IMDb RATING
7.2/10
2.5K
YOUR RATING
The murder of a young woman in London exposes deep racial tensions and prejudices inherent in the area.The murder of a young woman in London exposes deep racial tensions and prejudices inherent in the area.The murder of a young woman in London exposes deep racial tensions and prejudices inherent in the area.
- Won 1 BAFTA Award
- 3 wins & 4 nominations total
Thomas Baptiste
- Man on the Street
- (uncredited)
Victor Brooks
- Police Sergeant
- (uncredited)
Marie Burke
- Second landlady
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe success of this movie, in spite of its controversial themes, encouraged Janet Green to write Victim (1961), and Basil Dearden to direct it.
- GoofsThe ripped photo used as a clue appears in two versions from the first time it's discovered. The first version shows Sapphire laughing as she dances, with her mouth open. The second shows her smiling broadly with her jaw closed. It's quite an odd, unnecessary blunder in a police procedural.
- Quotes
Superintendent Robert Hazard: We didn't solve anything, Phil. We just picked up the pieces.
Featured review
A young woman is killed. Detectives Nigel Patrick and Michael Craig search for her killer in this deliberate police procedural. What's distinctive about it is that the murder victim is Black.
Basil Dearden's movie was considered groundbreaking at the time of its release, and more than sixty years later, it's easy to see why. In a Britain in which "Wogs begin at Calais" and people who hailed from Wales were looked on as a lesser breed, Blacks in British cinema were even rarer than in mainstream American movies; they didn't even have train porter and servant roles. So the investigators' journey, taking them into the subculture in London, with its vibrant night life, and smiling, fake subservience, remains a bit of a shocker today. even after a half century of Blaxploitation flicks.
It also makes the point that policemen aren't instruments of justice. In the end, all they can do is be dustmen, restoring a thin veneer of civilization to a broken world.
Basil Dearden's movie was considered groundbreaking at the time of its release, and more than sixty years later, it's easy to see why. In a Britain in which "Wogs begin at Calais" and people who hailed from Wales were looked on as a lesser breed, Blacks in British cinema were even rarer than in mainstream American movies; they didn't even have train porter and servant roles. So the investigators' journey, taking them into the subculture in London, with its vibrant night life, and smiling, fake subservience, remains a bit of a shocker today. even after a half century of Blaxploitation flicks.
It also makes the point that policemen aren't instruments of justice. In the end, all they can do is be dustmen, restoring a thin veneer of civilization to a broken world.
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Details
Box office
- Budget
- $400,000 (estimated)
- Runtime1 hour 32 minutes
- Aspect ratio
- 1.66 : 1
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