IMDb RATING
6.0/10
218
YOUR RATING
Young blonde woman seems to destroy everyone she comes in contact with.Young blonde woman seems to destroy everyone she comes in contact with.Young blonde woman seems to destroy everyone she comes in contact with.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe hotel used by the lovers, The Edgwarebury Hotel, was previously used as the location for The Traitor (1957), and would be used again as the tennis club in School For Scoundrels (1960); Rod Taylor's training ground in The Liquidator (1965); the Eatons' house in The Devil Rides Out (1968); "The Elizabethan Hotel" in The Avengers S7 Episode 20 "Wish You Were Here" (12/2/69); Paul Kirstner's house in Randall & Hopkirk (Deceased) Episode 7 "Murder Ain't What It Used To Be" (2/11/69); "Merstham Manor" in Randall & Hopkirk (Deceased) Episode 9 "The House on Haunted Hill" (16/11/69); Mrs Howe's house in Randall & Hopkirk (Deceased) Episode 14 "Who Killed Cock Robin?" (21/12/69) and the restaurant visited by Strand in Special Branch S4 Episode 12 "Diversion" (2/5/74)
- Quotes
Mike Thompson: You beautiful, blonde bitch!
- ConnectionsFeatured in Trailer Cinema (1992)
Featured review
I only watched this for Robert Siodmak, and would have left it alone if I had relied on the reviews here. Others supply the plot and actors well enough, but neglect to mention that Nadja Tiller steals the film. It really is her film.
I thought Tony Britton just about pulled his performance off (although could have been younger), and William Bendix earned his working holiday in London for his short performance here, particularly his second appearance in this film. All the other actors give fine support, and in particular the bit parts such as the waiter/taxi driver/landlady, make this enjoyable.
I have to warn you that there is pre-marital sex in 1959 (heaven forbid) going on here. There is also stockings, suspender belts, and underwear on show here. It doesn't stop there either, it goes much deeper with the characterisations, whom, it seems to me, that they like the pain that they inflict or are going through, not least the femme fatale, who is also in to her S&M. Blue Velvet it's not, but then what is?
I must also say that I was not disappointed with Richard Siodmak's direction either, which was top class, including the lighting etc. (learnt his trade in the German Expressionism great days I beleive). It all looked very good to me, which included the 1950's sets and pub scenes, usually best observed by a foreigner.
Mention must be made about the wardrobe department. Nadja Tiller was great in her underwear etc, there were trench coats, but as for William Bendix, what were they thinking of dressing him in a heavy striped shirt with a diamond patterned tie, underneath a chequered waist coat (ouch!).
I wouldn't call this film noir (no guns, deaths or a beginning reflecting on previous events etc), but the subject matter is certainly parallel to some I've seen. The ending is perhaps unresolved, but did it matter? Not for me.
When viewing, I suggest you look at this through 'B' movie glasses, and although lacking in (deep) plot, it certainly had enough to entertain me for the 96 (?) minutes. Overall, a good solid adult English/London 'B' movie for me.
I thought Tony Britton just about pulled his performance off (although could have been younger), and William Bendix earned his working holiday in London for his short performance here, particularly his second appearance in this film. All the other actors give fine support, and in particular the bit parts such as the waiter/taxi driver/landlady, make this enjoyable.
I have to warn you that there is pre-marital sex in 1959 (heaven forbid) going on here. There is also stockings, suspender belts, and underwear on show here. It doesn't stop there either, it goes much deeper with the characterisations, whom, it seems to me, that they like the pain that they inflict or are going through, not least the femme fatale, who is also in to her S&M. Blue Velvet it's not, but then what is?
I must also say that I was not disappointed with Richard Siodmak's direction either, which was top class, including the lighting etc. (learnt his trade in the German Expressionism great days I beleive). It all looked very good to me, which included the 1950's sets and pub scenes, usually best observed by a foreigner.
Mention must be made about the wardrobe department. Nadja Tiller was great in her underwear etc, there were trench coats, but as for William Bendix, what were they thinking of dressing him in a heavy striped shirt with a diamond patterned tie, underneath a chequered waist coat (ouch!).
I wouldn't call this film noir (no guns, deaths or a beginning reflecting on previous events etc), but the subject matter is certainly parallel to some I've seen. The ending is perhaps unresolved, but did it matter? Not for me.
When viewing, I suggest you look at this through 'B' movie glasses, and although lacking in (deep) plot, it certainly had enough to entertain me for the 96 (?) minutes. Overall, a good solid adult English/London 'B' movie for me.
- vogun-17563
- Feb 20, 2018
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Details
- Release date
- Country of origin
- Language
- Also known as
- Das Bittere und das Süße
- Filming locations
- MGM British Studios, Elstree Way, Borehamwood, Hertfordshire, England, UK(studio: made at Metro-Goldwyn-Mayer British Studios Boreham Wood, England.)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.37 : 1
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