A man is murdered, apparently by one of a group of demobilized soldiers he met in a bar. But which one? And why?A man is murdered, apparently by one of a group of demobilized soldiers he met in a bar. But which one? And why?A man is murdered, apparently by one of a group of demobilized soldiers he met in a bar. But which one? And why?
- Nominated for 5 Oscars
- 3 wins & 8 nominations total
George Barrows
- Military Policeman
- (uncredited)
Eddie Borden
- Man in Hotel Bar
- (uncredited)
Robert Bray
- Military Policeman
- (uncredited)
Don Cadell
- Military Policeman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBased on Richard Brooks' first novel, "The Brick Foxhole" (1945), written while he was still a sergeant in the U.S. Marine Corps. One of the many subplots of the novel dealt with homophobia, but that was changed to anti-Semitism and became the focus of the story for the film. The decision was made by producer Adrian Scott, who had purchased the rights to the novel, knowing any depiction of homosexuality would not get past the Production Code Administration.
- GoofsWhen Keeley is at the door talking to Floyd, just before Keeley and Bill Williams leave Floyd's room, the boom operator is reflected, perfectly framed, in the mirror to the left of the door behind Keeley in two shots for a total of about 17 seconds.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into American Cinema: Film Noir (1995)
- SoundtracksShine
(uncredited)
Written by Cecil Mack, Lew Brown, and Ford Dabney
Performed Kid Ory's Creole Jazz Band
Played in Red Dragon dance hall when Mitchell first meets Ginny
Featured review
Definitely a "must see" for all fans of film noir.
Thanks to a fine script and crisp, razor sharp direction, a top cast comes together and works like a well oiled clock to produce a crackerjack psychological thriller. Wonderful characterizations articulate the movie's powerful message about the dangers of racial and religious intolerance.
It's difficult and almost unjust to single out any one, particular performance because there isn't a weak link in the entire company. But Robert Ryan as the hateful and violent white supremacist is truly spine chilling.
Making this film in the 1940s would have taken a lot of courage. Now,all these years later, at a time when contemporary movies are dominated by a ridiculous over abundance of foul language, bare breasts, crummy acting and deafening soundtracks, it's refreshing to get back to the basics of quality film making with a viewing treat like "Crossfire".
Another low budget gem from the Hollywood archives .
Thanks to a fine script and crisp, razor sharp direction, a top cast comes together and works like a well oiled clock to produce a crackerjack psychological thriller. Wonderful characterizations articulate the movie's powerful message about the dangers of racial and religious intolerance.
It's difficult and almost unjust to single out any one, particular performance because there isn't a weak link in the entire company. But Robert Ryan as the hateful and violent white supremacist is truly spine chilling.
Making this film in the 1940s would have taken a lot of courage. Now,all these years later, at a time when contemporary movies are dominated by a ridiculous over abundance of foul language, bare breasts, crummy acting and deafening soundtracks, it's refreshing to get back to the basics of quality film making with a viewing treat like "Crossfire".
Another low budget gem from the Hollywood archives .
- BruceCorneil
- Jul 18, 2003
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Cradle of Fear
- Filming locations
- RKO Encino Ranch - Balboa Boulevard & Burbank Boulevard, Encino, Los Angeles, California, USA(Studio, exterior town scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $250,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.33 : 1
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