A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save herself for marriage.A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save herself for marriage.A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save herself for marriage.
- Nominated for 3 Oscars
- 6 wins & 5 nominations total
Dick Sargent
- Young Man (Harry Clark)
- (as Richard Sargent)
Dorothy Abbott
- Stewardess
- (uncredited)
Isabella Albonico
- Isabella
- (uncredited)
Louise Arthur
- Woman
- (uncredited)
Alice Backes
- Miriam
- (uncredited)
Suzanne Barton
- Model
- (uncredited)
Russ Bender
- Williams
- (uncredited)
Storyline
Did you know
- TriviaIn her autobiography, Doris Day wrote: "Of all the people I performed with, I got to know Cary Grant least of all. He is a completely private person, totally reserved, and there is no way into him. Our relationship on That Touch of Mink (1962) was amicable but devoid of give-and-take...Not that he wasn't friendly and polite - he certainly was. But distant. Very distant. But very professional - maybe the most professional, exacting actor I ever worked with. In the scenes we played, he concerned himself with every little detail: clothes, sets, production values, the works. Cary even got involved in helping to choose the kind of mink I was slated to wear in the film."
- GoofsWhen Shayne and Roger are talking in the office, Shayne is drinking from a teacup. The camera angle is from behind Shayne's right shoulder, and, as he raises the cup, it can be seen that the cup is empty.
- Quotes
Philip Shayne: Why would she go away with someone like that?
Roger: Who knows? He's a man and she's a woman.
Philip Shayne: That's the most dangerous combination to turn loose in a motel.
- Crazy creditsClosing credits: Our special thanks to Bergdorf Goodman for being Bergdorf Goodman.
- ConnectionsEdited into Down with Love (2003)
Featured review
I would not place 'Touch Of Mink' with the likes of Tarkovsky's films, but I will say that it is a beautifully-filmed fantasy that is really titillatingly funny in a genuinely charming way. Even the most serious film viewers cannot deny the smiles that are inevitable when Doris is on the screen. The film's story evolves when two lives are randomly thrown together - that of a hard-working waitress and a rich bachelor playboy. What ensues is delicious full-on Technicolor romantic comedy.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
- johngreenink
- Jun 17, 2006
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- A Touch of Mink
- Filming locations
- Bermuda(second unit - airport, establishing, and background shots)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,628,923
- Runtime1 hour 39 minutes
- Aspect ratio
- 2.35 : 1
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