IMDb RATING
6.4/10
1.1K
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A tomboy frontier lawyer finds an outlaw and his son hiding out from a false murder charge.A tomboy frontier lawyer finds an outlaw and his son hiding out from a false murder charge.A tomboy frontier lawyer finds an outlaw and his son hiding out from a false murder charge.
Tony Curtis
- Brent Coulter
- (as Anthony Curtis)
James Arness
- Little Sam
- (as Jim Arness)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn September 29, 1949, four horses were injured and two killed while shooting a horse stampede scene. That same day, a 30-minute rainstorm caused a flash flood, which ruined about $10,000 of Technicolor photographic equipment. Hendrix came to the filming with a still-painful broken foot she had suffered earlier. She had nosebleeds and shortness of breath from the altitude in Utah, and in one scene, she was stung on the neck by yellow jackets. Murphy, already troubled with ulcers, nightmares, and PTSD from his war experiences, had severe cracked and blistering on his lips from the sun and literally could not smile due to the pain. Because Universal-International felt this was too noticeable on screen at times, after main production ended, a few of his scenes were re-shot later at Universal Studios. Main filming ended on October 3 and the next day, back in Hollywood, Hendrix announced that she and Murphy were separated.
- GoofsAt about 1hour 20 minutes into the movie in the final scene, Dean Jagger's character (Jeff) has his hands tied with rope as he sits on his horse under arrest. When it's learned he is innocent the sheriff shakes his hand and Jagger's hands are not tied. During the same scene, Tony Curtis' character's holster is inexplicably empty with no gun in it.
- ConnectionsFeatured in Biography: Audie Murphy: Great American Hero (1996)
- SoundtracksHIDEAWAY
Music by Arnold Schwarzwald (as Arnold Hughes)
Lyrics by Frederick Herbert
Performed by Burl Ives (behind credits)
Featured review
Until they take in a fugitive girl, a father and son hide out in the mountains to elude a bogus murder charge.
Pretty good Murphy western, one of his earliest. When you think about it, his transition from Texas sharecropper to WW II hero to Hollywood actor is remarkable. True, it was hard for him to loosen up on screen, still he delivered his lines well enough, while nobody could do a hard-eyed stare better.
Here Murphy does well enough, carrying most of the movie. The role of a hard eyed loner (Ring Hassard) appears tailor made for him. At the same time, diminutive, girlish Hendrix (Riley) manages her courtroom lawyer sequence in pretty convincing fashion. Ironic to think the two were married at the time, but in the process of getting divorced. So there's something poignant about their riding into the sunset at movie's end.
Universal popped for a pretty big budget, unlike many of Murphy's later westerns. The red rock Kanab (Utah) locations are really eye-catching. Then too, those wild horse herds are anything but skimpy. And nobody could strum a guitar more soothingly than the rotund Burl Ives. Together they add a lot of color and mood to the dramatics. At the same time, there's not much gunplay, yet quite a bit of suspense to the rather complex story.
All in all, it's a picturesque, entertaining Murphy western.
Pretty good Murphy western, one of his earliest. When you think about it, his transition from Texas sharecropper to WW II hero to Hollywood actor is remarkable. True, it was hard for him to loosen up on screen, still he delivered his lines well enough, while nobody could do a hard-eyed stare better.
Here Murphy does well enough, carrying most of the movie. The role of a hard eyed loner (Ring Hassard) appears tailor made for him. At the same time, diminutive, girlish Hendrix (Riley) manages her courtroom lawyer sequence in pretty convincing fashion. Ironic to think the two were married at the time, but in the process of getting divorced. So there's something poignant about their riding into the sunset at movie's end.
Universal popped for a pretty big budget, unlike many of Murphy's later westerns. The red rock Kanab (Utah) locations are really eye-catching. Then too, those wild horse herds are anything but skimpy. And nobody could strum a guitar more soothingly than the rotund Burl Ives. Together they add a lot of color and mood to the dramatics. At the same time, there's not much gunplay, yet quite a bit of suspense to the rather complex story.
All in all, it's a picturesque, entertaining Murphy western.
- dougdoepke
- Apr 18, 2013
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Details
- Runtime1 hour 23 minutes
- Aspect ratio
- 1.37 : 1
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