Wealthy rancher G. W. McLintock uses his power and influence in the territory to keep the peace between farmers, ranchers, land-grabbers, Indians and corrupt government officials.Wealthy rancher G. W. McLintock uses his power and influence in the territory to keep the peace between farmers, ranchers, land-grabbers, Indians and corrupt government officials.Wealthy rancher G. W. McLintock uses his power and influence in the territory to keep the peace between farmers, ranchers, land-grabbers, Indians and corrupt government officials.
- Awards
- 2 wins
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMaureen O'Hara wrote in her autobiography that the famous climactic spanking scene was completely authentic and that John Wayne carried it out with such gusto that she had bruises for a week.
- GoofsIn the mud fight scene, when John Wayne climbs out of the pit, a man is seen in the background wearing a modern grey business suit. In the same shot, there's also a person wearing sunglasses.
- Quotes
George Washington McLintock: Becky! Come here. There's somethin' I ought to tell you. Guess now's as good a time as any. You're gonna have every young buck west of the Missouri around here tryin' to marry you - mostly because you're a handsome filly, but partly because I own everything in this country from here to there. They'll think you're gonna inherit it. Well, you're not. I'm gonna leave most of it to... well, to the nation really, for a park where no lumbermen'll cut down all the trees for houses with leaky roofs. Nobody'll kill all the beaver for hats for dudes nor murder the buffalo for robes. What I'm gonna give you is a 500-cow spread on the Upper Green River. Now that may not seem like much, but it's more than we had, your mother and I. Some folks are gonna say I'm doin' all this so I can sit up in the hereafter and look down on a park named after me, or that I was disappointed in you -- didn't want you to get all that money -- but the real reason, Becky, is because I love you, and I want you and some young man to have what I had, 'cause all the gold in the United States Treasury and all the harp music in Heaven can't equal what happens between a man and a woman with all that growin' together. I can't explain it any better than that.
- Crazy creditsThere are no end credits at the end of the movie.
- Alternate versionsAvailable in a 128 minutes version (by Goodtimes Entertainment) and in a shorter 122 minute version by Gemstone Entertainment. This is an edited version with all the original music and background music replaced with an all new soundtrack. Some musical scenes have been deleted and some dialogue dubbed.
- ConnectionsFeatured in Hollywood: The Great Stars (1963)
- SoundtracksLove in the Country
Sung by The Limeliters
Music Coordinator "By' Dunham'
Words & Music by "By' Dunham' and Frank De Vol
As John Wayne grew older, his films settled into being safe and unassuming family fare which this one certainly is, making it undeniably the least of the Batjac films released on DVD so far! Through all these films, he managed to surround himself with reliable talent on both sides of the camera many of whom were already a part of "The John Wayne Stock Company". The script by James Edward Grant, Wayne's favorite writer, provides plenty of amusing situations which are gleefully met by the cast (particularly Chill Wills, Jack Kruschen and Strother Martin) including a free-for-all in the mud, a fist-fight during a town celebration, a drunken encounter with a flight of stairs and the come-uppance of both female members (Maureen O' Hara and Stefanie Powers) of the McLintock family at the hands of the Waynes (father John and son Patrick respectively) though the ponderous subplot involving the Comanches' last stand (headed by Michael Pate) feels somewhat incongruous alongside the brawling and the slapstick and should, perhaps, have been dropped altogether.
The supplements are of a similarly high quality as the rest of the Paramount "Batjac" releases: the Audio Commentary here is especially engaging for the way it places the film in the context of both Wayne's career and the revisionist attitude the Western genre would go through immediately afterwards; interestingly, as was the case with HONDO (1953), it's also mentioned that John Ford was asked to direct some sequences when the films' respective director became indisposed! Incidentally, I'll be watching the similarly boisterous DONOVAN'S REEF (1963) soon a film that has eluded me all these years despite being a perennial on Italian TV! and which proved to be the last of the innumerable collaborations between Wayne and Ford...
- Bunuel1976
- May 20, 2006
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Details
Box office
- Budget
- $2,000,000 (estimated)
- Runtime2 hours 6 minutes
- Aspect ratio
- 2.35 : 1