A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe climactic battle with the Japanese fleet was staged mostly with model ships. Kirk Douglas thought the special effects were poor and complained to director Otto Preminger and the studio about it. He offered to re-stage the scenes at his own expense, using the special effects people who worked with him on Paths of Glory (1957).
- GoofsDuring the surface battle, Torrey and his staff are all without life jackets or helmets. When at general quarters, battle stations, all topside personnel, those not in the enclosed compartments below the main deck, would be wearing life jackets. Almost all personnel would be wearing helmets.
- Quotes
Commander Paul Eddington: Old Rock of Ages, we've got ourselves another war. A gut bustin', mother-lovin' Navy war.
- Crazy creditsThe Paramount Pictures logo does not appear at the beginning of the film, only at the end of the film after the credits have finished.
- Alternate versionsVideotape version is shorter than theatrical version televised on A&E. Battle footage at end of film shorter on video.
- ConnectionsEdited into Bass on Titles (1982)
Featured review
In Harm's Way is a film that is historically important in the career of its star, John Wayne, for two reasons. First, it marked his last appearance in a Black and White film, and second, it was his last film before undergoing surgery for lung cancer. It also marks Wayne's first of three films with Kirk Douglas, and his only film with director Otto Preminger.
As for the film itself, it is a character-driven story with the World War II setting used as a backdrop. Like other Preminger pictures of the time (Exodus, Advise and Consent) it has a big-name cast and an "epic" feel. Watch for Henry Fonda in a small part as Admiral Nimitz (referred to as "CINCPAC II"). Wayne plays Rockwell Torrey, a naval officer blamed for the Pearl Harbor disaster, and demoted. But Nimitz (Fonda) knows that Torrey is a good commander, and when timorous politician-turned-Admiral Broderick (Dana Andrews) botches a key operation, Nimitz turns control over to Torrey, giving him a second chance.
On the personal side, Torrey tries to help his second-in-command, Paul Eddington (Kirk Douglas), who, as they say, is going through some personal problems of his own. Torrey also tries to repair his relationship with his estranged son Jeremiah (Brandon De Wilde), and finds time to conduct a "twilight romance" with nurse Lieutenant Maggie Haynes (Patricia Neal).
Two scenes in particular make this film stand out. The first occurs when Wayne and Neal are alone together in his apartment, the night before she is about to be shipped out. I won't spoil it for anyone, but let me say that it is a classic example of how a scene can ooze with "sex" without actually "showing" a single thing. It's a perfect example of how this kind of scene can be handled tastefully and professionally. It's called class, folks, and it is apparently something that modern Hollywood cannot or will not understand. The second is a discussion on cowardice between Wayne and Burgess Meredith as the fleet is preparing to meet the Japanese in battle. Once again, I won't spoil it, but it a memorable and classic scene, the quote that I have used to head my review is delivered by Wayne during it.
While In Harm's Way may, at first, seem to be simply a film about the politics of Navy hierarchy, it is really a film about the personal lives and struggles of the men and women of World War II.
As for the film itself, it is a character-driven story with the World War II setting used as a backdrop. Like other Preminger pictures of the time (Exodus, Advise and Consent) it has a big-name cast and an "epic" feel. Watch for Henry Fonda in a small part as Admiral Nimitz (referred to as "CINCPAC II"). Wayne plays Rockwell Torrey, a naval officer blamed for the Pearl Harbor disaster, and demoted. But Nimitz (Fonda) knows that Torrey is a good commander, and when timorous politician-turned-Admiral Broderick (Dana Andrews) botches a key operation, Nimitz turns control over to Torrey, giving him a second chance.
On the personal side, Torrey tries to help his second-in-command, Paul Eddington (Kirk Douglas), who, as they say, is going through some personal problems of his own. Torrey also tries to repair his relationship with his estranged son Jeremiah (Brandon De Wilde), and finds time to conduct a "twilight romance" with nurse Lieutenant Maggie Haynes (Patricia Neal).
Two scenes in particular make this film stand out. The first occurs when Wayne and Neal are alone together in his apartment, the night before she is about to be shipped out. I won't spoil it for anyone, but let me say that it is a classic example of how a scene can ooze with "sex" without actually "showing" a single thing. It's a perfect example of how this kind of scene can be handled tastefully and professionally. It's called class, folks, and it is apparently something that modern Hollywood cannot or will not understand. The second is a discussion on cowardice between Wayne and Burgess Meredith as the fleet is preparing to meet the Japanese in battle. Once again, I won't spoil it, but it a memorable and classic scene, the quote that I have used to head my review is delivered by Wayne during it.
While In Harm's Way may, at first, seem to be simply a film about the politics of Navy hierarchy, it is really a film about the personal lives and struggles of the men and women of World War II.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Prva pobeda
- Filming locations
- Ford Island, Pearl Harbor, O'ahu, Hawaii, USA(exteriors, Base Housing)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,200,000
- Runtime2 hours 45 minutes
- Color
- Aspect ratio
- 2.35 : 1
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