This is a very interesting case charting the tricky runway through thorny bushes and shallow seas of the problems of euthanasia, and no one knows how it will end. It could end up a regular tragedy, and there could also be a happy ending. There is neither, because this is strictly a medical case, and Richard Burton plays a very regular and conventional doctor who tries to keep strictly to his own business, and even his senior advises him to avoid grounding on sentimental and relational shores in the difficult navigation. His friend Larry is mortally ill and expressly calls for his old childhood friend (Burton) to take charge of his case, while his father reacts strongly and even violently against it. Larry's wife is Barbara Bush, who had a happy marriage in the beginning until he became ill, and she never got the child she so strongly wanted. Larry wants Richard Burton to take care of her after he is gone, and they actually love each other. So what is the problem? Larry pleads to Richard to take his life, and Richard can't stand seeing his friend suffer. It all ends up in a trial with some surprising turns, and the end is very unexpected. Burton acts his part with great restraint, a very unusual part in his career, but he is still young here. The others second him well, but best of all is the terrific music by. Leonard Rosenman, which adds an extra dimension to the story, raising it to a very different and higher level than Peyton Palace - only the settings are almost identical. There are many other threads as well to this small town scandal story, but the main issue is the very debatable complex of mercy killing. How much can a dying patient endure of his pains, and how much can his kin and doctors endure seeing him suffer? Lots have happened since 1960, and today the problems about this are practically solved, but the issue remains eternally bothersome.