Courtesy of Studiocanal
by James Cameron-wilson
Social commentary doesn’t come much stronger than in J. Lee Thompson’s 1959 drama. Here, a jittery aerial shot swoops down on the meandering Thames and the industrial, terraced sophistication of London in the 1950s. The drama, an adaptation of the play by Ted Willis, opens with a shot of an open stretch of urban wasteland, where a young thug – played by David Hemmings – runs straight into the arms of a plainclothes policeman, played by Ronald Howard (son of Leslie Howard). Allowing for the poetic licence that the teenager would have seen the cop a mile off, it is a good starting point, as the detective inspector gives a Pythonesque/Harold McMillan sermon: “you’ve never had it so good, when I was twenty years younger…” And so we cut to the bustling life of the block – or rather, the street – as it used to be,...
by James Cameron-wilson
Social commentary doesn’t come much stronger than in J. Lee Thompson’s 1959 drama. Here, a jittery aerial shot swoops down on the meandering Thames and the industrial, terraced sophistication of London in the 1950s. The drama, an adaptation of the play by Ted Willis, opens with a shot of an open stretch of urban wasteland, where a young thug – played by David Hemmings – runs straight into the arms of a plainclothes policeman, played by Ronald Howard (son of Leslie Howard). Allowing for the poetic licence that the teenager would have seen the cop a mile off, it is a good starting point, as the detective inspector gives a Pythonesque/Harold McMillan sermon: “you’ve never had it so good, when I was twenty years younger…” And so we cut to the bustling life of the block – or rather, the street – as it used to be,...
- 8/5/2024
- by James Cameron-Wilson
- Film Review Daily
★★★★☆ / ★★★☆☆
Two of J Lee Thompson’s early films – a gritty women’s prison drama and a postwar crime thriller – serve as a reminder that the director deserves more kudos as an artist
J Lee Thompson is a British director who could maybe do with a bit more auteur respect: here is a double-bill rerelease of two of his early black-and-white films from the 1950s. The Weak and the Wicked (★★★★☆) is a melodrama that came out in 1954 just before his wrenching classic Yield to the Night, which featured Diana Dors on death row. It is a tough women’s prison film as well, one that quickly morphs into a social-issue sermon; it is richly flavoured, speckled with comic interludes and gloriously cast with Glynis Johns as Jean, a young society beauty and gambling addict whose dud cheque leads to an appearance in court and whose head-girl demeanour never falters in the clink.
Two of J Lee Thompson’s early films – a gritty women’s prison drama and a postwar crime thriller – serve as a reminder that the director deserves more kudos as an artist
J Lee Thompson is a British director who could maybe do with a bit more auteur respect: here is a double-bill rerelease of two of his early black-and-white films from the 1950s. The Weak and the Wicked (★★★★☆) is a melodrama that came out in 1954 just before his wrenching classic Yield to the Night, which featured Diana Dors on death row. It is a tough women’s prison film as well, one that quickly morphs into a social-issue sermon; it is richly flavoured, speckled with comic interludes and gloriously cast with Glynis Johns as Jean, a young society beauty and gambling addict whose dud cheque leads to an appearance in court and whose head-girl demeanour never falters in the clink.
- 8/5/2024
- by Peter Bradshaw
- The Guardian - Film News
Studiocanal are delighted to announce the release of two compelling dramas from British director J. Lee Thompson into their Vintage Classics Collection The Weak And The Wicked and No Trees In The Street, both Blu-ray, DVD and Digital from 5 August. We’re giving you the chance to win both copies on Blu-Ray.
Studiocanal are delighted to announce the release of two compelling dramas from British director J. Lee Thompson (Ice Cold in Alex) into their Vintage Classics Collection featuring standout performances from two legendary and much-missed British actresses Glynis Johns and Sylvia Syms. The Weak And The Wicked stars the late Diana Dors (Yield to The Night) alongside Glynis Johns (Mary Poppins), and No Trees In The Street features Herbert Lom (The Pink Panther Strikes Again) and Melvyn Hayes (Summer Holiday) alongside Sylvia Syms (Woman in a Dressing Gown) in her BAFTA-nominated performance. Both films will premiere at Bristol’s...
Studiocanal are delighted to announce the release of two compelling dramas from British director J. Lee Thompson (Ice Cold in Alex) into their Vintage Classics Collection featuring standout performances from two legendary and much-missed British actresses Glynis Johns and Sylvia Syms. The Weak And The Wicked stars the late Diana Dors (Yield to The Night) alongside Glynis Johns (Mary Poppins), and No Trees In The Street features Herbert Lom (The Pink Panther Strikes Again) and Melvyn Hayes (Summer Holiday) alongside Sylvia Syms (Woman in a Dressing Gown) in her BAFTA-nominated performance. Both films will premiere at Bristol’s...
- 7/21/2024
- by Competitions
- HeyUGuys.co.uk
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