A ghostly woman warns a beautiful Victorian heiress about a count, and a strange spell haunts a mansion and its inhabitants in an adaptation of Wilkie Collins' novel.A ghostly woman warns a beautiful Victorian heiress about a count, and a strange spell haunts a mansion and its inhabitants in an adaptation of Wilkie Collins' novel.A ghostly woman warns a beautiful Victorian heiress about a count, and a strange spell haunts a mansion and its inhabitants in an adaptation of Wilkie Collins' novel.
- Attendant
- (uncredited)
- Station Agent
- (uncredited)
- Young Boy
- (uncredited)
- Underservant
- (uncredited)
- Mourner
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilmed in 1946 but not released until 1948.
- GoofsThe first time Ann visits Laura in her sick bed (a composite shot, as Eleanor Parker is playing both roles), her shadow is visible on the headboard. Her shadow is not synced with her head movements while talking; it rises and moves away moments before Ann herself does. Apparently, the attempt to 'imitate' Ann's shadow on Laura's half of the shot didn't quite get the timing right.
- Quotes
Count Alessandro Fosco: Your proposal doesn't surprise me. Like a good general, you admit defeat when it's a fact. You're bold, you're logical. My dear, you're immensely tempting.
Marian Halcombe: Please Count Fosco, can you not say yes or no?
Count Alessandro Fosco: Let me see then. You suggest I take my ill got gains, free and then abandon my precious wife.
Marian Halcombe: Precious? The day you do so will be the day of her deliverance.
- ConnectionsReferenced in The Toxic Avenger: The Musical (2018)
Our heiress Laura Fairlie and the mysterious Woman In White are both played by Eleanor Parker. Almost up to the end I had trouble figuring out exactly what the relationship was between the two Eleanors so I will not say. It's half the fun of watching the film.
There's a pair of villains in the piece Sidney Greenstreet playing Count Fosco, playing him with the same avuncular malice as Casper Guttman. He's a scientist with a title like Baron Von Frankenstein. But rather than experimenting with dead bodies, Fosco prefers to work on the mind with chemicals and intimidation. He's getting a big payoff for arranging the marriage between Parker the heiress and a rapacious no account count John Emery. The only friend the heiress has in the house is companion Alexis Smith.
My favorite in the film is John Abbott who is Parker's father who has the constitution of a napkin and makes Adrian Monk look hale and hearty with all his phobias. Greenstreet and Emery intimidate him rather easily.
Second favorite is Agnes Moorehead who is the countess Fosco and with very little dialog, but much facial expression is the picture of a woman scorned.
This Victorian Gothic drama has one fine cast of scene stealers all working overtime for your enjoyment. The end is unforgettable.
- bkoganbing
- Jun 7, 2017
- Permalink
Details
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.33 : 1