A widow accepts a job as a live-in governess to the King of Siam's children.A widow accepts a job as a live-in governess to the King of Siam's children.A widow accepts a job as a live-in governess to the King of Siam's children.
- Won 5 Oscars
- 11 wins & 12 nominations total
Robert Banas
- Keeper of the Dogs - in Play
- (uncredited)
Dennis Bonilla
- Mongkut's Twin Son
- (uncredited)
Thomas Bonilla
- Mongkut's Twin Son
- (uncredited)
Jerry Chien
- Royal Child
- (uncredited)
Nancy Chien
- Royal Child
- (uncredited)
Mary Lou Clifford
- Royal Wife
- (uncredited)
Judy Dan
- Royal Wife
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaYul Brynner is the only actor to have played a lead role in a Richard Rodgers and Oscar Hammerstein II production both on the stage and on the screen, winning a Tony and an Oscar, respectively. He also played the role on the small screen in the Anna and the King tv series.
- GoofsThe map of the world prominently visible in the classroom shows parts of the Arctic and Antarctic regions that hadn't yet been explored or mapped in 1862.
- Quotes
King Mongkut of Siam: Et cetera, et cetera, et cetera!
- Crazy creditsIn the 1991 VHS release, after the "Feature Presentation" card fades to black, at first a film called A Boy Named Charlie Brown (1969) starts playing, and it goes up until the start of its opening credits, then you hear someone saying that they put in the wrong film. The film stops, a quick reel change slide is put up, and then the real movie starts.
- Alternate versionsIn the 1961 re-release (the 70mm blow-up version), right after the 20th Century Fox logo at the beginning, in place of "A CinemaScope Picture in CinemaScope 55," was "In Grandeur 70" (same background, but the text was huge, streamlined and stretched across the screen in a banner-like curve).
- ConnectionsFeatured in Precious Images (1986)
- SoundtracksOverture
(1951) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by the 20th Century-Fox Studio Orchestra Conducted by Alfred Newman
Featured review
I originally saw THE KING AND I at the Roxy Theatre in New York when I was ten years old. My grandmother took me after a day trip to the Statue of Liberty, and I was expecting to see one of my favorites, Jan Clayton, the star of LASSIE, in the starring role.
When the movie unfolded I was enraptured by the beautiful redhead playing the lead and realized it wasn't Miss Clayton (whom I later learned had played in the road version of the show, and kids that age don't really know the difference). I went out into the theatre lobby and looked at the ornate program, which listed Mrs. Anna as Deborah Kerr.
What an impression this woman has had on my life over the years from the retelling of the classic tale of the British woman who comes to Siam to teach the king's children. It is superb, not only musically, but from a story standpoint holds up as the best of the Rodgers & Hammerstein musicals. It is essentially a women's lib story, which makes it as relevant today as it was fifty years ago when it premiered on Broadway.
The fiery, but compassionate Mrs. Anna who is at first turned off by the king and then charmed by him, and who little by little changes him from a near-despot to a man who can grow.
The subplots are fanciful, but lovely and, in the ballet of Uncle Tom, as performed by Tuptim draw a direct analogy to the unpleasant lives endured by Siamese slaves, in particular women. It does so with majesty and intelligence, no less so than Arthur Miller did in "The Crucible," contrasting the Salem Witch Trials with the awful McCarthy political witchhunts on Capitol Hill.
It is an extraordinary achievement, and it is shocking that it did not even make the top 100 AFI films a year ago. It is continually fresh and alive, and every time there is a festival or re-release it does well. Indeed, a few years ago it was shown on a huge screen at The Hollywood Bowl, with orchestral accompaniment, and it was a smash again.
My only regret is that Deborah Kerr (six times nominated for an Oscar) was not gifted with an Academy Award along with her co-star Yul Brynner.
It is a film that should be seen for generations to come.
When the movie unfolded I was enraptured by the beautiful redhead playing the lead and realized it wasn't Miss Clayton (whom I later learned had played in the road version of the show, and kids that age don't really know the difference). I went out into the theatre lobby and looked at the ornate program, which listed Mrs. Anna as Deborah Kerr.
What an impression this woman has had on my life over the years from the retelling of the classic tale of the British woman who comes to Siam to teach the king's children. It is superb, not only musically, but from a story standpoint holds up as the best of the Rodgers & Hammerstein musicals. It is essentially a women's lib story, which makes it as relevant today as it was fifty years ago when it premiered on Broadway.
The fiery, but compassionate Mrs. Anna who is at first turned off by the king and then charmed by him, and who little by little changes him from a near-despot to a man who can grow.
The subplots are fanciful, but lovely and, in the ballet of Uncle Tom, as performed by Tuptim draw a direct analogy to the unpleasant lives endured by Siamese slaves, in particular women. It does so with majesty and intelligence, no less so than Arthur Miller did in "The Crucible," contrasting the Salem Witch Trials with the awful McCarthy political witchhunts on Capitol Hill.
It is an extraordinary achievement, and it is shocking that it did not even make the top 100 AFI films a year ago. It is continually fresh and alive, and every time there is a festival or re-release it does well. Indeed, a few years ago it was shown on a huge screen at The Hollywood Bowl, with orchestral accompaniment, and it was a smash again.
My only regret is that Deborah Kerr (six times nominated for an Oscar) was not gifted with an Academy Award along with her co-star Yul Brynner.
It is a film that should be seen for generations to come.
Details
- Release date
- Country of origin
- Languages
- Also known as
- El rey y yo
- Filming locations
- Stage 15, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA(palace courtyard; schoolroom; pool)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $4,550,000 (estimated)
- Gross US & Canada
- $21,300,000
- Gross worldwide
- $21,320,209
- Runtime2 hours 13 minutes
- Color
- Aspect ratio
- 2.55 : 1
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