked out the door of a prison and is buying the horse, and later when he meets Bill (Law) for the first time (as an adult) on his farm. Man, that score is unnerving. If you can track it down on old vinyl or CD, buy it. Nothing beats those soaring choruses or Spanish guitars, jangling tensely in the background.
Get's an 8 out of 10 for sheer entertainment value...
Western vengeance tale with John Phillip Law going after those who murdered his family, 15 years after the fact. Van Cleef has a connection to these murders which will become apparent towards the end of the film. I won't give away the spoiler, here.
What must have been shocking and brutal for 1967 was the fact that white men were shown to gun down women and children, something a Hollywood western would never touch unless they were depicting the Indians doing it. That was OK since they were bloodthirsty, heathen savages who had no morals and could be portrayed as such.
But for 'civilized' white men to do so, that was a no-no. No wonder John Wayne hated these kinds of westerns. They threw the 'code of the west' right out the window.
Putting aside Van Cleef's appearance in Leone's westerns, I would rate this one as high as 'The Big Gundown' (1967) and 'Sabata' (1970) as my all-time favorites.
And yes, the Morricone score goes well with the film. Especially the scenes where Ryan (Van Cleef) has just walked out the door of a prison and is buying the horse, and later when he meets Bill (Law) for the first time (as an adult) on his farm. Man, that score is unnerving. If you can track it down on old vinyl or CD, buy it. Nothing beats those soaring choruses or Spanish guitars, jangling tensely in the background.
Get's an 8 out of 10 for sheer entertainment value...
- westerner357
- May 6, 2003
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Details
- Runtime1 hour 54 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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