A teenager who witnesses the murder of his father vows to exact revenge on the four mobsters involved in the killing.A teenager who witnesses the murder of his father vows to exact revenge on the four mobsters involved in the killing.A teenager who witnesses the murder of his father vows to exact revenge on the four mobsters involved in the killing.
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Storyline
Did you know
- TriviaHanging on the wall in Driscoll's office is a certificate bearing the symbol of the U.S. Army's First Infantry Division - the unit that Samuel Fuller served in during World War II and depicted in The Big Red One (1980). The same type style for the infantry's numeral "1" is also featured in a reading campaign poster in front of National Accounts, the gangster headquarters building. The certificate is for the 16th Infantry Regiment in which Fuller was a corporal.
- GoofsThe opening sequence takes place in December 1939, and Tolly is 14 years old. The bulk of the story begins in June 1960 and takes place immediately thereafter. Sandy comments to Tolly that he's 32 years old now.
- Quotes
Sandy: Why don't you take a good look at yourself. What do you see? A doctor? A scientist? A businessman? You see a scar-faced ex-con. A two-bit safecracker. A petty thief who don't know when he really made the big time. Where do you come off to blast her? No matter what she's been, what she's done. She's a giant! And you wanna know why? Well, I'll tell ya. Because she sees something in you worth saving. If only one tenth of one percent of all the good in her could rub off on you, you'd be a giant, too. But you're a midget! In your head, in your heart, in your whole makeup. You're a midget!
- ConnectionsEdited into Gli ultimi giorni dell'umanità (2022)
- SoundtracksThe Anniversary Waltz
(uncredited)
Written by Dave Franklin and Al Dubin
Hummed by Mrs Farrar when Tolly visits her
Not unlike John Boorman's "Point Blank" which also featured an almost cyborg-natured Lee Marvin punishing the bigshot criminal overlords who did him wrong, here the pursuit is more humanized but suffers no slack as Robertson gives an extraordinary performance.
With a glinty-eyed, crooked smile and a gleeful look which seems to creep into his face as he torments his victims, Robertson suggests a little of Mel Gibson's instability in the first "Lethal Weapon", but without the looniness. His more understated moments are not only very realistic, but are the epitome of cool. Robertson can definitely smoke cigarettes better than anybody.
Fuller's direction is taut, featuring plenty of creative cinematography and a lot of sequences which are far more ahead of their time than the majority of crime films being made around 1961. As always, Fuller manages to tell his story with both hysteria and pathos. This is definitely a must-see for fans of Don Siegel's work or the crime films of Phil Karlson and Anthony Mann. "Underworld USA" could very well share a double bill with John Flynn's "The Outfit" as well. Superb stuff.
- HughBennie-777
- Aug 2, 2002
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Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 1.85 : 1