For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.For the sake of a lucrative radio contract, John Barrymore agrees to turn bandleader Kay Kyser into a Shakespearian actor.
Kay Kyser Band
- Kay Kyser's Band
- (as Kay Kyser's Band)
M.A. Bogue
- Ish Kabibble
- (as Ish Kabibble)
Dorothy Babb
- Autograph Girl
- (uncredited)
Leon Belasco
- Prince Maharoohu
- (uncredited)
Joseph E. Bernard
- Thomas
- (uncredited)
William Brandt
- Member The Guardsmen
- (uncredited)
Bill Cartledge
- Page Boy
- (uncredited)
Hobart Cavanaugh
- Philip Tremble
- (uncredited)
Storyline
Did you know
- TriviaThis film contains the only screen footage of John Barrymore reciting Hamlet's famous "To be or not to be" soliloquy.
- GoofsWhen Carmen throws the knife at John and Lulu, the wire used is clearly visible, and a small hole where it sticks in the wall is already present.
- Quotes
Nelson Pennypacker: I agree with you. Barrymore's a great actor.
Lulu Monahan: Oh, you can say that again. And when he's on the air for you, he'll sell more of your Vitamin L tablets...
Nelson Pennypacker: Not Vitamin L, Vitamin A!
Lulu Monahan: Well, they taste like L to me. Ha ha ha! Some joke, huh?
- Crazy creditsThe letters in the credits appear to be done in ribbon, and director David Butler's name is formed by a live-action of the film being reversed as the ribbon is pulled away.
- ConnectionsReferences Twentieth Century (1934)
- SoundtracksHow Long Did I Dream
(uncredited)
Music by Jimmy Van Heusen
Lyrics by Johnny Burke
Sung by Ginny Simms with the Kay Kyser Band
Featured review
Painful self humiliation from a fallen star. Barrymore here plays himself as a has been Shakespearean star so desperate for a Radio contract that he agrees to appear opposite Kay Kyser and band in a festival of the bard's plays.
John was on his last legs when he made this, as testified by a bloated and sometimes drunken appearance and he's treated badly by the script and cast (all his tax and drinking problems are trotted out as "humour" and in a dream scene Barrymore is even shown as a bull defeated by toreador Kyser). Yet this film does have a certain weird amusement value if you catch it in the right mood and if you can forget it's his final film..
Barrymore works very hard to make the most of this script, bellowing and posturing his way through the proceedings. It's a million miles from subtle but with his snorts and grunts and bulging eyes he certainly holds the attention and even generates the odd laugh. Occasionally there's a flash of his old talent. At one point he delivers part of Hamlet's To Be Or Not To Be soliquey in an attempt to demonstrate how Shakespeare should be performed. The film and the scene to this point lead us to expect that Barrymore will send the speech up.
Instead in the midst of the frantic mugging Barrymore gives a heart felt and totally straight reading of the scene. It lasts a minute and is intensely moving. There's genuine rawness here and John himself seems quite overcome. (It's extraordinary they kept this in) For a few scenes after this we get to hear his voice giving further beautifully modulated readings from Romeo and Juliet before the movie goes back to it's demeaning purpose.
Patsy Kelly is one of the other talents who help save this farrago from complete disaster.
John was on his last legs when he made this, as testified by a bloated and sometimes drunken appearance and he's treated badly by the script and cast (all his tax and drinking problems are trotted out as "humour" and in a dream scene Barrymore is even shown as a bull defeated by toreador Kyser). Yet this film does have a certain weird amusement value if you catch it in the right mood and if you can forget it's his final film..
Barrymore works very hard to make the most of this script, bellowing and posturing his way through the proceedings. It's a million miles from subtle but with his snorts and grunts and bulging eyes he certainly holds the attention and even generates the odd laugh. Occasionally there's a flash of his old talent. At one point he delivers part of Hamlet's To Be Or Not To Be soliquey in an attempt to demonstrate how Shakespeare should be performed. The film and the scene to this point lead us to expect that Barrymore will send the speech up.
Instead in the midst of the frantic mugging Barrymore gives a heart felt and totally straight reading of the scene. It lasts a minute and is intensely moving. There's genuine rawness here and John himself seems quite overcome. (It's extraordinary they kept this in) For a few scenes after this we get to hear his voice giving further beautifully modulated readings from Romeo and Juliet before the movie goes back to it's demeaning purpose.
Patsy Kelly is one of the other talents who help save this farrago from complete disaster.
- hamilton65
- Jan 1, 2002
- Permalink
Details
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.37 : 1
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