IMDb RATING
7.5/10
4.6K
YOUR RATING
An otherwise moral captain of a charter boat becomes financially strapped and is drawn into illegal activities in order to keep up payments on his boat.An otherwise moral captain of a charter boat becomes financially strapped and is drawn into illegal activities in order to keep up payments on his boat.An otherwise moral captain of a charter boat becomes financially strapped and is drawn into illegal activities in order to keep up payments on his boat.
John Alvin
- Reporter
- (uncredited)
Chet Brandenburg
- Taxi Driver
- (uncredited)
Peter Brocco
- Macho
- (uncredited)
Mary Carroll
- Girl at Bar
- (uncredited)
Spencer Chan
- 1st Chinese Immigrant
- (uncredited)
John Close
- Deputy
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to TCM's Eddie Muller, John Garfield thought this was his best performance and that it was the film of which he was most proud.
- GoofsWhen she first steps onto the boat, Patricia Neal's voice is heard saying "we're off to sunny Mexico," but her lips aren't moving.
- Quotes
Harry Morgan: You know, my wife dyed her hair.
Leona Charles: Coincidentally I've been thinking of letting mine grow out. Speaking of coincidences, I live in Number Seven. My friends just kick the door open.
- Crazy creditsTHE END close out. All lettering aligned and centered except for the line beneath Warner Bros. that begins PICTURES. It's left registered with whatever wording that followed it 'air brushed' over using the lower right drop shadow pattern leaving a Warner Bros. Pictures _?_?_?_?_ mystery.
- ConnectionsFeatured in The John Garfield Story (2003)
- SoundtracksPlease Don't Talk About Me When I'm Gone
(uncredited)
Music by Sam H. Stept
Lyrics by Sidney Clare
Sung by Patricia Neal in the bar
Featured review
Exceptional version of Hemingway's To Have and Have Not is far superior to the Bogart/Bacall film. While the Bogie film was a good picture awash in style and the chemistry of the two leads this is far more realistic without the atmosphere perhaps but loaded with pleasures nonetheless.
For starters this contains one of John Garfield's best performances. Always a fine actor he gets under the skin of his character and makes you understand his desperation and moral conflict, he's riveting every second he is on screen. This was one of his last films before his tragically early death, a sad loss of a great talent who isn't as well remembered as he should be today.
Patricia Neal also scored strongly in this the best of her early roles. She is tough and world weary but also kind and sexy with her whiskey voice and blonde hair. Although it's never stated specifically it's very clear that her character is a prostitute, for the time period a bold point. She and Garfield work very well together and it's a pity his death prevented them from being paired again.
The two other main actors, Phyllis Thaxter and Juano Hernandez, contribute exemplary work as well providing terrific support. Phyllis and Particia Neal are interesting contrasts and their scene together is a study in underplaying. Her scenes with Garfield are also very good, without being explicit they make it clear theirs is a full and happy marriage in all regards with the normal strains and joys.
All this fine work would be for naught if not supported by an excellent screenplay and tight direction from the versatile Curtiz, a man who could direct any genre without problems.
Less romantic in tone but a gripping drama that has been unfortunately obscured by the fame of the other version this is well worth seeking out.
For starters this contains one of John Garfield's best performances. Always a fine actor he gets under the skin of his character and makes you understand his desperation and moral conflict, he's riveting every second he is on screen. This was one of his last films before his tragically early death, a sad loss of a great talent who isn't as well remembered as he should be today.
Patricia Neal also scored strongly in this the best of her early roles. She is tough and world weary but also kind and sexy with her whiskey voice and blonde hair. Although it's never stated specifically it's very clear that her character is a prostitute, for the time period a bold point. She and Garfield work very well together and it's a pity his death prevented them from being paired again.
The two other main actors, Phyllis Thaxter and Juano Hernandez, contribute exemplary work as well providing terrific support. Phyllis and Particia Neal are interesting contrasts and their scene together is a study in underplaying. Her scenes with Garfield are also very good, without being explicit they make it clear theirs is a full and happy marriage in all regards with the normal strains and joys.
All this fine work would be for naught if not supported by an excellent screenplay and tight direction from the versatile Curtiz, a man who could direct any genre without problems.
Less romantic in tone but a gripping drama that has been unfortunately obscured by the fame of the other version this is well worth seeking out.
- How long is The Breaking Point?Powered by Alexa
Details
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.33 : 1
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