Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.
- Awards
- 1 win
Ted de Corsia
- Sidney Broome
- (as Ted De Corsia)
William Alland
- Reporter
- (uncredited)
Jessie Arnold
- Schoolteacher at Aquarium
- (uncredited)
- …
Wong Artarne
- Ticket Taker
- (uncredited)
Rama Bai
- Townswoman
- (uncredited)
Jack Baxley
- Guard
- (uncredited)
Steve Benton
- Policeman
- (uncredited)
Eumenio Blanco
- Sailor
- (uncredited)
Storyline
Did you know
- TriviaAccording to Orson Welles, this film grew out of an act of pure desperation. Welles, whose Mercury Theatre company produced a musical version of "Around the World in 80 Days," was in desperate need of money just before the Boston preview. Mere hours before the show was due to open, the costumes had been impounded and unless Welles could come up with $55,000 to pay outstanding debts, the performance would have to be canceled. Stumbling upon a copy of "If I Die Before I Wake," the novel upon which this film is based, Welles phoned Harry Cohn, instructing him to buy the rights to the novel and offering to write, direct and star in the film so long as Cohn would send $55,000 to Boston within two hours. The money arrived, and the production went on as planned.
- GoofsThe narrator mentions they arrive back in San Francisco in early October, but in the document (prepared by Grisby) that Michael signs verifying his killing of Grisby, it is dated August 9th, supposedly the next day.
- Quotes
Michael O'Hara: Maybe I'll live so long that I'll forget her. Maybe I'll die trying.
- Crazy creditsThere is no director credit. Welles' main credit reads "Screen Play and Production Orson Welles."
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- SoundtracksPlease Don't Kiss Me
by Allan Roberts and Doris Fisher
Performed by Rita Hayworth (dubbed by Anita Ellis) (uncredited)
Featured review
One can only imagine the film Mr. Welles might have finished without the interference of the studio! This film is a flawed Welles, but worth every minute of it because one can see the greatness of perhaps America's best motion picture director of all times!
We can see the toll it took on Orson Welles the filming of this movie. The story has a lot of holes in it, perhaps because of the demands of the studio executives that didn't trust the director.
It is curious by reading some of the opinions submitted to IMDB that compare Orson Welles with the Coen brothers, Roman Polanski, even Woody Allen, when it should be all of those directors that must be regarded as followers of the great master himself. No one was more original and creative in the history of American cinema than Mr. Welles. Lucky are we to still have his legacy either in retrospective looks such as the one the Film Forum in New York just ended, or his films either on tape or DVD form.
Rita Hayworth was never more lovingly photographed than here. If she was a beauty with her red hair, as a blonde, she is just too stunning for words. Everett Sloan and Glenn Anders made an excellent contribution to the movie.
The only thing that might have made this film another masterpiece to be added to Orson Welles body of work, was his own appearance in it. Had he concentrated in the directing and had another actor interpret Michael O'Hara, a different film might have been achieved altogether. Orson Welles has to be credited for being perhaps a pioneer in taking the camera away from the studio lot into the street. The visuals in this film are so amazing that we leave the theater after seeing this movie truly impressed for the work, the vision and the talent he gave us.
We can see the toll it took on Orson Welles the filming of this movie. The story has a lot of holes in it, perhaps because of the demands of the studio executives that didn't trust the director.
It is curious by reading some of the opinions submitted to IMDB that compare Orson Welles with the Coen brothers, Roman Polanski, even Woody Allen, when it should be all of those directors that must be regarded as followers of the great master himself. No one was more original and creative in the history of American cinema than Mr. Welles. Lucky are we to still have his legacy either in retrospective looks such as the one the Film Forum in New York just ended, or his films either on tape or DVD form.
Rita Hayworth was never more lovingly photographed than here. If she was a beauty with her red hair, as a blonde, she is just too stunning for words. Everett Sloan and Glenn Anders made an excellent contribution to the movie.
The only thing that might have made this film another masterpiece to be added to Orson Welles body of work, was his own appearance in it. Had he concentrated in the directing and had another actor interpret Michael O'Hara, a different film might have been achieved altogether. Orson Welles has to be credited for being perhaps a pioneer in taking the camera away from the studio lot into the street. The visuals in this film are so amazing that we leave the theater after seeing this movie truly impressed for the work, the vision and the talent he gave us.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Black Irish
- Filming locations
- Playland at the Beach, San Francisco, California, USA(exteriors: house of mirrors funhouse - demolished 1972)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,300,000 (estimated)
- Gross worldwide
- $1,396
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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