Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.Recently widowed Sandra Demarest arrives at the isolated home of her late husband for his wake, but his uncle will not allow her to view the corpse.
Patricia Barry
- Angela
- (as Patricia White)
John Elliott
- Clergyman
- (voice)
- (uncredited)
Lisa Golm
- Mrs. Laidell
- (uncredited)
Creighton Hale
- Dr. Reynolds
- (uncredited)
Jack Mower
- Watkins
- (uncredited)
Paul Panzer
- Gatekeeper
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe final of three film collaborations between director Peter Godfrey and Barbara Stanwyck; the others are Christmas in Connecticut (1945) and The Two Mrs. Carrolls (1947). The pair developed a strong, lasting friendship while working on these films.
- GoofsSandra (Barbara Stanwyck) sets her alarm clock for 3:00 a.m. When the clock downstairs starts to chime at 3:00, Sandra comes downstairs fully dressed while clock is still chiming. There was no time to wake up and dress in that short period of time.
It's possible she could have woken before alarm went off and gotten dressed. It's also possible her bedroom clock's time was several minutes ahead of the downstairs clock, or that she never undressed, or maybe even didn't go to sleep.
- Quotes
Mark Caldwell: You know, if I was to bring this battle of the wits down to direct insults, I'd say you were one of the most cold-blooded, scheming women I've ever met in my life!
Sandra Marshall: You've already said that.
- ConnectionsFeatured in Hollywood: The Fabulous Era (1962)
Featured review
Cry Wolf is directed by Peter Godfrey and adapted to screenplay by Catherine Turney from the novel of the same name written by Marjorie Carleton. It stars Errol Flynn, Barbara Stanwyck, Geraldine Brooks and Richard Baseheart. Music is by Franz Waxman and cinematography by Carl E. Guthrie.
Effective old dark house mystery picture boasting star appeal and class from Guthrie and Waxman, Cry Wolf is an enjoyable failure. The story finds Babs Stanwyck as Sandra Marshall, who turns up at a creaky old mansion investigating the death of her husband. Met with a frosty reception by the lord of the manor, Mark Caldwell (Flynn), it's not long before Sandra is neck deep in intrigue and suspicious behaviours.
Flynn and Stanwyck aren't asked to stretch themselves for this plot, in fact Flynn garnered unfair criticism for his portrayal of the shifty Mark Caldwell (wooden/miscast etc). Unfair because the character is meant to be restrained and sombre, keeping his cards close to his chest, you can certainly see why Flynn took the part, it was a chance to tackle something away from the flamboyant roles he was so iconically known for.
As the main characters move through the standard plotting of such fare; what's the secrets of the house, what is going on in the locked room? And etc, the house is the major player. Again it's standard stuff, a place of creaky doors, shadowy rooms, ominous clock chimes and things that go bump in the night. Guthrie (Backfire/Caged/Highway 301) brings his awareness of film noir visual conventions to the piece, where all the night time sequences carry atmospheric punch. While Waxman at times scores it like a Universal Studios creature feature, which is just dandy, the string arrangements delightfully menacing.
Some back projection work is poor, and although the twisty finale worked for me, I personally can understand it being a disappointment to others, while there's definitely the feeling of wasting the stars hanging over proceedings. Yet there's a nice old fashioned feel to the movie that charms, even if the stars and technical purveyors are bigger than the material handed to them. An enjoyable failure, indeed. 6/10
Effective old dark house mystery picture boasting star appeal and class from Guthrie and Waxman, Cry Wolf is an enjoyable failure. The story finds Babs Stanwyck as Sandra Marshall, who turns up at a creaky old mansion investigating the death of her husband. Met with a frosty reception by the lord of the manor, Mark Caldwell (Flynn), it's not long before Sandra is neck deep in intrigue and suspicious behaviours.
Flynn and Stanwyck aren't asked to stretch themselves for this plot, in fact Flynn garnered unfair criticism for his portrayal of the shifty Mark Caldwell (wooden/miscast etc). Unfair because the character is meant to be restrained and sombre, keeping his cards close to his chest, you can certainly see why Flynn took the part, it was a chance to tackle something away from the flamboyant roles he was so iconically known for.
As the main characters move through the standard plotting of such fare; what's the secrets of the house, what is going on in the locked room? And etc, the house is the major player. Again it's standard stuff, a place of creaky doors, shadowy rooms, ominous clock chimes and things that go bump in the night. Guthrie (Backfire/Caged/Highway 301) brings his awareness of film noir visual conventions to the piece, where all the night time sequences carry atmospheric punch. While Waxman at times scores it like a Universal Studios creature feature, which is just dandy, the string arrangements delightfully menacing.
Some back projection work is poor, and although the twisty finale worked for me, I personally can understand it being a disappointment to others, while there's definitely the feeling of wasting the stars hanging over proceedings. Yet there's a nice old fashioned feel to the movie that charms, even if the stars and technical purveyors are bigger than the material handed to them. An enjoyable failure, indeed. 6/10
- hitchcockthelegend
- Jun 22, 2014
- Permalink
- How long is Cry Wolf?Powered by Alexa
Details
Box office
- Budget
- $1,461,000 (estimated)
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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