In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.
- Won 2 Oscars
- 3 wins & 5 nominations total
- Phya Phrom
- (uncredited)
- An Elephant
- (uncredited)
- Midget Page Boy
- (uncredited)
- Wife of King
- (uncredited)
- Wife of King
- (uncredited)
- Dance Director
- (uncredited)
- Wife of King
- (uncredited)
- Amazon Guard
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSir Rex Harrison thoroughly enjoyed co-starring with Irene Dunne. He thought her "an excellent actress" and was pleased that she had the confidence to follow her own instincts. He recalled, "She too went her own way and tactfully used the director, as I later learned to do myself, to her own advantage; she listened to what he had to give, and discarded it or used it, as she wished."
- GoofsAs the various Consulates are being established, there are several errors involving the national flags; the British Union Jack is shown upside down, the French flag is replaced by that of The Netherlands, and the US flag is shown with 48 stars (correct for 1946, but in 1870 there were only 37 states).
- Quotes
Kralahome: [the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"] Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still protests his loyalty to Your Majesty.
King Mongkut: So, a camel's nose is in the tent. The partition of Siam, it has begun.
Kralahome: For a long time, we've said this hour must come. Now it is no longer talk. It is upon us. What do we do?
King Mongkut: Nothing. We shall do nothing whatever in this matter... because there is nothing we can do.
Kralahome: Your father took such a man once and burned out both his eyes, hung him in the sun in a cage over cool running water, until he went mad.
King Mongkut: [Heartbroken, yes resigned] We have not the right to waste ourselves on something which cannnot be changed. We shall save what strength and cunning we may have to hold together what is left of Siam. And if we cannot save all that is left, we shall save what we can.
Kralahome: [after a long pause] Tell me something Toongramon. A long time ago, I came to you and asked you to leave a life of peace, and to be King. If I could ask you now to make that choice, what would your answer be? Think well before you answer that. Think what this can mean to you.
King Mongkut: You feel great responsibility for me, don't you, Chow Koon?
Kralahome: You might still be living peacefully at the monastery if I had not persuaded you. Perhaps it is not too late to return. Think well on that. The monastery instead of this place, where you have only enemies and danger. Well, you know this is not the end. The ships of Europe will crowd thicker on our seas, greedy for conquest. They have the power... and the cunning. They know how to set your nobles against you, how to buy and threaten them. How can you hope to hold Siam together against enemies without and within? All that it can mean to you is that, in the end, you will die in a lost cause.
[pause]
Kralahome: I have done you a sorry service to have brought you to this moment.
King Mongkut: [after a moment] I think you take too much credit on yourself, Chow Koon. There is a man born for every task, and I was born for this one. Remember, I was prince before I was monk. Let me ask you, if you were in my place, what would your answer be?
[Long pause. He cannot answer]
King Mongkut: Then give me as much credit as you allow yourself, my friend.
Kralahome: If only we had more time.
King Mongkut: [Court musician can be heard playing "Home, Sweet Home" outside the King's window] She's got someone else at it.
Kralahome: She?
King Mongkut: That woman and her house!
[Calls to court musician]
King Mongkut: Stop it!
[Music stops]
King Mongkut: Take a lesson from her, my friend, and you'll never give up on anything. Give her a house.
Kralahome: But...
King Mongkut: Give her a house! If she was meant to be a sign to us, she deserves a reward.
[Really angry now]
King Mongkut: And if she wasn't, well, give her a house anyway, before she drives me out of my mind!
- Alternate versionsThe 2006 UK DVD was cut by 2 secs by the BBFC to remove a horse-trip.
- ConnectionsFeatured in Rodgers & Hammerstein: The Sound of Movies (1996)
- SoundtracksHome Sweet Home
(1823) (uncredited)
from "Clari, The Maid of Milan"
Music by H.R. Bishop
Lyrics by John Howard Payne
Sung by the King's children and played often in the score
Sung a cappella a bit by Mikhail Rasumny
I can't believe the number of folks who miss the point of Anna And The King Of Siam in just dismissing it as typical western racism. Yes it's there, but the real story of Siam later Thailand is how it missed being colonized by the west. In that regard the story is like Japan.
King Mongkut who ruled from 1851 to 1868 and played by Rex Harrison in his first role in a Hollywood film, was a man who's sole ambition was to keep his country away from colonial hands. But he also knew that the west had far outstripped the east in material progress if not culturally. His challenge was to learn from the west without being taken over by them.
Toward that end he did import among other things Anna Leonowens, shortened to Owens in this film and played by Irene Dunne. Her job was to educate the royal children, most especially the Crown Prince Chulalongkorn who would rule Siam as Mongkut's successor. How much and what kind of personal relationship she developed with the King is part true and part from the fertile mind of Margaret Landon who wrote the book this and The King and I were based on.
Today when you visit Thailand they will tell you up front about how proud they are that they were never colonized by a western power, a singular achievement in the 19th century. They did give up chunks of territory, to the French in Indo-China, to the British in Burma and Malaya, but Siam was kept in being. Ironically enough when it was conquered it was by another Eastern power, Japan in World War II. Thailand most people forget because of that was an Axis power nation, quite unwillingly, but they had little choice in yielding to a nation that learned the lessons Mongkut and Chulalongkorn learned far better.
Giving good performances in the supporting cast are Linda Darnell, Lee J. Cobb, and Gale Sondergaard. Darnell's character as Tuptim, current favorite of the king has far more bite to it and she's not a nice girl who the western schoolteacher is trying to help on the path to true love. Cobb's role as the chief minister, the Kralahome is far more expanded in this than The King And I. And Gale Sondergaard as Lady Thiang, mother of the crown prince is touching as the mother who really does live for her son as she's got nothing else really in the world. She was nominated for Best Supporting Actress in 1946, but lost to Anne Baxter in The Razor's Edge.
It's also ironic that while any number of folks might decry the racism shown by whites in Anna And The King Of Siam, at the same time they're also revolted by the position of women in Siam, being not above household furniture. Irene Dunne's character is hardly a Victorian feminist, but just the contrast to the other females in the cast forces here to become one. But that was their culture and still is in many areas of modern Thailand.
The highly acclaimed remake of this story that starred Jodie Foster and Chow Yun Fat in 1999 tells far more of the real story. It's good to compare the two. The differences in both versions tell a lot more about us as a society than even about 19th century Siam.
- bkoganbing
- Jul 26, 2008
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Ana y el rey de Siam
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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