Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start schem... Read allThree go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.
Sue Bernard
- Linda
- (as Susan Bernard)
Michael Finn
- Gas Station Attendant
- (as Mickey Foxx)
John Furlong
- Narrator
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film's lead actress, Tura Satana, legally owned her image and likeness. So, whenever Russ Meyer wanted to change the artwork on any of the film's posters or re-release the film, he had to get her permission to do so and sometimes pay her royalties all over again.
- GoofsThe sign above the gas station misspells 'headquarters' as 'headquaters'.
- Alternate versionsThis film is available in an unrated version on DVD.
- ConnectionsEdited into White Zombie: Thunder Kiss '65 (1992)
Featured review
I've got to admit, after the first ten minutes or so; I really didn't think I was going to like this film. However, it isn't long before Russ Meyer's film takes off - and before I knew it, I was watching one of the greatest pieces of trash ever to hit the silver screen! If you want a B-movie; this film has all the essential ingredients. We've got fast cars, fighting, killing, snappy dialogue and a trio of buxom beauties in the lead roles! It's quite clear that this film is made purely for entertainment value - as the plot is non-existent, and the characters don't go any deeper than the common B-movie stereotypes, but it doesn't matter - because entertain it does, and this is about as 'cult' as it gets! Shot in crisp black and white, and with all the energy of the Nouvelle Vogue cinema doing the rounds in sixties France, Faster Pussycat! Kill! Kill! (awesome trashy title) follows three women; dancers by night, and fast car riding killers by day! We follow them as they stumble upon an old farmhouse, inhabited by an old man as sick as they themselves. He's got some money hidden, and the lead chick wants it...only the old man and his sons stand in her way.
It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset. The trio of women are the main players, with the busty and exotic Tura Satana taking centre stage and being backed up by Haji, and the stunning Lori Williams. These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value. The film moves quickly, and the action is fast edited and cut with an imminently cool soundtrack, thus making the film amazingly watchable and an obvious influence on the likes of Quentin Tarantino. The fact that this film pokes fun of cinematic violence by having women in the leads will always make it memorable; the fact that they've got big breasts only makes that more so. This is an absolute cult classic and, I suspect, a film that I'll be seeing over and over again. This is one of those films that has to be seen to be believed - so make sure you don't miss it!
It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset. The trio of women are the main players, with the busty and exotic Tura Satana taking centre stage and being backed up by Haji, and the stunning Lori Williams. These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value. The film moves quickly, and the action is fast edited and cut with an imminently cool soundtrack, thus making the film amazingly watchable and an obvious influence on the likes of Quentin Tarantino. The fact that this film pokes fun of cinematic violence by having women in the leads will always make it memorable; the fact that they've got big breasts only makes that more so. This is an absolute cult classic and, I suspect, a film that I'll be seeing over and over again. This is one of those films that has to be seen to be believed - so make sure you don't miss it!
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Details
- Release date
- Country of origin
- Language
- Also known as
- Faster Pussycat, Kill!... Kill!
- Filming locations
- Mojave Desert, California, USA(General location at Randsburg and Johannesburg, two mining ghosttowns, and Ollie Pesch's Musical Wells Ranch for the dirty old man's ranch scenes.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000 (estimated)
- Runtime1 hour 23 minutes
- Color
- Sound mix
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Top Gap
By what name was Faster, Pussycat! Kill! Kill! (1965) officially released in India in English?
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