IMDb RATING
6.8/10
1.1K
YOUR RATING
At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.
Jessica Grayson
- Sarah, Johnson's Maid
- (as Jessie Grayson)
John Albright
- Corpsman
- (uncredited)
Frank Arnold
- Maitre d'Hotel
- (uncredited)
Peggy Badley
- Nurse Betty Simpson
- (uncredited)
Art Baker
- Williams, Reporter on Transport Ship
- (uncredited)
Gregg Barton
- Captain
- (uncredited)
Nanette Bordeaux
- Nurse
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to the AFI catalog entry for this film, for the battle scenes in Italy MGM constructed five 35-foot towers, a full-sized evacuation hospital, and more than 100 Army tents at the Lasky-Mesa movie ranch 35 miles outside of Hollywood. The set took three weeks to build and the scenes used hundreds of extras, five cameras and six assistant directors. This was all for a re-creation of the historic capture of the Anzio beachhead in Italy by U.S. and British forces on January 22, 1944.
- GoofsAt the end, Penny Johnson says she followed her husband's movements on a map. During World War II, people in the military had it drilled into them that they could not say anything about where they were in letters sent back home, and to make sure they kept that rule, the mail from soldiers was heavily censored. This has been mentioned in numerous histories of World War II. Personal experience backs this up. A relative sailed all over the world during the War and the censors made no attempt to mask the fact that they had opened and read his mail. So, the relative's spouse started sending a stick of gum in letters but always included two sticks --- an extra one for the censor. Most times, that second stick was gone. With Clark Gable being an officer, it's even less likely any information about his movements around Europe would have been available to his wife.
- ConnectionsEdited from Waterloo Bridge (1940)
Featured review
This is a far from perfect film featuring Gable and Turner, but upon seeing it for the second time, it sure seemed a lot better than I remembered it. In particular, I appreciated that the film took a pretty big risk dealing with wartime romance between a married doctor and a nurse when they are stationed overseas. This sort of situation MUST have happened quite a bit with all those nurses and WACS/WAVS, etc. serving in action, though it is hardly ever mentioned in any film up until that time. Plus, it offered a very unusual situation where a man is in love with a woman he is not married to and yet he still loves his wife at home. Pretty adult fare for 1948, I must say! The film begins with Gable a rich and successful doctor in the States. He is very isolated from the real world and his main focus in on the country club and his pampered wife--unconcerned about much else. When the war comes, he does serve but seems to be pretty selfish. His head nurse in the field hospital is a much more giving and selfless individual and they are destined to hate each other because they are so different AND because this IS Lana Turner and Clark Gable (this plot device is necessary before they actually fall in love--a bit of a cliché, I know).
Gable and Turner are both excellent as the leads and their scenes together are excellent as well. I especially appreciated Lana's emotional range--it was better and more vulnerable here than I am used to seeing. The direction was pretty good and all the MGM production values were going full speed ahead! I especially appreciated the snow scene--you KNOW it was done in a sound stage and yet it STILL looked exceptional (though their breath didn't show--considering it was probably close to 70 degrees).
Overall, this is a must-see for Gable fans and a pretty good flick for anyone but people who MUST have a lot of action in their films. Despite being WWII, the film is pretty talking and there is quite a bit of romance--something action junkies will probably have a hard time accepting.
Gable and Turner are both excellent as the leads and their scenes together are excellent as well. I especially appreciated Lana's emotional range--it was better and more vulnerable here than I am used to seeing. The direction was pretty good and all the MGM production values were going full speed ahead! I especially appreciated the snow scene--you KNOW it was done in a sound stage and yet it STILL looked exceptional (though their breath didn't show--considering it was probably close to 70 degrees).
Overall, this is a must-see for Gable fans and a pretty good flick for anyone but people who MUST have a lot of action in their films. Despite being WWII, the film is pretty talking and there is quite a bit of romance--something action junkies will probably have a hard time accepting.
- planktonrules
- Sep 3, 2006
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- The Homecoming of Ulysses
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,654,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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