A recently blinded woman is terrorized by a trio of thugs while they search for a heroin-stuffed doll they believe is in her apartment.A recently blinded woman is terrorized by a trio of thugs while they search for a heroin-stuffed doll they believe is in her apartment.A recently blinded woman is terrorized by a trio of thugs while they search for a heroin-stuffed doll they believe is in her apartment.
- Nominated for 1 Oscar
- 6 nominations total
Robby Benson
- Boy Tossing Ball
- (uncredited)
Jean Del Val
- The Old Man
- (uncredited)
Mel Ferrer
- French-Canadian Radio Speaker
- (voice)
- (uncredited)
Packy McFarland
- Passerbye
- (uncredited)
Gary Morgan
- Teenage Boy on Street
- (uncredited)
Frank O'Brien
- Shatner
- (uncredited)
Bill Walters
- BG with Dog
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an interview, Alan Arkin talked about the Oscar nominations he received for his early major film roles (The Russians Are Coming the Russians Are Coming (1966) and The Heart Is a Lonely Hunter (1968)). When asked if he was surprised that he was overlooked for Wait Until Dark, his second movie, he replied: "You don't get nominated for being mean to Audrey Hepburn!"
- GoofsWhen the two men first enter Susy's apartment, the second one says "What are you calling for? She said she wasn't here." But his lips don't move.
- Quotes
Susy Hendrix: Gloria?
Gloria: Yeah?
Susy Hendrix: How would you like to do something difficult and terribly dangerous?
Gloria: I'd love it!
- Crazy creditsThe end credits show each character with the performer's credit; Alan Arkin is shown three times, including once in each disguise.
- ConnectionsFeatured in Terror in the Aisles (1984)
Featured review
Great little gem that -for the most part- stands the test of time very well!
Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.
Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.
My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.
When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.
Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.
Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.
My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.
When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.
- barbarella70
- Oct 17, 2003
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Warte, bis es dunkel ist
- Filming locations
- 5 St. Luke's Place, Manhattan, New York City, New York, USA(the Hendrix apartment)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
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