For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.
Kay Kyser Band
- Kay Kyser's Band
- (as Kay Kyser's Band)
M.A. Bogue
- Ish Kabibble
- (as Ish Kabibble)
Dorothy Babb
- Autograph Girl
- (uncredited)
Leon Belasco
- Prince Maharoohu
- (uncredited)
Joseph E. Bernard
- Thomas
- (uncredited)
William Brandt
- Member The Guardsmen
- (uncredited)
Bill Cartledge
- Page Boy
- (uncredited)
Hobart Cavanaugh
- Philip Tremble
- (uncredited)
Storyline
Did you know
- TriviaThis film contains the only screen footage of John Barrymore reciting Hamlet's famous "To be or not to be" soliloquy.
- GoofsWhen Carmen throws the knife at John and Lulu, the wire used is clearly visible, and a small hole where it sticks in the wall is already present.
- Quotes
Nelson Pennypacker: I agree with you. Barrymore's a great actor.
Lulu Monahan: Oh, you can say that again. And when he's on the air for you, he'll sell more of your Vitamin L tablets...
Nelson Pennypacker: Not Vitamin L, Vitamin A!
Lulu Monahan: Well, they taste like L to me. Ha ha ha! Some joke, huh?
- Crazy creditsThe letters in the credits appear to be done in ribbon, and director David Butler's name is formed by a live-action of the film being reversed as the ribbon is pulled away.
- ConnectionsReferences Twentieth Century (1934)
- SoundtracksHow Long Did I Dream
(uncredited)
Music by Jimmy Van Heusen
Lyrics by Johnny Burke
Sung by Ginny Simms with the Kay Kyser Band
Featured review
This appears to have been the last movie of the great John Barrymore. (The filmography listed here must be wrong in following it with a movie in 1966. I've seen that movie and it is an old one.) As such, it has historical importance.
John Barrymore will always be remembered as one of the great men of American theater as well as a fine movie actor. He looks puffy and tired here, but boy! Does he give it his best shot.
The on screen credits have him as a supporting player, with Kay Keyser -- a tiny fleck on the radar screen of movie history -- before the title. However, I'd guess that Barrymore has at least as many lines as Keyser.
As to the quality of the lines: That is another story. In the movie, the always funny Patsy Kelly plays his agent. In real life, it's hard to imagine that any agent would have allowed him to play in such a startlingly vulgar movie. Maybe bills just needed to be paid.
This movie is so vulgar, it is entertaining, though our hearts break for Barrymore being paraded around in such sorry physical shape (and ending the movie in some sort of bizarre drag, hardly flattering to his corpulent figure. It is supposed to be Shakespearean garb but I've never seen a play by the immortal Bard that had its lead got up like that.) (Of course, I have never seen one with a male Portia, either, though Keyser is shown practicing her lines from "The Merchant Of Venice.") Lupe Velez is also served very badly here. She has a small role and is, as she generally was, a caricature. She is overly made up and is made to seem thoroughly unappealing in character as well.
May Robson is always good. I have never seen a bad performance from her. Here she is in the small role of Keyser's mother and does fine with what she has. It is scarcely one of the highlights of her career, though.
Ish Kabibble is a very odd presence. He seems to have the haircut on which the Beatles (whom I love; please understand) based theirs. He is harmless, as is Keyser, as is Ginny Simms. I don't care for that style of music, but obviously many did.
Having John Barrynore laugh at, or even be on the same sound stage with, Ish's corny jokes is really sad, though. The whole thing is sad. But it isn't dull.
If Barrymore were alive today, one has the feeling from his presence here, he might be doing guest bits on reality TV shows -- letting it all hang out but making enough to pay the bills and to keep his name in the public eye.
John Barrymore will always be remembered as one of the great men of American theater as well as a fine movie actor. He looks puffy and tired here, but boy! Does he give it his best shot.
The on screen credits have him as a supporting player, with Kay Keyser -- a tiny fleck on the radar screen of movie history -- before the title. However, I'd guess that Barrymore has at least as many lines as Keyser.
As to the quality of the lines: That is another story. In the movie, the always funny Patsy Kelly plays his agent. In real life, it's hard to imagine that any agent would have allowed him to play in such a startlingly vulgar movie. Maybe bills just needed to be paid.
This movie is so vulgar, it is entertaining, though our hearts break for Barrymore being paraded around in such sorry physical shape (and ending the movie in some sort of bizarre drag, hardly flattering to his corpulent figure. It is supposed to be Shakespearean garb but I've never seen a play by the immortal Bard that had its lead got up like that.) (Of course, I have never seen one with a male Portia, either, though Keyser is shown practicing her lines from "The Merchant Of Venice.") Lupe Velez is also served very badly here. She has a small role and is, as she generally was, a caricature. She is overly made up and is made to seem thoroughly unappealing in character as well.
May Robson is always good. I have never seen a bad performance from her. Here she is in the small role of Keyser's mother and does fine with what she has. It is scarcely one of the highlights of her career, though.
Ish Kabibble is a very odd presence. He seems to have the haircut on which the Beatles (whom I love; please understand) based theirs. He is harmless, as is Keyser, as is Ginny Simms. I don't care for that style of music, but obviously many did.
Having John Barrynore laugh at, or even be on the same sound stage with, Ish's corny jokes is really sad, though. The whole thing is sad. But it isn't dull.
If Barrymore were alive today, one has the feeling from his presence here, he might be doing guest bits on reality TV shows -- letting it all hang out but making enough to pay the bills and to keep his name in the public eye.
- Handlinghandel
- Jan 3, 2005
- Permalink
Details
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.37 : 1
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