A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.
- Won 1 BAFTA Award
- 1 win & 5 nominations total
- Elfi Heidemann
- (as Loni Von Friedl)
- Feldmarschall von Lenndorf
- (as Friedrich Ledebur)
Storyline
Did you know
- TriviaFox wasn't able to rent any of he surviving WWI planes still extant, so they built their own. The aircraft were later used in "Darling Lily" and "You Can't Win Them All."
- GoofsThe German award called the "Pour le Mérite" (a.k.a. the Blue Max) was awarded at the beginning of the war to pilots who shot down 8 enemy aircraft; that was later raised to 16. The requirement was never 20 as depicted here.
- Quotes
Willi von Klugermann: By the way, Stachel... there's an impression around that... you care more about your unconfirmed kill than you do about Fabian's death.
[long pause]
Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time... to discuss them over a glass of champagne.
- Alternate versionsIt is believed that this film was at one time released in a 70 mm version (because of its six channel soundtrack), but this has never been confirmed.
- ConnectionsFeatured in The Amazing Howard Hughes (1977)
- SoundtracksDeutschlandlied
(uncredited)
Music by Joseph Haydn
Lyrics by August Heinrich Hoffman von Fallersleben
Played at Stachel's medal presentation
I first saw this on television in the early 1970s and was impressed with it then . I'm still impressed with it now though with reservations . As several people have pointed out the story drags when the story switches to the adultrous affair between Bruno Stachel and his Baroness lover . It should also be pointed out that George Peppard and Ursula Andress are rather unconvincing in these scenes and seem to be playing characters in a romantic drama set in the 1960s than in the early part of the century . I hated these scenes when I first saw the film and I hate them thirty years later . I also can't help thinking this sub plot makes the movie slightly over long . Was it included to make the movie more marketable to a female audience ? If a movie features thousands of men sticking bayonets into each other no woman will be going to the cinema to watch the movie full stop
That's my only real criticism though there are one or two other flaws regarding historical facts and planes used , but lets look at the positive points . This the best film I've seen featuring First World War dogfights , when you see a movie like ACES HIGH etc it's painfully obvious that actors are sitting in front of some back projection but with the exception of one rather poor scene you can believe the cast are indeed flying their own planes , the arial battles are superb as are the battles on the ground
The cast play up to their characters in thinking they are 20th century knights fighting in an honourable and elitist way and though they're the other side it's impossible to hate them in anyway , and it's interesting to see James Mason playing a morally upstanding army officer in a role almost identical to the one he played in CROSS OF IRON . I guess it doesn't matter whose side your on because politics will win out in the end
- Theo Robertson
- Nov 13, 2004
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Details
Box office
- Budget
- $5,000,000 (estimated)
- Runtime2 hours 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1