Seeds of revenge become planted in an old farmer's mind after he learns that his child bride is getting cozy with the hired help.Seeds of revenge become planted in an old farmer's mind after he learns that his child bride is getting cozy with the hired help.Seeds of revenge become planted in an old farmer's mind after he learns that his child bride is getting cozy with the hired help.
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Storyline
Did you know
- TriviaOn his Radical FIlms YouTube page, director Robert Carl Cohen says, "Unable to find distribution for an over 2 hour long melodrama originally titled 'Tender Grass,' the investors contracted Robert Carl Cohen to reedit and commercialize it. Cutting out the slowest portions, adding the character of the town floozie, strip tease on a motorcycle, sex, title cards, etc., Cohen's transformation enabled it to be distributed as 'Jenny - Wife Child.' "
- GoofsJennie shakes a fly off her calf while rolling in the hay with Mario.
- Quotes
Jennie Peckingpaw: What about all those nice things you were gonna buy me? "Pretty clothes to cover my pretty body." Ain't that what you said, Albert? Ain't that what you said? The only thing you covered my body with was yours!
- Alternate versionsDirector Robert Carl Cohen's own tinted prerelease version titled "Albert Peckingpaw's Revenge" is available on the Radial Films YouTube channel.
- ConnectionsFeatured in Reel Wild Cinema: Southern Sleaze (1997)
Featured review
This movie is alternately called "The Tender Grass" or "Jennie Wife/Child". While the first title is just strange, the second seems to connect it to the old rural roadshow "hicksploitation" movies like "Child Bride" and "Poor White Trash" where horny, slobbering hillbillies try to marry twelve-year-old girls. The female lead here though is actually twenty (and played by an actress who looks even older than that), so this is really more of a conventional sexploitation potboiler about a younger woman who is married to a much older dirt farmer, but lusts after his hunky but dimwitted farmhand (who is himself rooting around with the town tart).
Although the acting is not too great, all the roles are played fairly straight, but the goofy intertitles and even goofier songs suggest that the filmmakers themselves weren't taking this thing entirely seriously. It isn't ever exactly laugh-out-loud funny, but it seems to have the kind of wry, self-conscious irony of an Andy Warhol film. However, the great black-and-white cinematography by renowned Hungarian cinematographer Vilmos Zsigmond is well above the level of either a typical roadshow flick OR a "Warhol factory" art film.
As a sexploitation flick it's pretty tame for 1968, not showing much more than one of the old roadshow films of the 40's--i.e. longshots of the cute little backside of the heroine as she skinny-dips in the local "waterin' hole" to the catchy tune of a song called "My Birtday Suit" (but at least she isn't twelve years old like the girl in "Child Bride"). I'm basically a sucker for any of these rural "hicksploitation" flicks, but I'd especially recommend this one for the incredible cinematography and because it's just so damn weird.
Although the acting is not too great, all the roles are played fairly straight, but the goofy intertitles and even goofier songs suggest that the filmmakers themselves weren't taking this thing entirely seriously. It isn't ever exactly laugh-out-loud funny, but it seems to have the kind of wry, self-conscious irony of an Andy Warhol film. However, the great black-and-white cinematography by renowned Hungarian cinematographer Vilmos Zsigmond is well above the level of either a typical roadshow flick OR a "Warhol factory" art film.
As a sexploitation flick it's pretty tame for 1968, not showing much more than one of the old roadshow films of the 40's--i.e. longshots of the cute little backside of the heroine as she skinny-dips in the local "waterin' hole" to the catchy tune of a song called "My Birtday Suit" (but at least she isn't twelve years old like the girl in "Child Bride"). I'm basically a sucker for any of these rural "hicksploitation" flicks, but I'd especially recommend this one for the incredible cinematography and because it's just so damn weird.
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- Albert Peckingpaw's Revenge
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- Runtime1 hour 23 minutes
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- Aspect ratio
- 1.85 : 1
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