The Weeknd is set to perform in the Super Bowl halftime show, but James Corden thinks the “Blinding Lights” singer could use a little coaching to make sure his performance is as flawless as a Patrick Mahomes deep pass.
“I knew sooner or later that the network’s biggest star would have to pitch in and help out,” “The Late Late Show” host said in the new clip that will air on CBS on Monday night. “Unfortunately, Young Sheldon doesn’t have a cell phone. He’s not allowed. He’s still a child.”
“I didn’t call anyone,” The Weeknd says into the camera. “Dude just showed up.”
And so Corden rolls up to Tampa uninvited, dressed in The Weeknd’s famous red and black “Blinding Lights” outfit complete with head-covering bandages. But he doesn’t seem to even know what musician he’s trying to help. He seems...
“I knew sooner or later that the network’s biggest star would have to pitch in and help out,” “The Late Late Show” host said in the new clip that will air on CBS on Monday night. “Unfortunately, Young Sheldon doesn’t have a cell phone. He’s not allowed. He’s still a child.”
“I didn’t call anyone,” The Weeknd says into the camera. “Dude just showed up.”
And so Corden rolls up to Tampa uninvited, dressed in The Weeknd’s famous red and black “Blinding Lights” outfit complete with head-covering bandages. But he doesn’t seem to even know what musician he’s trying to help. He seems...
- 2/7/2021
- by Jeremy Fuster
- The Wrap
If we could describe the 2021 Grammys in one word, it’d be “unexpected.” The odds-on favorite to sweep the general field (The Weeknd) was completely shut out, and out of those top races the Album of the Year category might’ve been the most shocking of all, with Fiona Apple’s “Fetch the Bolt Cutters” and Harry Styles’s “Fine Line” also among the top contenders that were snubbed. But perhaps the silver lining of it all is that those snubs came in favor of a couple of interesting and challenging nominees from the academy, particularly Jacob Collier’s “Djesse Vol. 3,” and Black Pumas’ self-titled deluxe edition album.
SEELuke James on his Grammy nomination for ‘To Feel Love/d’ and why this album felt like his ’emancipation’ [Exclusive Video Interview]
Why these, you may be asking, and not some of the other surprise nominees like Jhené Aiko (“Chilombo”), Haim (“Women in Music Pt.
SEELuke James on his Grammy nomination for ‘To Feel Love/d’ and why this album felt like his ’emancipation’ [Exclusive Video Interview]
Why these, you may be asking, and not some of the other surprise nominees like Jhené Aiko (“Chilombo”), Haim (“Women in Music Pt.
- 12/30/2020
- by Jaime Rodriguez
- Gold Derby
Joan Fontaine movies: ‘This Above All,’ ‘Letter from an Unknown Woman’ (photo: Cary Grant, Joan Fontaine in ‘Suspicion’ publicity image) (See previous post: “Joan Fontaine Today.”) Also tonight on Turner Classic Movies, Joan Fontaine can be seen in today’s lone TCM premiere, the flag-waving 20th Century Fox release The Above All (1942), with Fontaine as an aristocratic (but socially conscious) English Rose named Prudence Cathaway (Fontaine was born to British parents in Japan) and Fox’s top male star, Tyrone Power, as her Awol romantic interest. This Above All was directed by Anatole Litvak, who would guide Olivia de Havilland in the major box-office hit The Snake Pit (1948), which earned her a Best Actress Oscar nod. In Max Ophüls’ darkly romantic Letter from an Unknown Woman (1948), Fontaine delivers not only what is probably the greatest performance of her career, but also one of the greatest movie performances ever. Letter from an Unknown Woman...
- 8/6/2013
- by Andre Soares
- Alt Film Guide
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