IMDb RATING
6.3/10
2.9K
YOUR RATING
A scout leading a wagon train through hostile Indian country unwittingly gets involved with a Sioux chief's daughter.A scout leading a wagon train through hostile Indian country unwittingly gets involved with a Sioux chief's daughter.A scout leading a wagon train through hostile Indian country unwittingly gets involved with a Sioux chief's daughter.
Lon Chaney Jr.
- Chivington
- (as Lon Chaney)
Alan Hale Jr.
- Will Crabtree
- (as Alan Hale)
Elisha Cook Jr.
- Briggs
- (as Elisha Cook)
Lane Chandler
- Head Settler
- (uncredited)
Robert 'Buzz' Henry
- Lt. Shaeffer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKirk Douglas did most of his own horseback riding and, at one point, broke his nose attempting a stunt that called for him to make his horse fall. Instead of leaning back in the saddle when yanking the horse's head around to the side, Douglas leaned forward and took the full force of the horse's heavy head right in the face.
When stunts were called for Bill Williams was Douglas' stunt double, and "was an excellent rider [he was later killed doing a stunt for The Hallelujah Trail (1965)], and in silhouette looked a lot like me."
- GoofsRight before the Indians tie Todd to the tree with the intention of burning him, he's having a conversation with Johnny. During this conversation, Johnny's left arm repeatedly changes positions, from being stretched out against the tree, to holding his hat in front of him and back to stretched out against the tree.
- Quotes
Grey Wolf: There can be no friendship between Red Man and White. The fight is to the end. Ride back to your people. There is no room for you here.
Johnny Hawks: You've grown a big mouth since I saw you last, Grey Wolf, but I didn't come here to talk to a big mouth. I've come to talk to a big man.
- ConnectionsReferenced in Big Deal on Madonna Street (1958)
Featured review
Kirk Douglas is portrayed as a lovable jack-the-lad here, always ready to fight for right. He's got a winning quip, a twinkle in his eye and a heart of a lion. I beg to differ.
For starters, right at the beginning he sees an Indian squaw he likes, taking a bath in a lake. So what does he do? Forget about roses or chocolates... he virtually ASSAULTS her to get a kiss, and then steals her knife into the bargain. Later on, he does the exact same thing. Guess what... this brutish behaviour actually makes her FALL IN LOVE with the maniac, and she has sex with him in the forest (only implied though... this WAS made in 1955 after all). This infatuation also causes him to divert a wagon train of white folk on a two day detour from their destination into hostile Indian territory... just so he can sneak a peek at her. This leads to a huge fight, in which many lives are lost on both sides. Some 'hero'.
If you ignore the movie's celebration of this psycho, and the dubious underlying message that we should all resort to Stone Age methods to get the girl of our dreams, there is quite a bit to enjoy here. Full scale battles, majestic cinematography, a compelling story, the works. There are amusing supporting characters, including a young guy who wants to photograph the whole Wild West with his newfangled invention known as a 'camera', and a tough widow with a little boy who is constantly proposed to by a boring fertiliser-obsessed farmer. Sadly for him, her affections (which remain unrequited) lie with Kirk Douglas... and even more bafflingly, her son idolises this lunatic too. Suddenly, soil is starting to seem more appealing by the minute...
So, yeah. Not a classic, but a rousing enough spectacle. With a protagonist I love to hate. Next... 6/10
For starters, right at the beginning he sees an Indian squaw he likes, taking a bath in a lake. So what does he do? Forget about roses or chocolates... he virtually ASSAULTS her to get a kiss, and then steals her knife into the bargain. Later on, he does the exact same thing. Guess what... this brutish behaviour actually makes her FALL IN LOVE with the maniac, and she has sex with him in the forest (only implied though... this WAS made in 1955 after all). This infatuation also causes him to divert a wagon train of white folk on a two day detour from their destination into hostile Indian territory... just so he can sneak a peek at her. This leads to a huge fight, in which many lives are lost on both sides. Some 'hero'.
If you ignore the movie's celebration of this psycho, and the dubious underlying message that we should all resort to Stone Age methods to get the girl of our dreams, there is quite a bit to enjoy here. Full scale battles, majestic cinematography, a compelling story, the works. There are amusing supporting characters, including a young guy who wants to photograph the whole Wild West with his newfangled invention known as a 'camera', and a tough widow with a little boy who is constantly proposed to by a boring fertiliser-obsessed farmer. Sadly for him, her affections (which remain unrequited) lie with Kirk Douglas... and even more bafflingly, her son idolises this lunatic too. Suddenly, soil is starting to seem more appealing by the minute...
So, yeah. Not a classic, but a rousing enough spectacle. With a protagonist I love to hate. Next... 6/10
- natashabowiepinky
- Dec 27, 2013
- Permalink
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Details
Box office
- Gross US & Canada
- $2,450,000
- Runtime1 hour 28 minutes
- Aspect ratio
- 2.35 : 1
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