IMDb RATING
8.1/10
67K
YOUR RATING
In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.
- Nominated for 3 Oscars
- 9 wins & 8 nominations total
Brahim Hadjadj
- Ali La Pointe
- (as Brahim Haggiag)
Yacef Saadi
- Djafar
- (as Saadi Yacef)
Fouzia El Kader
- Halima
- (as Fusia El Kader)
Mohamed Ben Kassen
- Petit Omar
- (as Petit Omar)
Franco Moruzzi
- Mahmoud
- (uncredited)
Tommaso Neri
- Captain
- (uncredited)
Rouiched
- The Drunk Man
- (uncredited)
Storyline
Did you know
- TriviaOne of the few films in Oscar® history to be a nominee in two separate non-consecutive years. It was a foreign film nominee for 1966 and then a nominee for screenplay and direction for 1968.
- GoofsIn the final scenes, showing the mass street protests, the French police are backed up by armored vehicles that are Soviet-made SU-100 tank destroyers. These were part of the Algerian military when the film was made in 1966 after independence, but would not have been present or used by the French at any time.
- Quotes
Ben M'Hidi: It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do.
- Crazy creditsThe credits for the French release, which are used for contemporary versions of the film, differ from the credits in the original Italian release. In the original credits, Brahim Hadjadj is below Jean Martin and Yacef Saadi, Tommaso Neri is billed as one of the leads, Franco Moruzzi is credited, and Samia Kerbash is given the surname "Michele". The French release gives Hadjadj top billing, removes Neri and Moruzzi from the credits, and refers to Kerbash by her correct surname.
- ConnectionsEdited into 365 Days, also Known as a Year (2019)
Featured review
I ask myself why we never see these kind of movies on TV, instead of airing again and again the same old lethal weapons, jurassic parks, and other similar stuff? This is real cinema, this is why it is considered a form of art!
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $879,794
- Opening weekend US & Canada
- $64,870
- Jan 11, 2004
- Gross worldwide
- $962,002
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content