Two brothers in 1910s California struggle to maintain the favor of their affectionate but strict, Bible-toting father as an old secret about their long-absent mother comes to light.Two brothers in 1910s California struggle to maintain the favor of their affectionate but strict, Bible-toting father as an old secret about their long-absent mother comes to light.Two brothers in 1910s California struggle to maintain the favor of their affectionate but strict, Bible-toting father as an old secret about their long-absent mother comes to light.
- Won 1 Oscar
- 13 wins & 10 nominations total
Abdullah Abbas
- Townsman at Carnival
- (uncredited)
John Alban
- Townsman
- (uncredited)
Rose Allen
- Townswoman at Carnival
- (uncredited)
José Arias
- Prisoner
- (uncredited)
Frank Baker
- Townsman
- (uncredited)
Barbara Baxley
- Nurse
- (uncredited)
John Beradino
- Coalman at Lettuce Field
- (uncredited)
Joe Brooks
- Townsman at Carnival
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the scene where Adam refuses to accept Cal's money, the script called for Cal to turn away in anger from his father. It was James Dean's instinct to embrace him instead. This came as a surprise to Raymond Massey, who could think of nothing to do but say, "Cal! Cal!" in response.
- GoofsIn 1917, Adam Trask unsuccessfully "invents" the refrigerated railroad car to ship produce. In reality, tens of thousands of such cars were in common use by 1890 (this mistake was also made in the novel).
- Crazy creditsCards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits"
- Alternate versionsThe dispute with shoemaker Gustav Albrecht about the war had been cut from the 1955 dubbed release for Germany and Austria. You could only see Albrecht leaving the fair claiming "Can't I say my opinion?", Cal climbing down the Ferris wheel and following Aaron and Albrecht, some fight in front of Albrecht's house and the sheriff appearing. The reason for all this remained totally unclear; the recruiter's speech is cut except for one background line "Join the army!" when Cal and Abra pass by, and you actually don't even get that Albrecht might be of German descent. In most of today's copies the missing scenes are included, distinguishable by the German subtitles.
- ConnectionsEdited into The Meadow (2008)
- SoundtracksOh, You Beautiful Doll
(1911) (uncredited)
Music by Nat Ayer
Played when Cal first enters the bordello
Also played when Cal and Abra pass in front of the mirrors
Featured review
I recently purchased this film, having never seen it before, and feeling somewhat peeved at the fact that it is never shown on TCM. Immediately, I recognized it as one of the best films ever made. The adaptation from the very dense and wonderful Steinbeck novel obviously required much of the relationship between Adam and Charles to be deleted, however I felt the film did not suffer from this at all.
James Dean is a completely different animal than the other actors of his time, and from start to finish in this film, he is spellbinding. The emotional intensity and reality he brings to the film is so convincing it is almost painful to watch at times, especially when he goes to see his mother for the first time and he desperately tries to speak to her as he is being wrenched away. The tone of his voice, his subtle gestures, his utter desperation for love is amazing and completely his own. I once read that Dean did not consider East of Eden to be his best film, but I disagree with him there. I have never seen a film (or an actor) that even came close to matching this one, particularly when viewed from its position in time and the nature of cinema in the 1950s. James Dean put himself 'out there' emotionally in such a raw way that the power of that brave acting yet holds the ability to touch the audience with every viewing. I think the film makes a hugely important statement about the human condition that is still valid a half a century later.
James Dean is a completely different animal than the other actors of his time, and from start to finish in this film, he is spellbinding. The emotional intensity and reality he brings to the film is so convincing it is almost painful to watch at times, especially when he goes to see his mother for the first time and he desperately tries to speak to her as he is being wrenched away. The tone of his voice, his subtle gestures, his utter desperation for love is amazing and completely his own. I once read that Dean did not consider East of Eden to be his best film, but I disagree with him there. I have never seen a film (or an actor) that even came close to matching this one, particularly when viewed from its position in time and the nature of cinema in the 1950s. James Dean put himself 'out there' emotionally in such a raw way that the power of that brave acting yet holds the ability to touch the audience with every viewing. I think the film makes a hugely important statement about the human condition that is still valid a half a century later.
- blackitty2
- Nov 1, 2003
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Al este del paraíso
- Filming locations
- Denslow-Morgan-Preston Mansion - 45200 Little Lake Street, Mendocino, California, USA(mansion - burnt down a year after production)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $28,344
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 2.55 : 1
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