Shubunka (Barry Sulivan) is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner. The police are in his pocket and the local ... Read allShubunka (Barry Sulivan) is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner. The police are in his pocket and the local hoods are on his payroll.Shubunka (Barry Sulivan) is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner. The police are in his pocket and the local hoods are on his payroll.
- Shorty
- (as Henry Morgan)
- Minor Role
- (uncredited)
- Girl Singer
- (uncredited)
- Eddie
- (uncredited)
- Minor Role
- (uncredited)
Storyline
Did you know
- TriviaA surprise hit for lower-rank "B" studio Monogram Pictures (as an Allied Artists Pictures release), this made a big profit for the company and was one of Hollywood's most profitable films of 1947.
- GoofsAbout 15 minutes into the picture, when people are going up and down the stairs to the elevated train platform, a shadow of the camera and crew member falls across them.
- Quotes
Shubunka: [to Dorothy] You understood nothing. You're sweet, lovely, and good. You're also very young. Pay for my sins? You know what my sins were? I'll tell you. That I wasn't rotten enough. I wasn't mean and low and dirty enough. That's right, I should have smashed Cornell first. I should have hounded Jammy, kept after him, killed him myself. I should have trusted no one, never had a friend. I should have never loved a woman. That's the way the world is. Wait, live, find out yourself that's the way you have to be... the only way!
- ConnectionsFeatured in Noir Alley: The Gangster (2018)
But its milieu and aspirations remain decidedly -- ostentatiously -- noir, from the baroque, shadowed ironwork of the El to the nighttime cloudbursts over the littered pavements. A soda fountain serves as the drama's central "set" into which self-styled racket kingpin Barry Sullivan frequently drops to flash his cufflinks. He's unable to confront the fact that his tiny crime empire is under siege and crumbling; he's too obsessed with his stage-struck mistress (Belita). Blind with jealousy and bloated with delusions of his invulnerability, he drifts impassively, almost catatonically, toward the fate that's already been meted out for him (the dramaturgy brings to mind Periclean Athens or Elizabethan London).
An unusually starry cast of noir players inhabits The Gangster, many in no more than walk-ons. Among them: Akim Tamiroff as the drugstore proprietor and Sullivan's partner; Harry Morgan as a soda jerk and Joan Lorring as cashier; Fifi D'Orsay, in an inexplicable role; John Ireland and Virginia Christine as a compulsive gambler and his despairing wife; Sheldon Leonard as Sullivan's predatory nemesis; Elisha Cook, Jr. and Charles McGraw as (what else?) thugs; even an uncredited Shelley Winters, fixing her face.
Plainly, there's a lot to admire in The Gangster, from the stagily constructed neighborhood to Louis Gruenman's melodramatic score. The trouble is that all the admirable bits and pieces don't quite jell into the organic flow of vital cinema, and the purple passages don't ring true as the street lingo of a raffish backwater called Neptune Beach.
Details
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.37 : 1