IMDb RATING
4.2/10
1.3K
YOUR RATING
Having established Femina, a secret city populated entirely by beautiful women, Sumuru plots to wage a war against all men.Having established Femina, a secret city populated entirely by beautiful women, Sumuru plots to wage a war against all men.Having established Femina, a secret city populated entirely by beautiful women, Sumuru plots to wage a war against all men.
Richard Stapley
- Jeff Sutton
- (as Richard Wyler)
Elisa Montés
- Irene
- (as Eliza Montes)
Beni Cardoso
- Yana
- (as Beny Cardoso)
Jesús Franco
- Guitar Player
- (uncredited)
Valentina Godoy
- Short-haired Amazon
- (uncredited)
Dilma Lóes
- Amazon
- (uncredited)
Storyline
Did you know
- TriviaThe "torture machine" is actually a dental X-Ray unit.
- GoofsAfter the assault helicopters land, three women guards are shot dead and drop onto the pavement outside of a building, as the invaders go inside of the building. When the invaders come back out out of the building, the bodies of the women are gone.
- Quotes
Sumuru: [after the execution of one of her soldiers] My army is trained to kill efficiently.
Jeff Sutton: Themselves?
Sumuru: If one of my girls isn't perfect, she must die.
- Alternate versionsTV version titled Future Women (197?)is severely edited, removing all nudity and torture scenes. Footage of carnivals and tourist spots is used in generous amounts to pad out the running length.
- ConnectionsEdited into Operation: Secret Agents, Spies & Thighs (2007)
Featured review
Shirley Eaton repeats her role as the villainess from the earlier "The Million Eyes of Su Muru". Except that here she's referred to as "Sunanda", while being listed in the end credits as "Sumitra", and basically playing the role of the Sax Rohmer character "Su Muru". All right. Now that that nonsense is out of the way, Sunanda abducts Jeff Sutton (Richard Wyler, who gives a flat performance), a playboy on the run. She's got her eye on the $10 million with which he absconded, yet so does Masius (ever wonderful George Sanders), a genial crime kingpin in Rio. He's prepared to mobilize underworld forces against her and her city of "Femina", which is inhabited only by Sunandas' women warriors.
The directing reins are handed over to Euro-cult favourite Jess Franco, but fans of the filmmaker may find this rough going for a while. At first, it often gets dull and plodding. But it does eventually improve somewhat, leading to a colourful finale. There's enough to take in to make the trip worth taking: plenty of eye candy (of both the feminine and scenic variety), an effectively exotic setting, a dynamic music score by Daniel White (and catchy theme song), a fun sense of costume design, and some enjoyable acting.
Eaton once again looks like she's enjoying the part of the feminist baddie, in what turned out to be her final role in a motion picture. Wyler is rather insipid, but Maria Rohm, Marta Reves, Elisa Montes, and Beni Cardoso are all enticing as the various women with which he interacts. Herbert Fleischmann is fine as a dapper henchman named Carl. But, other than Eaton, it's Sanders who's the most fun. He plays an antagonist who doodles on a tablecloth when bored, and who doesn't seem to have much of a stomach for violence. (He turns away when his underlings are roughing people up.)
Not exactly one of Francos' best, but it's all fairly pleasant to watch anyway. Those who favour his output of the 1970s will note that it's not as sleazy as some of those films. All in all, it's decent cheesy espionage fare.
Six out of 10.
The directing reins are handed over to Euro-cult favourite Jess Franco, but fans of the filmmaker may find this rough going for a while. At first, it often gets dull and plodding. But it does eventually improve somewhat, leading to a colourful finale. There's enough to take in to make the trip worth taking: plenty of eye candy (of both the feminine and scenic variety), an effectively exotic setting, a dynamic music score by Daniel White (and catchy theme song), a fun sense of costume design, and some enjoyable acting.
Eaton once again looks like she's enjoying the part of the feminist baddie, in what turned out to be her final role in a motion picture. Wyler is rather insipid, but Maria Rohm, Marta Reves, Elisa Montes, and Beni Cardoso are all enticing as the various women with which he interacts. Herbert Fleischmann is fine as a dapper henchman named Carl. But, other than Eaton, it's Sanders who's the most fun. He plays an antagonist who doodles on a tablecloth when bored, and who doesn't seem to have much of a stomach for violence. (He turns away when his underlings are roughing people up.)
Not exactly one of Francos' best, but it's all fairly pleasant to watch anyway. Those who favour his output of the 1970s will note that it's not as sleazy as some of those films. All in all, it's decent cheesy espionage fare.
Six out of 10.
- Hey_Sweden
- Sep 6, 2018
- Permalink
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Future Woman
- Filming locations
- Museu Arte Moderna, Av. Infante Dom Henrique, 85 Parque do Flamengo, Rio de Janeiro, Brazil(Exteriors and interiors of the Femina palace.)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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