Conflict

Sidney Greenstreet was only in motion pictures for nine years, but he left a mark as large as his physical presence. He was lucky to be taken through his initial appearance in films (he was past 60)by one of the great modern film directors (John Huston). And after THE MALTESE FALCON he was lucky enough to appear in a second film by Huston (ACROSS THE PACIFIC) co-starring his "Maltese Falcon" friends Bogart and Mary Astor. With that build-up he was set. Unfortunately, he also had been set in the role of villain, and for as long as he was connected to Warners Brothers (which was most of his whole career) he was usually playing villains. There would be exceptions: He was in comedies like CHRISTMAS IN CONNECTICUT, THE HUCKSTERS, PILLOW TO POST. But most of his films were dramatic, with him playing the villains. Sometimes his villains were sympathetic, or the type the audience secretly cheered on (his Superintendent Grodman avenges himself and a wrongly hanged man in the course of the film THE VERDICT). Sometimes he destroyed a truly evil figure (usually Zachary Scott), like in THE MASK OF DEMETRIOS.

Because of THE MALTESE FALCON and the Warner Brothers connection, Greenstreet and Bogart found themselves teamed together, frequently with Peter Lorre or Mary Astor in these films as well. In most of them Greenstreet played a villain or a semi-sinister figure (his role in Casablanca is not a total villain in the film). But CONFLICT is a real exception. It was the only time Greenstreet and Bogart were in a film together and Bogart is the villain, while Greenstreet is the man who solves the murder. It is good reverse casting (reminding us that Bogart's period as a supporting actor in the 1930s was one where he played villains against Edward G. Robinson or James Cagney). Greenstreet is excellent as the the man who uses psychological warfare to crack the killer's conscience. And it is so subtly done we never know what was the cause of Greenstreet's discovery of the truth - it all comes down to an issue of horticulture...so to speak.