IMDb RATING
6.8/10
1.2K
YOUR RATING
Gambling-house owner finds himself estranged from his wife and son.Gambling-house owner finds himself estranged from his wife and son.Gambling-house owner finds himself estranged from his wife and son.
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Storyline
Did you know
- TriviaWriter Richard Brooks was originally penciled in to direct but was taken off the picture after Clark Gable was cast. He recalls he was told, "Well, now it's a Gable picture, and you can't expect to direct Gable."
- GoofsAround the 51-minute mark, in the conversation with Charley (Clark Gable), Ada (Mary Astor ) has two sentences that are dubbed (she clearly says something else than what it's heard).
- Quotes
Charley Enley Kyng: [to prostitute] Unless I hire people, i don't like them workin' here.
- ConnectionsFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
- SoundtracksYou Are My Lucky Star
(uncredited)
Music by Arthur Freed
Lyrics by Nacio Herb Brown (1936)
Hummed by Edgar Buchanan and Caleb peterson
Featured review
Not a great film but a very entertaining one with some wonderful performances from a cast of pros.
Gable holds the spotlight effortlessly as the gambling house owner at a crossroads ably assisted by some of the best character actors working at MGM at the time. Used as both a launching pad for some actors just starting out, Wendell Corey and Barry Sullivan, and a chance to see many wonderful character actors with years of experience, Lewis Stone, Frank Morgan etc. all get their moment in the spotlight.
It's hard to pick best in show with so many marvelous players but some that stand out are: Mary Astor is a nice cameo as a lonely woman with a longstanding yen for Clark who through the years has settled for friendship. Both Stone and Morgan add pathos to their individual roles as does Audrey Totter as Alexis Smith's worn down sister. Marjorie Rambeau is an absolute joy as a rambunctious dowager who swoops right in and steals her scenes without breaking a sweat. Lastly Alexis Smith who often was wasted in decorative roles bites into her role as Gable's tough wife. She initially seems a complacent and docile homebody but when the chips are down she emerges as somewhat of a tigress in a terrific performance.
As might be apparent from the long list of excellent work turned in, the film has many plot lines; really too many and that's its main weakness. Director Mervyn LeRoy juggles all the various happenings effectively but a bit of trimming would have sharpened the film's focus.
Gable holds the spotlight effortlessly as the gambling house owner at a crossroads ably assisted by some of the best character actors working at MGM at the time. Used as both a launching pad for some actors just starting out, Wendell Corey and Barry Sullivan, and a chance to see many wonderful character actors with years of experience, Lewis Stone, Frank Morgan etc. all get their moment in the spotlight.
It's hard to pick best in show with so many marvelous players but some that stand out are: Mary Astor is a nice cameo as a lonely woman with a longstanding yen for Clark who through the years has settled for friendship. Both Stone and Morgan add pathos to their individual roles as does Audrey Totter as Alexis Smith's worn down sister. Marjorie Rambeau is an absolute joy as a rambunctious dowager who swoops right in and steals her scenes without breaking a sweat. Lastly Alexis Smith who often was wasted in decorative roles bites into her role as Gable's tough wife. She initially seems a complacent and docile homebody but when the chips are down she emerges as somewhat of a tigress in a terrific performance.
As might be apparent from the long list of excellent work turned in, the film has many plot lines; really too many and that's its main weakness. Director Mervyn LeRoy juggles all the various happenings effectively but a bit of trimming would have sharpened the film's focus.
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Details
Box office
- Budget
- $1,363,000 (estimated)
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1
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