A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.A working girl rises in an ad agency after impressing a baby-food client with her lifelike dolls.
Ransom M. Sherman
- Powers
- (as Ransom Sherman)
Sheila MacRae
- Peggy
- (as Sheila Stephens)
Fred Aldrich
- Train Passenger
- (uncredited)
John Alvin
- Danny
- (uncredited)
Carl Andre
- Subway Commuter
- (uncredited)
Mary Bayless
- Club Patron
- (uncredited)
Rodney Bell
- Traffic Cop
- (uncredited)
Edward Biby
- Passerby
- (uncredited)
Arline Bletcher
- Passerby
- (uncredited)
Storyline
Did you know
- TriviaThe stack of baby photos which they sort through includes one used in Yankee Doodle Dandy (1942) eight years earlier.
- GoofsAlmost an hour in, as Zachary Scott is convincing Betsy Drake to present Sam's campaign to Cyrus Baxter, he leads her out of the office door, saying, "Now remember, Patsy, the code of the firm..." As Sam's office door closes, at the top of the door can be seen the very bright studio lights that were used to light the scene before."
- Quotes
Caravan Club Waiter: [at the Caravan Club Morley is at the table while Holmes dances with Patsy] Fresh drink, sir?
Sam Morley: Yes, a double. And, waiter...
[takes out some money]
Sam Morley: here's ten dollars for your trouble. Go to the dance floor and tell Mr. Holmes he's wanted on the phone.
Caravan Club Waiter: Sorry, sir. Mr. Holmes gave me twenty dollars *not* to call him to the phone. Anything else, sir?
Sam Morley: [puts money back] A sharp knife.
- ConnectionsReferenced in I Love Lucy: The Fashion Show (1955)
- SoundtracksPretty Baby
(uncredited)
Music by Egbert Van Alstyne and Tony Jackson
Lyrics by Gus Kahn
Played during the opening credits and occasionally in the score
Sung by Dennis Morgan
Featured review
Six stars may be pushing it a bit in the rating of this film. "Pretty Baby" has a clever plot device - the use of the female lead, Patsy Douglas, of an actual doll wrapped in a blanket to give the impression she has a baby. This is to get her a seat on the subway system.
This is 1950, so women have been "liberated" and male chauvinism is a thing of the past. Where men formerly gave up their seats to women on buses and trollies, the liberated women now fend for seats with the men. Betsy Drake's Douglas is all for the progress that has been made, but she would have preferred that some of the old manners hadn't been thrown out with women's "liberation."
The scenes with Patsy's doll baby and a few others have some comedy. But there's nothing here to evince rollicking laughter. Edmund Gwenn is very good as the grumpy Cyrus Baxter. Some may think that Gwenn is out of his usual character (i.e., his Kris Kringle from "Miracle on 34th Street"), but Gwenn was an accomplished actor who played diverse roles - including some grouchy or distasteful characters.
The other leads, Zachary Scott as Barry Holmes and Dennis Morgan as Sam Morley, are okay up to a point. But Morley's falling for Patsy just isn't believable. There's nothing in the screenplay to even give a hint of romantic inclination on Morley's part - although there is on Patsy's part initially. All of his encounters have been with a fumbling, accident-prone Patsy. He has been upset with her and even though a plot twist leads to her keeping her job, there's nothing romantic until the very end when Morley just suddenly falls for Patsy. It actually came across as a dumb, poor ending as though the writers couldn't think of anything better.
And that gets to Betsy Drake. While she made a few comedies, she had a certain innocence yet intelligence about her persona. So, one tends to like the characters she plays. But she definitely is not a laugh-inducing comedienne. Nor does she have a personal that suggests or invites romance.
As I said, it's a stretch to give this six stars, but most people should enjoy the film and may find it somewhat amusing.
This is 1950, so women have been "liberated" and male chauvinism is a thing of the past. Where men formerly gave up their seats to women on buses and trollies, the liberated women now fend for seats with the men. Betsy Drake's Douglas is all for the progress that has been made, but she would have preferred that some of the old manners hadn't been thrown out with women's "liberation."
The scenes with Patsy's doll baby and a few others have some comedy. But there's nothing here to evince rollicking laughter. Edmund Gwenn is very good as the grumpy Cyrus Baxter. Some may think that Gwenn is out of his usual character (i.e., his Kris Kringle from "Miracle on 34th Street"), but Gwenn was an accomplished actor who played diverse roles - including some grouchy or distasteful characters.
The other leads, Zachary Scott as Barry Holmes and Dennis Morgan as Sam Morley, are okay up to a point. But Morley's falling for Patsy just isn't believable. There's nothing in the screenplay to even give a hint of romantic inclination on Morley's part - although there is on Patsy's part initially. All of his encounters have been with a fumbling, accident-prone Patsy. He has been upset with her and even though a plot twist leads to her keeping her job, there's nothing romantic until the very end when Morley just suddenly falls for Patsy. It actually came across as a dumb, poor ending as though the writers couldn't think of anything better.
And that gets to Betsy Drake. While she made a few comedies, she had a certain innocence yet intelligence about her persona. So, one tends to like the characters she plays. But she definitely is not a laugh-inducing comedienne. Nor does she have a personal that suggests or invites romance.
As I said, it's a stretch to give this six stars, but most people should enjoy the film and may find it somewhat amusing.
Details
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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