Directed by
| Gabriel Pascal | ||
Writing Credits
| George Bernard Shaw | ... | (scenario) (as Bernard Shaw) |
| George Bernard Shaw | ... | (dialogue) (as Bernard Shaw) |
| George Bernard Shaw | ... | (play) (uncredited) |
| George Bernard Shaw | ... | (screenplay) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
| Gabriel Pascal | ... | producer |
| J. Arthur Rank | ... | executive producer (uncredited) |
Music by
| Georges Auric | ||
Cinematography by
| Jack Cardiff | ... | (photography) |
| Jack Hildyard | ... | (photography) |
| Robert Krasker | ... | (photography) |
| Freddie Young | ... | (as F.A. Young) (photography) |
Editing by
| Frederick Wilson | ||
| Louis R. Loeffler | ... | (uncredited) |
| Joan Warwick | ... | (uncredited) |
Casting By
| Pat MacDonnell | ... | (uncredited) |
| Adele Raymond | ... | (uncredited) |
Art Direction by
| John Bryan | ||
| Hein Heckroth | ||
Costume Design by
| Oliver Messel | ... | (costumes) |
Makeup Department
| Barbara Barnard | ... | hair stylist (uncredited) |
| George Blackler | ... | makeup artist (uncredited) |
| Harry Davo | ... | makeup artist (uncredited) |
| Stuart Freeborn | ... | makeup artist (uncredited) |
| Ernest Gasser | ... | assistant makeup artist (uncredited) |
| Stella Morris | ... | assistant makeup artist (uncredited) |
| Doris Porter | ... | hair stylist (uncredited) |
| Howard Richman | ... | assistant makeup artist (uncredited) |
Production Management
| Tom White | ... | general manager of production |
| Raymond Anzarut | ... | production manager (uncredited) |
| Mickey Delamar | ... | production manager (uncredited) |
| Robert C. Foord | ... | production manager (uncredited) |
| John 'Pinky' Green | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Bluey Hill | ... | first assistant director (uncredited) |
| Brian Desmond Hurst | ... | first assistant director (uncredited) |
| Pat Kelly | ... | third assistant director (uncredited) |
| Laurie Knight | ... | third assistant director (uncredited) |
| Pat MacDonnell | ... | second assistant director (uncredited) |
| John Oldknow | ... | third assistant director (uncredited) |
| Philip Shipway | ... | second assistant director (uncredited) |
Art Department
| Oliver Messel | ... | decor |
| Harry Moore | ... | scenic artist |
| Beatrice Dawson | ... | jewellery (uncredited) |
| John Elphick | ... | location art director: Egypt (uncredited) |
| William Hutchinson | ... | assistant art director (uncredited) |
| Oliver Messel | ... | jewellery (uncredited) |
| Peter Pewas | ... | poster artist : Germany (uncredited) |
| Don Picton | ... | draughtsman (uncredited) |
| Elven Webb | ... | draughtsman (uncredited) |
| Herbert Westbrook | ... | draughtsman (uncredited) |
Sound Department
| John Dennis | ... | sound recordist |
| Desmond Dew | ... | dubbing |
| Eric Clennell | ... | boom operator (uncredited) |
| Peter Davies | ... | production and post-production optical sound camera (uncredited) |
| Walter R. Day | ... | sound maintenance engineer (uncredited) |
| Desmond Dew | ... | sound recordist (uncredited) |
| Stanley Lambourne | ... | boom operator (uncredited) |
| George Paternoster | ... | assistant boom operator (uncredited) |
| Ken Rawkins | ... | dubbing crew (uncredited) |
| Kitty Spreckley | ... | dubbing editor (uncredited) |
Special Effects by
| Bill Warrington | ... | special effects (uncredited) |
| Douglas Woolsey | ... | special effects (uncredited) |
Visual Effects by
| W. Percy Day | ... | matt shots (as Percy Day) |
| George Blackwell | ... | models (uncredited) |
| Henry Harris | ... | models (uncredited) |
| Bill Warrington | ... | models (uncredited) |
| Douglas Woolsey | ... | models (uncredited) |
Stunts
| Steve Donohue | ... | stunts (uncredited) |
| Peter Perkins | ... | stunts (uncredited) |
| Nosher Powell | ... | stunts (uncredited) |
| Connie Tilton | ... | stunt double: Vivien Leigh (uncredited) |
Camera and Electrical Department
| Edward Scaife | ... | operator (as Ted Scaife) |
| Dennis Bartlett | ... | clapper loader (uncredited) |
| Frank Kingston | ... | focus puller (uncredited) |
| Wilfrid Newton | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Matilda Etches | ... | costumes: Vivien Leigh |
| Eleanor Abbey | ... | assistant costume designer (uncredited) |
| Dorothy Edwards | ... | wardrobe (uncredited) |
| Margaret Furse | ... | wardrobe (uncredited) |
| Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Joan Bridge | ... | assistant chief of colour control department |
| Natalie Kalmus | ... | chief of color control department |
| George Minassian | ... | color technician: Technicolor (uncredited) |
Music Department
| Muir Mathieson | ... | conductor: the National Symphony Orchestra |
Script and Continuity Department
| Marjorie Deans | ... | script editor |
| Yvonne Axworthy | ... | continuity (uncredited) |
| Marjorie Deans | ... | script supervisor (uncredited) |
| Maggie Unsworth | ... | continuity (uncredited) |
Additional Crew
| Gabriel Pascal | ... | presenter |
| Joy Raymond | ... | press |
| David O. Selznick | ... | Vivien Leigh by arrangement with |
| Bernard Slydel | ... | public relations |
| Renée Glynne | ... | production secretary (uncredited) |
| Adrian D. Worker | ... | production accountant (uncredited) |
