France’s 2020 Annecy festival and accompanying Mifa market won’t be the first such events to go completely online this year, but certainly stand out as one of Europe’s largest to do so. The prestigious animation gathering, which normally draws toon heavyhitters from all over the world, will stream June 15-30.
While platforms and broadcasters fight over available content, with kids and family one of the tentpoles of subscriber retention, the market for animation has never been more demanding — both in quality and audience expectation.
One big challenge in making the transition to online is the inability to stream many of the key titles from Annecy’s Official and Contrechamp competitions in their entirety due to licensing rights and other contractual conditions.
However, several studios and key sales agents have confirmed to Variety that they are planning alternative means of promoting their upcoming content while still entertaining eager Annecy badge-holders.
While platforms and broadcasters fight over available content, with kids and family one of the tentpoles of subscriber retention, the market for animation has never been more demanding — both in quality and audience expectation.
One big challenge in making the transition to online is the inability to stream many of the key titles from Annecy’s Official and Contrechamp competitions in their entirety due to licensing rights and other contractual conditions.
However, several studios and key sales agents have confirmed to Variety that they are planning alternative means of promoting their upcoming content while still entertaining eager Annecy badge-holders.
- 6/12/2020
- by Jamie Lang
- Variety Film + TV
There are few festivals in the world which are more of a delight to attend than France’s Annecy Intl. Animation Film Festival, nestling in a fairy tale-looking town on the edge of a lake, backed by mountain ramparts. That pleasure will be denied this year as Annecy inevitably, given Covid-19 restriction, has gone online.
Following, seven takes on this year’s event, which will lack Annecy’s customary big world premieres, from Hollywood and the world, but still host multiple industry and consumer attractions:
Annecy: Covid Resilient, Though Not Covid Immune
“Festivals’ going online is a test or demonstration of brand value. Annecy is not having a physical market, but you still really want to be associated with it, even if it’s online. You may not want to do so as much for other festivals or trade shows that are more sales events,” says David Michel, managing director of Federation Kids & Family.
Following, seven takes on this year’s event, which will lack Annecy’s customary big world premieres, from Hollywood and the world, but still host multiple industry and consumer attractions:
Annecy: Covid Resilient, Though Not Covid Immune
“Festivals’ going online is a test or demonstration of brand value. Annecy is not having a physical market, but you still really want to be associated with it, even if it’s online. You may not want to do so as much for other festivals or trade shows that are more sales events,” says David Michel, managing director of Federation Kids & Family.
- 6/11/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
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