A young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to pr... Read allA young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.A young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.
Natalya Varley
- Pannochka
- (as N. Varley)
Aleksey Glazyrin
- Sotnik
- (as A. Glazyrin)
Nikolay Kutuzov
- Vedma
- (as N. Kutuzov)
Vadim Zakharchenko
- Khalyava
- (as V. Zakharchenko)
Pyotr Vesklyarov
- Rektor
- (as P. Vesklyarov)
- …
Vladimir Salnikov
- Gorobets
- (as V. Salnikov)
Dmitriy Kapka
- Overko
- (as D. Kapka)
Stepan Shkurat
- Yavtukh
- (as S. Shkurat)
Georgiy Sochevko
- Stepan
- (as G. Sochevko)
Nikolay Yakovchenko
- Spirid
- (as N. Yakovchenko)
Nikolay Panasev
- Uteshitel
- (as N. Panasev)
Borislav Brondukov
- Bursak
- (uncredited)
Aleksandra Denisova
- Selyanka
- (uncredited)
Lyubov Kalyuzhnaya
- Selyanka
- (uncredited)
Viktor Kolpakov
- Selyanin
- (uncredited)
Mikhail Kramar
- Bursak
- (uncredited)
Margarita Krinitsyna
- Gafiyka
- (uncredited)
Storyline
Did you know
- TriviaNikolay Stepanov who plays the demon Viy, was a circus artist. He was cast for his strength, because costume of the creature was extremely heavy.
- GoofsWhen Khoma draws a chalk circle on the church floor for the first time, traces of previous circles are still visible on the floorboards.
- ConnectionsFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
- SoundtracksNight on Bald Mountain
Composed by Modest Mussorgsky
Featured review
"Vij" is a masterpiece of Russian cinema and a masterpiece of 60s horror. Having said that, it is perhaps a film that may not appeal to the gorehound variety of horror fan. Not only does it not possess any gore, but it plays for much of its length like a bucolic Russian fairy tale. The scary scenes when they come are in the last 20 minutes or so.
What makes "Vij" so wonderful are the lovingly shot scenes of rural Russia. The faces of all the peasants are shown in frequent close-up: ruddy, jovial, deeply lined with characterful wrinkles, blue-gray eyes twinkling. The camera is used to great effect in close-ups, blurry shots, spinning around our hero, zooming in and out, and those loving shots of farm houses and livestock. It often has a dream-like character and certain supernatural scenes are extremely surreal and effective. The blend of lighthearted comedy and echoes of folklore and a near-religiosity at times is also extremely effective. The lead does an excellent job as Khoma and his cohort of minders are equally good. Our deceased witch is a picture of beauty and reminds one of Snow White, such is her rosy-cheeked, fairytale beauty.
I could go on and on about what makes this film so wonderful. I'll suffice to comment on one more feature. The music by Karen Khatchaturian (nephew of the great Aram Khatchaturian, he of the "Sabre Dance" and the "Onedin Line" theme music) is very effective and draws on the sounds of several other Russian greats. One reviewer here mentioned both Prokofiev and Rachmaninov. I thought the exact same thing in the same scenes. There is an overall Prokofevian sound to the music and the choral numbers bring to mind Rachmaninov's "All-Night Vigil", most likely intentionally. The music in the demon scenes draws on Mussorgsky's "Nite on Bald Mountain" with its eerie string scratchings, again most likely intentionally. These are wonderful and evocative sources for Khatchaturian to draw from.
In summation, this is a cinematic masterpiece and is a must for fans of Russian cinema or classic cinema in general. Horror fans who can enjoy say, "Nosferatu", "The Cabinet of Dr Caligari", "Black Sunday", "Carnival of Souls" or other early greats, will no doubt want to seek this out. "Vij" is one of the early greats of the genre which it also transcends.
What makes "Vij" so wonderful are the lovingly shot scenes of rural Russia. The faces of all the peasants are shown in frequent close-up: ruddy, jovial, deeply lined with characterful wrinkles, blue-gray eyes twinkling. The camera is used to great effect in close-ups, blurry shots, spinning around our hero, zooming in and out, and those loving shots of farm houses and livestock. It often has a dream-like character and certain supernatural scenes are extremely surreal and effective. The blend of lighthearted comedy and echoes of folklore and a near-religiosity at times is also extremely effective. The lead does an excellent job as Khoma and his cohort of minders are equally good. Our deceased witch is a picture of beauty and reminds one of Snow White, such is her rosy-cheeked, fairytale beauty.
I could go on and on about what makes this film so wonderful. I'll suffice to comment on one more feature. The music by Karen Khatchaturian (nephew of the great Aram Khatchaturian, he of the "Sabre Dance" and the "Onedin Line" theme music) is very effective and draws on the sounds of several other Russian greats. One reviewer here mentioned both Prokofiev and Rachmaninov. I thought the exact same thing in the same scenes. There is an overall Prokofevian sound to the music and the choral numbers bring to mind Rachmaninov's "All-Night Vigil", most likely intentionally. The music in the demon scenes draws on Mussorgsky's "Nite on Bald Mountain" with its eerie string scratchings, again most likely intentionally. These are wonderful and evocative sources for Khatchaturian to draw from.
In summation, this is a cinematic masterpiece and is a must for fans of Russian cinema or classic cinema in general. Horror fans who can enjoy say, "Nosferatu", "The Cabinet of Dr Caligari", "Black Sunday", "Carnival of Souls" or other early greats, will no doubt want to seek this out. "Vij" is one of the early greats of the genre which it also transcends.
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