In 1863, a Union outfit is sent behind Confederate lines in Mississippi to destroy enemy railroads but a captive southern belle and the unit's doctor cause frictions within ranks.In 1863, a Union outfit is sent behind Confederate lines in Mississippi to destroy enemy railroads but a captive southern belle and the unit's doctor cause frictions within ranks.In 1863, a Union outfit is sent behind Confederate lines in Mississippi to destroy enemy railroads but a captive southern belle and the unit's doctor cause frictions within ranks.
- Awards
- 1 nomination
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- TriviaA long-time alcoholic, John Ford was ordered by his doctor to abstain from drinking or he would surely die from its effects. Even though he was notorious for his stubbornness, Ford obeyed the physician's orders. Still, the absence of drink caused him to treat his cast and crew rougher than usual. The one who usually got the worst treatment, drink or no drink, was John Wayne, and he got it good on set. Ford demanded that Wayne also abstain from drink, even though he had no such orders from his physician. Wayne begged producer Martin Rackin to get him away from Ford's omnipresent gaze, if only for a brief moment. Rackin obliged and lied to Ford, telling him that Wayne's teeth were beginning to show up yellow on film and that he needed to take both Wayne and William Holden to New Orleans to have their teeth cleaned. So the drunken trio spent a roaring night in the Crescent City, returning to a furious Ford, who knew through his spies exactly how many bars they had visited.
- GoofsIn the shot right after Hank Worden throws the torch onto the cotton bales, look at the upper left of the screen. You will see an airplane flying from right to left.
- Quotes
Miss Hannah Hunter: [bending over with a plate of chicken, revealing ample cleavage] Do you prefer the leg... or the breast?
Col. John Marlowe: I've had quite enough of both, thank you.
- ConnectionsFeatured in Directed by John Ford (1971)
- SoundtracksI Left My Love
by Stan Jones
Featured review
This film has the usual Hollywood-style errors about the Civil War -- men talking about Andersonville Prison months before it was established, minor diversions treated as the pivotal event of a campaign, that sort of thing. The biggest error though was the replacement of the fascinating Colonel Ben Grierson with Wayne's railroad man character. Grierson was a music teacher who was afraid of horses because one kicked him in the head as a child. Joining the Union army to fight slavery (he was a staunch abolitionist) he wanted infantry duty but was assigned to the cavalry by mistake. He turned out to be good at it and stayed in the cavalry after the war, becoming the first Colonel of the 10th Cavalry (Buffalo soldiers). It'd have been nice to see Grierson on screen.
Historical inaccuracy aside though the movie did quite well. The film showed multiple viewpoints and a fair degree of respect for most of them. It showed aspects of the war that were generally ignored in other films of the period -- the bloody horror of battlefield amputations, the desire of people to give up on the whole thing (I can't think of an earlier film that talked about deserters and the way they disrupted the southern home front), and the pain of the sheer physical destruction of the war -- a pain that affected the destroyers as well as the victims, something Gone With the Wind never quite admitted.
Some posters have complained about southern belle Hannah Hunter's overuse of sex appeal to spy on Union soldiers -- while there was no historical Hannah Hunter there were plenty of southern women who did just that, including Belle Boyd, Rose Greenhow and others. Some posters have complained about the way the film trivializes slavery -- this is unfair. It underplays slavery but never trivializes it. It shows conflicts within the Union army about the institution and addresses the issue of personal loyalty between some slaves and masters without glamorizing the institution as a whole. Does the film go far enough by modern standards? No. But it goes much farther than its contemporary and treats the slavery issue more honestly than modern travesties like Gods And Generals.
One poster actually complained about how inaccurate southern snipers were -- this is completely unfair. There was no indication that the "snipers" were specially trained men with Whitworth rifles or anything like that. They looked more like ordinary troopers out skirmishing, or perhaps the even more poorly trained militia. Ordinary soldiers fired more than 100 rounds for every hit they scored, so poor shooting on either side is nothing to be surprised about.
8 out of 10
Historical inaccuracy aside though the movie did quite well. The film showed multiple viewpoints and a fair degree of respect for most of them. It showed aspects of the war that were generally ignored in other films of the period -- the bloody horror of battlefield amputations, the desire of people to give up on the whole thing (I can't think of an earlier film that talked about deserters and the way they disrupted the southern home front), and the pain of the sheer physical destruction of the war -- a pain that affected the destroyers as well as the victims, something Gone With the Wind never quite admitted.
Some posters have complained about southern belle Hannah Hunter's overuse of sex appeal to spy on Union soldiers -- while there was no historical Hannah Hunter there were plenty of southern women who did just that, including Belle Boyd, Rose Greenhow and others. Some posters have complained about the way the film trivializes slavery -- this is unfair. It underplays slavery but never trivializes it. It shows conflicts within the Union army about the institution and addresses the issue of personal loyalty between some slaves and masters without glamorizing the institution as a whole. Does the film go far enough by modern standards? No. But it goes much farther than its contemporary and treats the slavery issue more honestly than modern travesties like Gods And Generals.
One poster actually complained about how inaccurate southern snipers were -- this is completely unfair. There was no indication that the "snipers" were specially trained men with Whitworth rifles or anything like that. They looked more like ordinary troopers out skirmishing, or perhaps the even more poorly trained militia. Ordinary soldiers fired more than 100 rounds for every hit they scored, so poor shooting on either side is nothing to be surprised about.
8 out of 10
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Box office
- Gross US & Canada
- $1,753,526
- Runtime2 hours
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