The romantic and chivalrous adventures of adopted bastard Tom Jones in 18th-century England.The romantic and chivalrous adventures of adopted bastard Tom Jones in 18th-century England.The romantic and chivalrous adventures of adopted bastard Tom Jones in 18th-century England.
- Won 4 Oscars
- 20 wins & 20 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Best Picture Winners by Year
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Storyline
Did you know
- TriviaIt took two nights to film the sequence in which Squire Western chases after Tom. The second night, Hugh Griffith managed to undo the wiring on his riding crop, and actually hit Albert Finney with it, drawing blood. In character, Finney turned on Griffith and said, "I can't abide to be whipped, Squire," then punched him in the face. Each stalked off the set, swearing never to work with the other again.
- GoofsAfter Lady Bellaston reads Tom's letter proposing marriage, she wads it into a small ball. Lady Bellaston later shows the letter to Sophie's aunt, but it is now smooth and uncrumpled.
- Crazy creditsOpening credits: In the west of England there was once a Squire Allworthy. After several months in London he returned home. his sister, Bridget. his servants. after supper. "Mrs. Wilkins!" "aaah!" a baby! abandoned!!! "how did it get here?" "who can the mother be?" "Jenny Jones!" "who is the father Jenny?" "send for Partridge the barber!" Partridge the barber - the father? "I will deal with you later, sir!" "you must be sent away from this shame and degradation." "as for your child . . . . . " "I will bring him up as if he were my own son." "what will you call him brother?" "Tom Jones." of whom the opinion of all was that he was born to be hanged.
- Alternate versionsFor the 1989 reissue/restoration, the director trimmed approx. 7 minutes from the original. The initial home video release in 1981 on the Magnetic Video label contains the full-length original, which includes the following footage/dialogue cut from the reissue:
- Tom running from Squire Western; Black George caught for killing sheep; trial
- Sophie: "Oh, my little bird."
- Molly being called a slut by her family: "You will have a bastard"
- Tom/Sophie montage: Tom reading, eating nuts, picking berries, Tom and Sophie singing
- Teachers fighting Tom; Tom going around tree; riding teacher
- Tom's dream at the Inn
- Sophie and Lady Fitzpatrick: Trimmed frames from laughing
- Sophie and Lady Fitzpatrick: "What will you do in London?" "I have a friend..."
- Sophie and Lady Fitzpatrick: "What about your friend?" "He is away for a few days. When he returns we shall make other arrangements."
- Lady Bellaston and Lady Fitzpatrick: "The girl is obviously intoxicated and nothing less than ruin will content her."
- Lady Bellaston muttering French phrase at dinner
- Lady Bellaston: Dialog after "Are you afraid of the word 'rape'?"
- Transition from Bellaston and Fellamore to Tom and Partridge
- Transition from Tom and Partridge to "Rape"
- Partridge and Tom: "She'll be the one to break it off"; transition to note; dialog: Narrator reads letter, Bellaston remarks to maid not to receive Tom Jones again.
- "Scandal are the best sweeteners of tea."; transition
- Partridge looking for people to uphold Tom's character (in the original he approaches one man, then two more - scene of him approaching the first man was cut)
- No reprise of song for Tom as he's going to be hanged
- End titles (re-done for reissue with restoration credits and extended music by 15 seconds, while cutting some of the original company credits)
- ConnectionsFeatured in Precious Images (1986)
Featured review
Mostly the reviews on IMDb can be relied on, but sometimes they just make no sense. Over upwards of a decade and many hundreds of visits I can recall no starker illustration than the truly unbelievable 6.8 given to Tom Jones. It is, simply, a masterpiece.
A brilliant story at the heart of it, of course, but brought to life with fantastic, innovative direction, including affectionate nods to the silents, extraordinary action sequences, unsurpassed breaches of the fourth wall ("Did you see her take it?"), uncommon acknowledgements of some of the grimmer realities of the era, and tour de force performances from the entire cast (who clearly relished every minute), centred of course on the sublime Albert Finney - one of the greats, never better - and the heart-stoppingly gorgeous Susannah York.
Tom Jones is one of the ultimate explorations and illustrations of the full potential of the medium: movies don't get better than this. Anyone who contributed to that risible score should hang their head in shame. Anyone else, watch Tom Jones. Then watch it again. And again.
A brilliant story at the heart of it, of course, but brought to life with fantastic, innovative direction, including affectionate nods to the silents, extraordinary action sequences, unsurpassed breaches of the fourth wall ("Did you see her take it?"), uncommon acknowledgements of some of the grimmer realities of the era, and tour de force performances from the entire cast (who clearly relished every minute), centred of course on the sublime Albert Finney - one of the greats, never better - and the heart-stoppingly gorgeous Susannah York.
Tom Jones is one of the ultimate explorations and illustrations of the full potential of the medium: movies don't get better than this. Anyone who contributed to that risible score should hang their head in shame. Anyone else, watch Tom Jones. Then watch it again. And again.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Tom Jones - Zwischen Bett und Galgen
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Runtime2 hours 9 minutes
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