First of all, the Edward of the title is never actually seen, even though the story covers several decades of his life. Rather, the story concentrates on the destructive influences of his over-benevolent father (Spencer Tracy) whose selfishness and ambition destroy all the relationships about him and ruin his son's character. Spencer Tracy is somewhat miscast, a little too likable and amiable in a role that calls for acidity and tartness. One wonders just how much better Robert Morley would have been in the role he created on the stage. Alas, movie box office appeal ruled. Ian Hunter is good as the Harley Street doctor, Tracy's friend throughout, who carries more than a burning torch for Tracy's long-suffering wife. The one knockout performance, which really carries a punch, shattering in its portrayal, is delivered by Deborah Kerr - unquestionably one of the best she ever gave. Going from a loving young wife to a middle-aged, spurned, embittered alcoholic, her performance is heart-wrenching. One watches her range with surprise for the sheer professionalism at what must have been a relatively young age. Quite different from any of the other roles she played in a long career. An absorbing drama, unusual in that the lead character is not particularly likable or sympathetic. Worth watching for the snappy dialog and Kerr's performance.
