A married woman and a drifter fall in love and then plot to murder her husband.A married woman and a drifter fall in love and then plot to murder her husband.A married woman and a drifter fall in love and then plot to murder her husband.
Philip Ahlm
- Photographer
- (uncredited)
John Alban
- Photographer
- (uncredited)
Don Anderson
- Orderly Pushing Wheelchair
- (uncredited)
Morris Ankrum
- Judge
- (uncredited)
King Baggot
- Courtroom Spectator
- (uncredited)
Betty Blythe
- Customer
- (uncredited)
Paul Bradley
- Man
- (uncredited)
Barbara Brewster
- Danielle - Ben's Twin Girl
- (uncredited)
Gloria Brewster
- Yvette - Ben's Twin Girl
- (uncredited)
Wally Cassell
- Ben
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJames M. Cain was so impressed with Lana Turner's performance he presented her with a leather-bound copy of the book inscribed, "For my dear Lana, thank you for giving a performance that was even finer than I expected."
- GoofsWhen Cora opens the cash register to leave a note, the bill in the register is a Confederate one-dollar bill.
This is not an "Anachronism", as Confederate money certainly existed in the 1940s, though it might be considered odd that the proprietor accepted it.
- Quotes
Cora Smith: It's too bad Nick took the car.
Frank Chambers: Even if it was here, we couldn't take it, unless we'd want to spend the night in jail. Stealing a man's wife, that's nothing, but stealing a man's car, that's larceny.
- Crazy creditsOpening and ending credits are shown over the hardcover book of the same name.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksShe's Funny That Way
(1928) (uncredited)
Music by Neil Moret
Lyrics by Richard A. Whiting
Played on guitar and Sung by Cecil Kellaway
Featured review
Drifter Frank Chambers applies for a job at a road side café belonging to Nick Smith, only to fall under the spell of Nick's wife Cora. He falls into desire which leads to deceit and eventually murder. Too late he falls in love but by then things have gone too far. He tells his story to us with the hindsight of a condemned man.
A classic bit of noir light. Based on Cain's sexual novel this underplays the explicit references but turns the subtle stuff way up - the film opens with a `Man Wanted' sign, while Cora is so well played that there's no doubt what she's offering. Without the explicit sex of the remake this story is a lot freer to be interesting rather than explicit. The court case and the mistrust between the lovers is as good as the early desire giving rise to murder.
Lana Turner is excellent as the femme fatale, she is smouldering and very, very desirable. Garfield is also excellent as the man trapped in her web. The two are the very center of the film and are both superb. If the film has any weakness then it may be that modern audiences need more than very subtle stuff, but that's probably our problem rather than the film's.
Overall this is very enjoyable, it has a great sense of mood and builds well to the inevitable conclusion.
A classic bit of noir light. Based on Cain's sexual novel this underplays the explicit references but turns the subtle stuff way up - the film opens with a `Man Wanted' sign, while Cora is so well played that there's no doubt what she's offering. Without the explicit sex of the remake this story is a lot freer to be interesting rather than explicit. The court case and the mistrust between the lovers is as good as the early desire giving rise to murder.
Lana Turner is excellent as the femme fatale, she is smouldering and very, very desirable. Garfield is also excellent as the man trapped in her web. The two are the very center of the film and are both superb. If the film has any weakness then it may be that modern audiences need more than very subtle stuff, but that's probably our problem rather than the film's.
Overall this is very enjoyable, it has a great sense of mood and builds well to the inevitable conclusion.
- bob the moo
- Feb 17, 2002
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- El cartero llama dos veces
- Filming locations
- Laguna Beach, California, USA(beach scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,683,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Postman Always Rings Twice (1946) officially released in India in English?
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